Posts tagged ‘100-149 pages’

Princeless 1

PrincelessTitle: Princeless (first four issues)
Author: Jeremy Whitley
Illustrators: M. Goodwin (art and colors) and Jung Ha Kim (letters)
ISBN: 9781939352545
Pages: Unpaged (128 pages)
Publisher/Date: Action Lab Entertainment, c2015

That very day, the prince and princess were married. They lived happily ever after and had lots of beautiful children. The End.
“That story is complete hogwash. [..] First of all, it’s full of plot holes. I mean, really, what kind of dragon dies with one blow? Not to mention, how did he get her down from that tower?”
“I suppose he climbed.”
“Climbed? Climbed Mom? He climbed ‘the tallest of tall towers’. Then managed to get the helpless princess of his down without any kind of magic? Did you see that girl’s arms? They’re PIPE CLEANERS! She’s not climbing down anything! […] And how did she get up there in the first place? Who has the kind of grudge against this beautiful princess that they would lock her in a tower? […] Plus where do you even buy a dragon? Dragons are wild animals! You’re going to put that thing in charge of your daughter? What if it wanders off? What if it eats her? […] All I know is, when I turn sixteen, you and dad had better not lock me in some tower.”

Oh, but that’s exactly what happens to Adrienne, is she gets locked in a tower guarded by a dragon waiting to be rescued. After several princes get eaten and one runs away screaming, she takes matters into her own hands. Breaking both herself and her dragon Sparky free, they begin a quest to rescue the rest of her sisters from their respective towers. Returning to her home leads to a case of mistaken identity, and now she’s running from her own guards. Will a plucky blacksmith’s daughter with her own ideas of women warriors be an asset to her quest?

Remember all those good things I said about Nimona, and how it subtly alluded to cultural tropes regarding superheroes, feminism, and tradition? Place all those things in glaring, blinding, glowing neon skyscraper height letters, and you get Princeless. Plastered on the front cover is a quote from Comics Alliance hailing it as “the story Disney should have been telling for the past twenty years,” but I feel that’s true only if Disney was being run by overly politically correct government officials. In less than two hundred pages we cover:

  • anti-feminist messages of old-fashioned fairy tales (quoted above)
  • blatant recognition of sexism in the costumes of female heroes (“What I’m saying is why should a woman’s armor have to show cleavage or stomach? […] Why not make real armor, which would actually be effective in a fight for a woman warrior?”)
  • the mistaken emphasis of women’s worth as a commodity instead of a companion that persists in some cultures even today (“And the worst part is, all he wanted was money for her”)
  • patriarchal views of the role of women in society (“It is not a woman’s place to rule, but to be ruled.”) and
  • the stereotyping against “feminine” qualities in men and “masculine” qualities in women.

Why don’t we just use Bedelia’s giant hammer to pound feminist philosophies into everyone’s head, as that would be about as subtle as this book. I guess for some people it’s necessary to be this obvious, but it seriously impacted my enjoyment of the story, not because I disagree with the messages. I agree whole heartedly that young girls need realistic role models of all types in literature, and have long wished that more superheroes took the functional female route instead of the spandex bikini-clad boobs and butts. However, let the story prove the point, and don’t make medieval characters spout modern-day political talking points ever dozen or so pages.

Now don’t misunderstand, I did enjoy the premise of the story. The details were really key, with Princess Adrienne actually falling off her dragon the first time she hops on due to the lack of a proper saddle. I like her ingenuity when it comes to getting herself out of trouble. Her ethnicity, minus one early mention about how she will never be a “fair maiden”, amazingly goes largely unremarked upon but is unquestionable in the illustrations. Princess Adrienne has an admirable attitude, not similar to Junie B. Jones but more to that point that she knows what makes sense and she’s not afraid say what she’s thinking. I’m hopeful the series will become less about what other comics and fairy tales are lacking and more about the good qualities that this storyline offers. There are certain scenes that really steal the show, especially the last one with Adrienne’s sister, and those are the types of scenes that I want to see more. A good, promising start if you’re willing to dodge the propaganda when necessary.

Poisoned Apples

Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Poisoned ApplesTitle: Poisoned Apples: Poems for You, My Pretty
Author: Christine Heppermann
Illustrations: Photographs by various artists
ISBN: 9780062289575
Pages: 114 pages
Publisher/Date: Greenwillow Books, an imprint of HarperCollinsPublishers

Simon says touch your toes.
Simon says turn around.
Simon says touch your toes again.
Now wiggle a little.
Simon says he is not a pervert. (16)

The quoted poem was the first that gave me goose bumps in this collection that uses fairy tales conventions to remark on the culture of today’s women. Topics include eating disorders, feminism, and sexual rights, either applied to modern-day or as Heppermann sees them within the original tale. “Finders Keepers” talks about virginity, “Red-Handed” paints Little Red Riding Hood as a smuggler with sexual prowess (“Why, Wolfie, what a big…”), “Runaway” portrays Goldilocks as a rebellious runaway, and Hansel and Gretel themed “Weight Watchers” brings a whole new meaning to fudge bars. It features different formats including a haiku and a villanelle, rare in a genre dominated by free verse. While some appear overly didactic (example, naming a poem “A Brief History of Feminism”), rave reviews from Gayle Forman, A.S. King, and Sara Zarr give this debut author the street cred it rightfully deserves. Perfect for transitioning from Women’s History Month to Poetry Month.

Korgi Book Three

Korgi 3 A Hollow BeginningTitle: Korgi Book Three: A Hollow Beginning
Author/Illustrator: Christian Slade
ISBN: 9780329889081
Pages: 112 pages
Publisher/Date: Top Shelf Productions, c2011.

It’s impossible to quote a wordless picture book. If you’ll remember my previous review of the first two books, I predicted that there would be a third book. This one is different than the other two, as there is more violence, which I was somewhat shocked by. The illustrations are still gorgeous, detailed, and expressive, with a flashback sequence set apart by a thicker border around each panel and darker lines composing the drawings. Ivy and her korgi Sprout have discovered a sliver of… something (it resembles a pieces of sharp glass) with a drawing on it. After asking around the village, they visit Wart, the librarian/historian for the town. (Side note, as a librarian, I’m drooling over Wart’s book collection and shelving.) Wart tells a story of where the piece may have come from, but it is almost stolen from the duo until a friend saves the day. Although the very last page seems to be the perfect ending (in a photo-copy-and-frame-that-drawing kind of way), there are still some unresolved plot points that may lead to a fourth book in the series, especially when tying the flashbacks to the current story line.

2 The Point Tuesday Explorer: The Lost Islands

Each month for my job, I write a maximum 150 word review of a new book that came into the library during the month. I’ll be expanding that idea to the blog in a new feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Explorer Lost IslandsTitle: Explorer: The Lost Islands
Editor: Kazu Kibuishi
Contributors: Jake Parker, Chrystin Garland, Jason Caffoe, Dave Roman and Raina Telgemeier (colorist Braden Lamb), Michel Gagne, Katie and Steven Shanahan (colorists Eric Kim and Selena Dizazzo), and Kazu Kibuishi (colorist Jason Caffoe)
ISBN: 9781419708817
Pages: 127 pages
Publisher/Date: Amulet Books, an imprint of ABRAMS, c2013.

There’s a rabbit with a helpful robot. A young child discovers there is more than you think behind a carnival mask. A teenage boy stranded on a deserted island finds help from a ghost crab. A teenage girl discovers a woman whose life sounds eerily similar to her own. A flying fish rescues her friends from an erupting volcano. A mage in training learns the value of the radio as she tries to hatch a pixie egg. A boat full of fishermen almost becomes fish food. These seven stories all revolve around exploring lost islands and what you might find on their shores and in their waters. A compilation of graphic novelists take turns sharing through vivid colors their interpretations of the theme, some complete and some with open endings leaving readers to wonder what is next in the adventures of the characters.

SPF 40

Will Eisner Week 2014Did you know it’s Will Eisner Week this week, from March 1st through March 7th? Neither did I until I stumbled upon the announcement of the celebration in January. Will Eisner Week “is an annual celebration honoring the legacy of Will Eisner and promoting sequential art, graphic novel literacy, and free speech.” Looking for more information? Visit the website. In honor of Will Eisner Week, I’m going to take this opportunity to review graphic novels, which I’ll readily admit I don’t read enough of. My second featured book will be last year’s SPF 40 by Sharon Emerson and Renee Kurilla.

SPF 40
Title: SPF 40
Series: Zebrafish
Author: Sharon Emerson
Illustrator: Renee Kurilla
with help from Didi Hatcher and the team at Fablevision
ISBN: 978141697085
Pages: 117 pages
Publisher/Date: Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division, c2013.

I didn’t realize initially that this was a sequel, but it is a continuation of a story. The other slightly confusing part is who wrote this. I originally thought that picture book author Peter Reynolds, since the cover proclaims “Peter H. Reynolds and FableVision present” but then the title page specifies the true author and illustrator, which I have always thought was a little unfair to authors when they don’t get cover recognition.

Regardless of who is responsible for putting together this story, it’s a sweet simple story with a lot of players. Gummy bear loving Plinko and fuscia haired Tanya (who’s in remission from leukemia) are off to be camp counselors, where they make friends with a diabetic named Scott and a red-haired Coley, who strikes me as overly enthusiastic about everything. Walt and Jay are teeming up not only to drive the library’s book mobile around, but also distribute Jay’s comic book. Purple haired Vita is the only one left behind, and while her first year in Southside High was huge, her first summer is turning out to be a bust. What will she do to occupy her time, instead of sitting in front of the television?

You might have noticed that I stressed hair color with a lot of the characters. That doesn’t just emphasize the colorful and varied cast, but it also signifies that you’d better be paying attention to names, because they are mentioned very infrequently and I found myself relying on their faces instead of their names to distinguish everyone. Maybe if I had read the first book first I wouldn’t have been so clueless with names. The hair color isn’t the only thing that is colorful, with all the pictures are bright and bold and eyecatching.

The book covers a lot of ground not only with characters, but also with topics. While they seem young, they are obviously also older then they first appear. Walt and Jay drive the library bookmobile, Vita has a dog friend Pepper who’s owner takes him to be read to hospital children, turtle hatching, and medical research involving glow in the dark fish and wireless insulin distribution. While I wish some of these topics were covered a little more, the limited exposure definitely keeps the story lines moving, making it a fast read.


0-545-13049-2Title: Truce: The Day the Soldiers Stopped Fighting
Author: Jim Murphy
ISBN: 9780545130493
Pages: 116 pages
Publisher/Date: Scholastic Press, an imprint of Scholastic, Inc.

In a matter of days, six million soldiers would find themselves facing weapons of unimaginable destructive power. Many of them would be blasted from the face of the earth, while others would be left permanently wounded in horrible ways. None of these young men realized that their leaders had lied to get them to fight in a war that did not have to happen. Nor could they know that on December 25, 1914, they would openly defy their commanding officers and meet on the battlefield in what can only be described as a Christmas miracle. (x)

Since I’ve read Scott Westerfeld’s Leviathan I know that World War I started when the Austrian Archduke was assassinated while visiting Bosnia-Herzegovina. I’d also previously heard about the impromptu truce that was called between troops in order to celebrate Christmas, which when the war started was when everyone thought the war would be over. Little did they know at that point it was just starting. But Jim Murphy glosses over the causes of the war and strives to put the focus on the soldiers involved in the conflict. There are copious photos of soldiers in the trenches, close-ups of the no-mans land that they could not cross, and the aftermath of the futile charges when they did attempt an attack. Soldiers from both sides are quoted extensively, with first-hand accounts taken from journals, letters home, and official correspondence. Even if you’d previously heard about the impromptu and imperfect truce, there’s new insight to be gained.

For instance, did you know that the truce was previously coordinated? Mini-truces had been organized between the troops, as they exchanged songs and sometimes supplies over the crumbling walls. Murphy relates that one area even had a shooting competition, where a target was placed in the middle and each sides shot until it was hit. But arranging the truce depended upon the individual platoons, battalions, and soldiers.

The most surprising thing was that it was frowned upon by the superior officers!

Back at headquarters, [English] General Horace Smith-Dorrien had been disturbing reports all day about strange goings-on at the front. […] The commander of all British troops, Field Marshall John French, was just as angry. “When this [fraternization] was reported to me I issued immediate orders to prevent any recurrence of such conduct, and called the local commanders to strict account, which resulted in a good deal of trouble.
The German High Command took much the same view and issued a terse order: “Commander Second Army directs that informal understandings with enemy are to cease. Officers . . . allowing them are to be brought before a court-martial.” (82-83)

As a result, some of the opposing officers in the field met to warn their enemies that they’d be resuming their hostilities. Some soldiers initially refused to resume firing, and others warned their counterparts each time they were forced to give the impression that they were still fighting, such as when they were being inspected by higher ranking members. While most places continued to fight by the new year, soldiers stationed on both sides at Ploegsteert Wood kept the friendship until March. I laughed at some of the comments, as I’m sure the commanding generals did not, such as when one captain declared that the men waved at each other and made tea and acted “most gentlemanly” and that “this useless and annoying sniping can have no real effect on the progress of the campaign.” (88)

A truly intriguing idea that begs the perpetual and never solved “What if” question that is probably hanging over the heads of every soldier involved. “What if the fighting had stopped there?” How different would history and the world be? Especially how reluctantly some of the parties were to even get involved in the conflict, I wish the practice of listening to the troops and the people would have enacted some change. As the holidays approach and we hear about “Peace on Earth and goodwill towards men,” consider reading this book and learning about how this idea was practiced in the worst of circumstances.

This was posted in conjunction with Nonfiction Mondays, a drive around the internet to encourage reading and reviewing nonfiction titles.


MoonbirdTitle: Moonbird: A Year on the Wind with the Great Survivor B95
Author: Phillip Hoose
ISBN: 9780374304683
Pages: 148 pages
Publisher/Date: Farrar Straus Giroux Books for Young Readers, c2012.
Awards: Robert F. Sibert Informational Honor Book (2013), CYBILS Top 5 Finalist (2012), Finalist for YALSA’s Award for Excellence in Nonfiction for Young Adults

Meet B95, one of the world’s premier athletes. Weighing a mere four ounces, he’s flown more than 325,000 miles in his life—the distance to the moon and nearly halfway back. He flies at mountaintop height along ancient routes that lead him to his breeding grounds and back. But changes throughout his migratory circuit are challenging this Superbird and threatening to wipe out his entire subspecies of rufa red knot. Places that are critical for B95 and his flock to rest and refuel—stepping-stones along a vast annual migration network—have been altered by human activity. Can these places and the food they contain be preserved?
Or will B95’s and rufa’s days of flight soon come to an end. (3)

That quote summarizes the entire book very adeptly and succinctly. By focusing on B95, Phillip Hoose presents the migratory patterns of the rufa red knot, along with other similar shore birds, as they fly from South America to the Arctic Circle and back again. The migration happens each year, with the birds spending no more than a few months at any location as they follow a path that is ingrained in them. Hoose thoroughly outlines the challenges that the birds face, including changing climates, natural predators, human influences, and stock up on food that needs to last their non-stop flight patterns. Several scientists that study these birds are featured throughout the book and highlight how discoveries about these birds continue to be made. Photos are also interspersed with side bars, and the notes at the end really detail Hoose’s first-hand pursuit of knowledge about these birds.

Hoose did a good job at presenting the facts without overly personifying the bird or his flock. While the facts can be dry to people (like me) who don’t read a lot of nonfiction, taking the book in bite sized snippets and focusing on what I call the “fast facts” can keep you interested. For instance, “Studies show that fat birds fly faster than thin birds, and can stay in the air longer. [Over the course of several weeks a] red knot can consume fourteen times its own weight. To do that, a human weighing 110 pounds would need to eat 2,300 hamburgers at two thirds of a pound per hamburger, with cheese and tomato.” (30-31)

Overall, it’s a unique spin on a little known animal. The amount of interest there will be for this book remains to be seen. However, it’s very in-depth, focused, and factual account, especially when you’re trying to show how scientists conduct their research.

This post is in honor of Nonfiction Mondays. For the entire round-up of all the bloggers who participated, head on over to A Mom’s Spare Time.

This book in particular was read as I participate in YALSA’s 2013 Hub Reading Challenge which challenges readers to finish 25 books by June 22nd from a list of 83 titles that were recognized and published over the last year.


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