Posts from the ‘Children’s Literature’ Category

The Fast and the Furriest

I originally intended to post these in October, but the end of the year got away from me. Since I can’t draw, in honor of Inktober 2017 I searched out a graphic novel to fit each daily theme presented. Now that October is over, I finally have a chance to catch up on my blogging. Here’s my submission for the theme from October 1st: Swift.

Fast and the Furriest.jpgTitle: The Fast and the Furriest
Series: March Grand Prix
Author/Illustrator: Kean Soo
ISBN: 9781623701710
Pages: 137 pages
Publisher/Date: Capstone Young Readers, a Capstone Imprint, c2015.

In a Zootopia meets Cars idea mash-up, three issues assemble this volume of comics about a bunny family supporting their racecar driver relative. March has his parents and three sisters, mechanic May, baker April, and baby June. Assisted by “Uncle Hammond” (although his actions place him of a similar age as March), March races in two races, one on a track and one in a desert, and attempts to make a delivery for April when her bakery opens. Bright possibly digitally colored illustrations could draw comparisons to Raina Telgemeier. The different types of species represented is occasionally the punch line, such as when opponent Lyca Fox (get it?) calls her canine pit crew dogs (which they are). All’s well that ends well, as each of the three short stories end with a deus ex machina type resolution. His car is fixed and his father’s advice proves valuable, the eaten tarts are forgiven, and the whole racetrack celebrates March’s second place finish. While encouraging a suspension of belief, they also promote ideals like helping others, taking responsibility for your actions, and that you don’t always have to win to have fun. A fast read for young speed demons.

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Korgi: Problem with Potions

I originally intended to post these in October, but the end of the year got away from me. Since I can’t draw, in honor of Inktober 2017 I searched out a graphic novel to fit each daily theme presented. Now that October is over, I finally have a chance to catch up on my blogging. Here’s my submission for the theme from October 12th: shattered.

Korgi 4 Problem with Potions.jpgTitle: Korgi Book 4: The Problem with Potions
Author/Illustrator: Christian Slade
ISBN: 9781603094030
Pages: 116 pages
Publisher/Date: Top Shelf Productions, c2016.

It’s been a while since I’ve taken a look at Korgi, to the point where I reread books 1-3 before progressing to the fourth book in this series. Readers realize that Ivy and Sprout don’t always have the perfect relationship that we’ve previously seen, as Sprout gets into a jar of food, tracks footprints over the floor, and breaks a dish before finally getting thrown out of the house by Ivy. It’s then that reoccurring characters the creephogs receive some of the spotlight, as they mistakenly supersize, spotify, and stupefy poor Sprout. Ivy gets him some help, but meanwhile the two brothers we finally met in book three are out for revenge, and wake a skeletal unicorn in their efforts.

Taken individually, the books are all appealingly cute and perfectly suited for multiple age bedtime reads (so long as everyone can see the pages). But the pacing as a series is starting to suffer.  A new character introduced in the final pages is an intriguing addition, but it’s taken us 10 years to get to this point and we’re still no closer to guaranteeing Sprout and Ivy’s safety. In fact, they are probably in more danger then they were in the beginning now that the “big baddy” has started making appearances in the plot. I’m not sure now why the antagonists from the first two books were introduced to begin with, as their actions seem removed from the overarching story. Also, characters Scarlett and Lump, who we saw in previous books, are still included in the (this time more detailed) character list, even though they don’t even make an appearance in book four. Maybe when the fifth one finally rolls around we’ll get some more answers. The illustrations are still engaging and I’m in love with the disguised resurrected unicorn (does anyone make them as plush animals?) but I do wish we were a little farther along. I don’t think this is the last we’ve seen of these characters, but I won’t guess when the next book will appear and it’s doubtful original readers will still be interested in discovering the overall conclusion.

The Road to Epoli

Since I can’t draw, in honor of Inktober I searched out a graphic novel to fit each daily theme presented. Now that October is over, I finally have a chance to catch up on my blogging. Here’s my submission for Oct. 22nd’s theme: trail.

Road to Epoli.jpgTitle: The Road to Epoli
Series: Rickety Stitch and the Gelatinous Goo (#1)
Authors: Ben Costa & James Parks
Illustrator: Ben Costa
ISBN: 9780399556135
Pages: unpaged
Publisher/Date: Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2017.

Rickety Stitch is a revived skeleton. Although like most of his kind he has no physical brain, his personality pegs him as an anomaly. Working several dead end jobs with his friend The Goo gets him nowhere, as Stitch strums on his lute, trying to capture the song that haunts his dreams. En route, The Goo gets captured and Stitch gets pressed into service of capturing a gnome for a giant ogre-spawn as the only way to rescue his friend. With the help of an imp with questionable motives and morals, a naive gnome, and a no-nonsense unicorn, Stitch discovers that this might be the first step of an epic story, one he will no doubt be singing about when it finally ends.

The vibrant colors used in the illustrations remind me of Princeless or Nimona, inevitably appealing to a broad teen audience. I also feel like this might provide an introduction to the idea of D&D, if only because it feels like multiple campaigns might be in the works, and there are plenty of incidents where readers might questions motives and actions of the characters. Will he or won’t he? The humor inside the story also appears to be aimed at older audiences, as Rickety Stitch is continuously seen drinking in taverns, complaining about job politics, and waxing existentially about his identity and purpose. Whether being stabbed or scorched, Rickety Stitch seems immortal in his ability to avoid any permanent damage. By the end of the book, the plot seems to have been one long set-up for future tales, as Stitch is still struggling to remember the song that plagues his dreams and seems no closer to his vaguely determined destination, although he does finally receive a map for guidance. The characters are more memorable than the story, and I’d be curious to see how that translates for future installments. I feel this isn’t the last we’ve seen of Rickety or The Goo.

The Pants Project

Pants Project.jpg

Title: The Pants Project
Author: Cat Clarke
ISBN: 9781492638094
Pages: 267 pages
Publisher/Date: Sourcebooks Jabberwocky, an imprint of Sourcebooks, Inc. c2017.

Bankridge Middle School had a strict uniform policy, unlike nearly every other school I could have attended. […]
Sexist. Dumb. Unfair. Even the moms agreed with me. […]
“Girls must wear a black, pleated, knee-length skirt.”
I bet I read those words a hundred times during summer vacation. I stared at the computer screen, willing them to morph into something sensible.
The problem wasn’t the last word in that sentence. Skirt wasn’t really the issue, not for me. The issue was the first word. Girls.
Here’s the thing:
I may seem like a girl, but on the inside, I’m a boy. (6-7)

A point of clarification seems necessary, because the only time that Liv is identified with the “he” pronoun is on the book jacket summary, since throughout the book most people are uninformed of Liv’s transgender status and it’s told in a first person perspective. I’m going to try to honor what is obviously the author’s choice to have Liv use “he” pronouns.

Olivia “Liv” Spark is starting middle school with best friend Maisie, but Liv already feels out of place. The dress code requires girls to wear a skirt and boys to wear pants, but while Liv might have been born a girl and looks like a girl, Liv definitely feels like a boy. Nobody knows though, and it’s hard enough to be the new girl in school, much less the outcast that the class bullies Jade and Chelsea are routinely ridiculing about everything, including the too short haircut, lesbian parents, and attempts at making the skirt more bearable. Liv knows that this rule needs to change, and isn’t afraid to start that fight, even if it costs friendships.

This impressed me as a very well written novel. It allowed for some thought-provoking reflection and relayed Liv’s plight with sensitivity but without becoming didactic and was age appropriate in it’s portrayal of a transgender person. Refreshingly unromantic in nature, Liv makes friends with both guys and girls by the end of the book and his struggle to find himself runs parallel with efforts to change the dress code. He’s a nuanced character, with one action at his previous school hanging over his head, making him fearful that he’s been pegged for life with labels (that have nothing to do with his gender) that don’t match how he sees himself. The bullies actions are accurately portrayed both for their spite and pettiness, and the adults are clueless about the behavior, with Liv being reluctant to reveal the specifics because he knows their ability to stop the bullying is limited. The solution to this problem is idealistic at best, but nevertheless resolves the issue.

Liv shows several different ways of activism, including petitions and protests that could serve as a primer for young activists, but his efforts are not always successful. The principal’s initial refusal to hear Liv out seems intended only to drag out the plot, but his exasperation at Liv’s insistence is realistic to an overtaxed and ambitious adult who doesn’t see the priority in Liv’s problem. Liv’s overworked mothers are much more sympathetic to Liv’s feelings, but they are also willing to step back and let Liv work out his own problems and follow his lead. Engaged parents who listen to their children? What a novel idea that isn’t showcased often enough in books! Liv’s confusion about how he feels about them also provides a side of the family that most books don’t show, where children love their family but also want to protect them and themselves from scrutiny.

Highly recommended for collections and children and families seeking this sort of representation.

Parachute

Parachute.jpgTitle: Parachute
Author: Danny Parker
Illustrator: Matt Ottley
ISBN: 9780802854698
Pages: unpaged
Publisher/Date: Eerdmans Books for Young Readers, an imprint of Wm. B. Eerdmans Publishing Co. (US), (First published by Little Hare Books an imprint of Hardie Grant Egmont (AU)) c2013.

Toby always wore a parachute.

Toby requires a parachute to accomplish his day-to-day tasks like getting out of bed, brushing his teeth, and playing on the playground, because it allows him to feel safe. When stranded in a treehouse without it, Toby takes it step by step to get to safety, and slowly grows our of requiring his safety net. Minimal text allow the digital graphics to show the reality of the situation alongside how Toby must see things with dizzying perspectives, bringing sympathy and understanding to his fear of heights. Whether it’s a real parachute is up for debate, but the fear is definitely real and the conclusion gives hope that someday readers might also overcome their own fears, whether it is of heights like Toby or of something else. Pair with Leslie Patricelli’s Higher! Higher! for two very different view points.

Ghost

Ghost.jpgTitle: Ghost
Series: Track #1
Author: Jason Reynolds
ISBN: 9781481450157
Pages: 181 pages
Publisher/Date: Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division, c2016.

So on and on it went, the whistle blowing, one by one, boys and girls on the line, sprinting down the straightaway. Each of their times being recorded. Some were faster than others. Actually, most of the vets were pretty fast, but nobody was faster than the pretty boy, Lu. Nobody. And the coach kept saying stuff like, “Lu’s still the one to beat,” which was kinda pissing me off because . . . I don’t know. It just made me think about this kid Brandon at school, who always . . . ALWAYS picked on me. Not even just me, though. He picked on a lot of people, and didn’t nobody ever do nothing about it. They just said stupid stuff like, Can’t nobody beat him. Same kind of rah-rah this bowling-ball-head coach was kicking about this kid, Lu. It’s just . . . ugh. I mean, he was fast, but honestly, he wasn’t that fast. […] (15)

After challenging and holding his own against the fastest kid on the track team, Castle “Ghost” Cranshaw finds himself being recruited to that same team by Coach Brody. Ghost however isn’t used to running for anyone but himself. Training is difficult without the proper shoes, and his natural speed doesn’t always hold up against the training that the other athletes have received. If he keeps getting in trouble at school, he’s going to find himself off the team that he never dreamed he wanted to be a part of, much less stay on.

What I liked most about this story was that it featured an African-American but the plot didn’t revolve around the fact that Ghost was African-American. It wasn’t a civil rights or slavery or gang story. It’s also an appreciated change of pace that we see a sports story that doesn’t revolve around basketball or football or even baseball, but a sport that doesn’t always get its due recognition. While yes, Ghost’s family is not perfect and he’s suffered some things that most families don’t have to face, it was primarily background and the main focus was on Ghost and the track team. His teammates suffer from a variety of issues in their home life, which are easily shared with the group during an intimate gathering, even though they are supposedly secrets that they keep hidden from everyone. Couch becomes a role model and big influence in his life with surprisingly little effort. For someone who never has played or even considered playing a team sport, Ghost also quickly acclimates to the idea of regular practices and following directions and decisions made by this guy he just met. While I can’t speak for the realism of the track meet scenes, I’m glad the focus was on the track practices and events directly related to Ghost’s membership on the team, instead of slowing the pace of the story with extraneous scenes in school or at home. I expected more attitude from Ghost, especially after we see how he and Couch are introduced. But that bravado falls away and never resurfaces to the levels we witnessed initially, which is slightly disappointing that we can’t see a person of color maintain his attitude and assured nature and still succeed. Supposedly the first book in a series, I wonder if future titles are going to focus on Ghost, his other teammates, or some so far unmet character. Overall, an engaging read if you’re willing to overlook the ease with which the characters come together.

The Hueys in the New Sweater

Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Hueys in the New Sweater.jpgTitle: The Hueys in the New Sweater
Author/Illustrator: Oliver Jeffers
ISBN: 9780399257674
Pages: unpaged
Publisher/Date: Philomel Books, a division of Penguin Young Readers Group, an imprint of Penguin Group (USA) Inc., c2012.

The thing about the Hueys . . .
. . . was that they were all the same. (unpaged)

The Hueys, clumped like Minions but with pill shaped bodies and stick arms and legs, all look and act identical. Until Rupert decides to knit himself a sweater, punctuating the black and white illustrations with a spot of orange. His differences are first frowned upon but then everyone mimics him and all become different in the same way. Although younger readers might not get the joke, older readers could appreciate the tongue-in-cheek social commentary about trends and individuality in society, and it might lead to a thought-provoking conversation about what differences that are accepted, admired, and desired in society and which ones are not.

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