Title: Half a Man
Author: Michael Morpurgo
Illustrator: Gemma O’Callaghan
Pages: 53 pages
Publisher/Date: Candlewick Press, text copyright 2005, 2006. Illustrations copyright 2014.
I would wake up then, shaking in terror and knowing that my nightmare was not yet over. For my nightmare would always seem to happen just a day or two before Grandpa came to stay. It was a visit I always dreaded. (4)
Michael’s grandfather was in the navy in the war when his ship was torpedoed and sunk. His grandfather considers himself one of the lucky ones since he didn’t die, but the burns have permanently scarred and affected his body. Told not to stare at his grandfather, Michael has difficulty connecting with a grandfather who doesn’t smile, doesn’t laugh, and doesn’t look like anyone else he knows. Eventually, they find common ground over silently fishing and reading when Michael visits his grandfather at his Sicily island cottage, and Michael may be able to use that connection to reconnect the rest of his family.
This is a quiet book, and one that may be better suited for adults or as a graduation gift then for middle school students, in the same way that Seuss’s “Oh the Places You’ll Go” is often given as gifts to adults. The obvious message is that, regardless of how his grandfather describes himself, he is not a “monster man” or “half a man”. It could be used to encourage conversation about what makes a man, or exploring their own family history, especially with the recently passed Veteran’s Day so closely preceding Thanksgiving. Symbolically the illustrations by Gamma O’Callaghan never show the grandfather’s current face and we only see a glimpse of what was in an old photo towards the very end of the book. It’s left up to the imagination to see the grandfather. The pictures sparsely depict the settings and invoke a reflective and melancholy mood with the primarily blue and gray drawings, accented by a specific shade of brilliant yellow and orange. The variety, from small insets to full double-page spreads, force the reader to slow down and absorb the short story and aid tremendously with the pacing of the book.