Posts tagged ‘Retold Fairy Tale’

Wolf in the Snow

Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Wolf in the Snow.jpgTitle: Wolf in the Snow
Author/Illustrator: Matthew Cordell
ISBN: 9781250076366
Pages: unpaged
Publisher/Date: A Feiwel and Friends Book, an Imprint of Macmillan, c2017.

Containing only sound effects like the howl of wolves and the crunch of snow, a girl walking home from school becomes lost. Finding an equally lost wolf cub, the two help each other reunite with their families. The technique used to create the wolves renders them beautifully sleek creatures, with feathered fur and a penetrating, solid gaze. In contrast, the humans are depicted less realistically, with large round eyes and dots of color on pale cheeks the only thing visible behind an over-sized, nondescript red coat. Comparisons to another little red hooded girl are inevitable. A fine book, although nothing groundbreaking. Save for a wintry day read or a fractured fairy tale story time.

Snow White: A Graphic Novel

Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Snow White Graphic Novel.jpgTitle: Snow White: A Graphic Novel

Author/Illustrator: Matt Phelan
ISBN: 9780763672331
Pages: unpaged (216 pages)
Publisher/Date: Candlewick Press, c2016.

Mostly monochromatic watercolors with selected highlights of red and blue and sparsely phrased supplemental text retells the story of Snow White set during the Great Depression. Samantha White’s father suddenly passes and bequeaths his fortune to her. On the run from a murder attempt by her jealous stepmother, she encounters a gang of seven children, who come to her aid. I see allusions to West Side Story in the gang’s movements and Wizard of Oz when the happy ending finally opens into technicolor drawings. It’s a nit-picky point to wish the text had been hand lettered instead of jarringly added in obviously computerized font, especially when period details were so seamlessly incorporated into the plot. This winter themed adaption is a solid addition to graphic novel collections.

Little Red and the Very Hungry Lion

Little Red and the Very Hungry Lion.jpgTitle: Little Red and the Very Hungry Lion
Author/Illustrator: Alex T. Smith
ISBN: 9780545914383
Pages: unpaged
Publisher/Date: Scholastic Press, an imprint of Scholastic Inc., c2016.

This is Little Red. Today she is going to be gobbled up by a lion.
This is the Lion! (Well, that’s what he thinks is going to happen anyway.)

Little Red’s aunt wakes up covered in spots, so Little Red heads off past a handful of African animals to deliver spot medicine, her frizzy black pigtails bobbing on top of her African-American head. Upon meeting with the lion, Lion races ahead, locks Auntie Rosie in the cupboard, and attempts to fool Little Red. Little Red though is MUCH smarter than her original counterpart, and is “going to teach the naughty Lion a lesson” … by doing his hair, teeth, and changing his clothes? This debut author’s saccharine ending becomes a didactic lesson in manners, which completely undermines any attempt at ferociousness on the lion’s part. The very last page makes a last ditch effort at adding humor to the story, with mixed results. The primarily red and yellow hued illustrations add more humor than the text, with Lion’s mane being braided into multiple strands that pinwheel out of his head and are capped with little bows. In a clever use of page orientation, readers must flip the book sideways to read the text as Little Red peers into the lion’s open jaw. An uneven adaptation of the classic Red Riding Hood tale. If you’re looking for a very hungry creature, stick with Carle’s Caterpillar or Wood’s Big Hungry Bear.

The Sleeper and the Spindle

Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Sleeper and the Spindle.jpgTitle: The Sleeper and the Spindle
Author: Neil Gaiman
Illustrator: Chris Riddell
ISBN: 9780062398246
Pages: 69 pages
Publisher/Date: first published in Rag & Bones: New Twists on Timeless Tales, published in 2013 by Little, Brown. c2013, Illustrations c2014. Originally published in the U.K. in 2014 by Bloomsbury. Published in U.S. by HarperCollins Children’s Books, a division of HarperCollins Publishers, c2015.

The smallest dwarf tipped his head to one side. “So, there’s a sleeping woman in a castle, and perhaps a witch or fairy there with her. Why is there also a plague?”
“Over the last year,” said the fat-faced man. “It started in the north, beyond the capital. I heard about if first from travelers coming from Stede, which is near the Forest of Acaire.”
“People fall asleep in the towns,” said the pot-girl. […]
“They fall asleep whatever they are doing, and they do not wake up,” said the sot. “Look at us. We fled the towns to come here. We have brothers and sisters, wives and children, sleeping now in their houses or cowsheds, at their workbenches. All of us.”
“It is moving faster and faster,” […] “Now it covers a mile, perhaps two miles, each day.” (18)

Three dwarfs tunnel under the mountain range in search of a wedding gift for their queen, returning with news of a horrible sleeping sickness plaguing the neighboring lands and heading closer every day. The queen, having previously faced her own sleep spell, postpones the wedding and attempts to break the spell and save both kingdoms. Although this might sound familiar, Neil Gaiman’s twist ending flips the story, and you question who is really being held captive. The queen’s confidence is obvious in both narration and illustration, and is the most welcome adaptation to the traditional tale. Two illustrations specifically catch my eye, the first has the queen standing with the dwarfs ready to embark, and the second is the full-spread gorgeously rendered drawing of the kiss. It doesn’t seem enough though to warrant publishing a previous short story as its own book, but U.S. fans will enjoy Gaiman’s newest import.

West of the Moon

West of the MoonTitle: West of the Moon
Author: Margi Preus
ISBN: 9781419708961
Pages: 216 pages
Publisher/Date: Amulet Books, an imprint of Abrams, c2014.

<blockquote>”Astri!” Aunt yells up the stairs. “Don’t dawdle!”
I kiss the top of Greta’s head and place my hand on her face for just a moment—all I dare, or risk a broken heart.
Down the ladder I go to stand by the door, my bundle under my arm. I can’t help but notice there are now two shiny coins glinting on the table, along with a large, lumpy package. My cousins are eyeing the coins with the same intensity that the dog is sniffing the package. Now I know how much I’m worth: not as much as Jesus, who I’m told was sold for thirty pieces of silver. I am worth two silver coins and a haunch of goat.
Uncle comes and tucks a wisp of hair behind my ear, almost tenderly. “I’m sorry Astri,” he says. “It can’t be helped.”
That’s all there is for a good-bye, and then out the door I go. (6-7) </blockquote>

Thirteen-year-old Astri is sold by her aunt to the humped-back, filthy, ill-mannered and equally ill-tempered goat herder. Astri is intent on getting back to her aunt’s house, not out of kindness or love of her aunt, but concern for her little sister Greta who is still there. Her escape plan involves getting on a ship bound for America and meeting up with her father, who left some time ago and she hasn’t heard from since. In their escape attempt over the Norwegian mountains, they pick up among other things a book of dark magic and a silent Spinning Girl, blurring the lines of reality and fairy tale in the process.

Inspired by an entry in an ancestor’s diary, Margi Preus builds an entire story around farmer girl Astri. Karen Cushman said it best in her back cover blurb when she describes it as “an astounding blend of fiction and folklore that celebrates the important things in life—loyalty, devotion, courage, and the magic of stories.” Elizabeth Bird’s review is also extremely coherent and cohesive, probably much more so than mine ever could be.

It’s the blending that of fiction and folklore that Cushman mentions that is done so seamlessly and that captures the imagination, making you wonder if the collection of coins is really a troll’s stolen treasure, or if the hairbrush really is magic or just a clever con. I’m reminded of the movie Big Fish or Oh Brother Where Art Thou, to give a comparison of how effortless the stories within the story, featuring giant bears and magic and hope, meld and shift within the book’s central plot of Astri’s more realistic and painfully brutal world of childhood brides (and all that implies/entails), running away to an unknown country, and discovering that money doesn’t ever buy as much as you need or want. Do the spells and prayers work to keep the rain and Death away, or was it just time that was finally allowed to work a magic of its own? The world Astri lives in is interchangeable with the fairy tales, just as the beliefs are interchangeable between the “old ways” of keeping a rowan twig in your pocket for protection and quoting the Bible. Maybe that fluidity between customs and beliefs makes the fantastical elements of the story all the more believable, even if they can be easily explained as unremarkable. Readers will recognize at least some of the mixed-up fairy tales Astri mentions and makes her own, like Beauty and the Beast, Snow White, Rumpelstiltskin, the Three Billy Goats Gruff, and the seven-league boots, and may be intrigued by mentions of the lesser known ones to seek out the rest, which Preus helpfully provides in her Author’s Note.

Overall, Astri and Greta’s journey is somewhat fantastical, when you think of all they are able to accomplish, especially by themselves. Readers find themselves just as conflicted as the two girls when they are forced to steal their way to their destination. There is no ambiguity that what they are doing is wrong, as Astri identifies herself as a thief and a liar and a host of other things. However, there is some ambiguity in if these acts are ever justified, and what punishment will befall upon you if you are the only one who knows how much of your “sinning nature” you are responsible for. When she makes a slightly fantastical promise, she wholeheartedly believes that if she finishes her part of the deal, the other half will follow. (I don’t want to give too much away by saying what or who the deal involved, because it happens towards the end of the novel.)

It all ends happily for the girls, but just like in fairy tales you are left wondering about the minor characters briefly mentioned but never seen again after the “happily ever after”. Hopefully neither girl will lose that ability to see the magic in the world while keeping the street smarts they seemed to have gained through their Cinderella-like upbringing.

Interstellar Cinderella

Interstellar CinderellaTitle: Interstellar Cinderella
Author: Deborah Underwood
Illustrator: Meg Hunt
ISBN: 9781452125329
Pages: unpaged
Publisher/Date: Chronicle Books, c2015.

Once upon a planetoid,
amid her tools and sprockets,
a girl named Cinderella dreamed
of fixing fancy rockets. (unpaged)

This space themed spin on the Cinderella tale has all the components of the classic, including the step-family, the helpful mouse, and a fairy godmother (although in robotic form). Promoting STEM based feminism and diversity without a single overt mention of racism, feminism, or prejudices, everyone following the “We Need Diverse Books” publicity should take note: this is how it should be done. In perhaps a subtle nod to the importance of education, pink-haired, freckled, and fresh-faced Cinderella spends her evenings studying ship repair. She would be self-sufficient, except her step-family steals the tools, forcing her to rely on the help of a fairy godrobot. The robot doesn’t fix the ship for her though, but instead produces the tools Cinderella needs to do the job herself. Her obscured identity is explained by a helmeted spacesuit and goggles, and she doesn’t accept a marriage proposal from the dark-skinned prince but instead negotiates a job offer to become his chief mechanic.

The primarily humanoid looking bodies of the alien species are probably the only stereotypical thing about the story, but there is some variety in the number of limbs, heads, and eyes, with some resembling species of Earth animals. I also would have fixed the Prince’s hair, which streams behind him in a cross between a mohawk and a mullet, but that is a very minor personal quibble, especially considering Cinderella’s beautifully and realistically portrayed practical bun, which I love with the fly-away wisps. The sing-song verse reads well (just make sure “family’s” three syllables, not two when reading aloud), and Cinderella shines like the star she is in every scene. Where can I get my own robotic mouse? Better yet, when can we get a sequel?

City of Light, City of Dark

City of Light, City of DarkTitle: City of Light, City of Dark
Author: Avi
Illustrator: Brian Floca
ISBN: 97805311068007
Pages: 192 pages
Publisher/Date: Orchard Books, c1993.

People! The land you wish to build on belongs to us, the Kurbs. Still, we are willing to lend you this island as well as our power so you may have the light and warmth you humans require. But there is a price. Each year you must enact a ritual to show you acknowledge that this island remains ours and is governed by our rules. If you fail to perform this ritual-be warned!-the consequences for you will be dire! (8)

Before people had arrived in New York, the Kurbs controlled the lightness and darkness. When people landed on the island, the Kurbs agreed to hide the power somewhere on the island and give the people six months to find it as the land progressively got colder and darker. If it wasn’t returned noon on December 21st, it would be plunged into darkness, but if it was returned it would gradually get lighter and warmer until it was hidden again on June 21st. One woman needs to find the power and return it to the Kurbs, but a greedy blind man, his reluctant assistant, and a young girl and her friend are all searching for it too for very different reasons. Who will find it first?

This is Avi’s version of the Persephone myth, adapted for modern-day New York. I liked the concept, but with my love of Avi’s stories, I was surprised at the narration, which seemed rush and disjointed. The book starts as a mixture of text and graphic novel panels, and then eventually transitions to only graphic novel format. There is too much plot time between the background setting flashback in the beginning and then the bulk of the story. It took him that long to track down the token… Really? Maybe other reviewers are right and it would have been better as a textual novel, as large amounts of the plot are layer out in stilted, expository dialogue.

With Floca’s recent Caldecott Award win, and repeated recognition by the Sibert committee, I was surprised by this first effort at illustrating a novel. Maybe he should stick with the picture book format and continue to color his drawings. I expected more of the sweeping skyline that we see on the cover of the original publication, but the black and white renderings found in the interior seemed rushed, vague, and not detailed. On page 35, he actually draws arrows to guide readers from panel to panel, which seemed unnecessary and awkward. All told, it would be a nice thing to provide readers who are interested in stories influenced by mythology, but it is not the best work of either the author or illustrator.

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