Posts tagged ‘Science Fiction’

Obsidio

Obsidio.jpgTitle: Obsidio
Series: The Illuminae Files #3 (sequel to Gemina)
Authors: Amie Kaufman and Jay Kristoff
Narrators: Full Cast, including Olivia Taylor Dudley, Johnathan McClain, Carla Corvo, MacLeod Andrews, Erin Spencer, Andrew Eiden, Lisa Cordileone, and Lincoln Hoppe, with Matthew Frow, Olivia Mackenzie-Smith, and Ryan Gessel
Illustrators: Start Wade (ship insignia illustrations), Meinert Hansen (military map and ship blueprint and schematics), Marie Lu (select journal illustrations), Lisa Weber (select journal illustrations)
ISBN: 9781101916728 (audiobook),
Discs/CDs: 11 CDs, 13 hours 1 minute
Pages: 618 pages
Publisher/Date: LaRoux Industries Pty Ltd and Neverafter Pty Ltd., Listening Library, an imprint of the Penguin Random House Audio Publishing Group, c2018 (audiobook), LaRoux Industries Pty Ltd. and Neverafter Pty Ltd. (text), Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2018.

“Ladies and gentleman,” Boll interjects. “The facts are these: Hypatia‘s current damage levels mean she’d take at least seven months to return to Kerenza IV, even if she had the fuel to get there. The Mao‘s engines appear entirely intact, so it seems we have no choice but to leave Hypatia behind. Once we transfer her population to the Mao, we’re going to have nearly thirty-four hundred people aboard a freighter designed for what I suspect is a thousand at best. Our life support will be working overtime; we’ll have limited H2O, limited food. Presumbing we even make it back to Kerenza IV, we have no idea what’s gone on planetside while we’ve been away. The best we can hope for is the colony is still somehow intact, and that we don’t starve to death or suffocate on our way back there. Do I need to go on?”
It’s enough for Garver to forget his outrage, and he’s quieter when he speaks again. “Is there any good news at all, Captain?”
Hanna pipes up from by the wall. “BeiTech thinks we’re all dead?”
“Hooooraayyyyy,” Kady adds helpfully, shooting Hanna a wink. (63-64)

Survivors from the attacked colony Kerenza IV and the collateral damage Jump Station Heimdall have finally opened formal lines of communication. While reunions and introductions should be happy occasions, as you can see by the quote there’s the pressing need of supplies and a way home for both stranded ships and their passengers since the jump station has been destroyed. Captain Boll’s plan to board and commandeer the Mau (over Chief Garver’s objections) and head back to Kerenza IV to save themselves, but then an intercepted transmission makes the mission more vital; there are people still planetside, but some of them aren’t going to be friendly to their arrival. Among the remaining colonists is Kady’s cousin Asha, who’s resistance group is getting desperate as word spreads that the BeiTech “goons” are going to leave no survivors, once they harvest enough fuel. Enter Asha’s ex-boyfriend Rhys, a BeiTech tech who wasn’t involved in the original invasion team but has been called planetside because someone keeps messing up the invader’s equipment. They haven’t spoken in over a year, and miracles aren’t the only thing in short supply, but will any of these characters ever find their way safely home?

The groups previously introduced in the first two installments of Amie Kaufman’s and Jay Kristoff’s sprawling space odyssey have now met in real life. And at over 1800 pages, a day and a half worth of audio narration, and over seven months of action in the story, not counting the two years of elapsed time between the “now” and “flashbacks” that make up the majority of the story, it definitely feels like an odyssey. The production team behind the audiobooks continues to excel at their translation of a very visual creation into an audible one. Other audiobook companies, take note, this is a ******** radio drama! The first one won the Audie for Multi-Voice Performance, and the second one was a finalist in the Young Adult Category (remember those slight errors I mentioned in my review? I wonder if that played a factor in their loosing out on the gold.) I see this one being recognized as well. From sound affects to modulations, to the number of people involved, they pulled out all the stops. There was one pivotal scene where I think at the end of the chapter they should have held the pause between tracks just a little longer in order to allow readers time to process what they just heard, but that is minor compared to everything else they did right. I recognize that some people prefer the visual experience of reading the books and seeing the ephemera portrayed, but I started this series as an audiobook and there was no way I was going to end it any other way. Do check out the book, if only to flip through it and see the illustrations contributed by Marie Lu (famed author in her own right) and Lisa Weber.

I thought Asha and Rhys deserved more screen time and more development, but considering we only had access to them for a short, limited time, I understand that things were probably cut. Their involvement with each other felt inevitable, and I would have liked to have seen the evolution of their feelings just a bit more, especially Asha’s. The quick-quipping conversations between the returning characters are just as I remembered, with back and forth banter that shows just how well they know each other and also how much they have been through. I burst out laughing at some of the comments, like Nik messing with Ella making her think the language file was corrupted by quoting random bits of Latin and other languages, or when AIDAN (yes he’s back) tells Ella “My systems still have difficulty interpreting certain human mannerisms. If you could avoid speech modes involving false ambivalence and irony, that would decrease the risk of terminal failure of my synaptic network.” Ella’s response is “ur saying i could literally kill you with sarcasm” [sic]. In fact, the most humorous bits of conversation feature either Ella or Nik as participants, probably due to their upbringing. When Niklas finds himself trying to work a part of the ship (all hands on deck during this time of need), he relays over the coms “Um . . . yeah, all the lights are green back here, too. Wait, no … [thump thump] Yep, there it goes.” (615) Oh, and as an added bonus, we learn the identity of the Analyst ID who has been narrating the entire story thus far.

Kady, Hanna, and Ezra all grow in their character development. Hanna learns her father has died, and she struggles with how to process but also hide her grief as she is called on to help. Ezra has to deal with authority, both assuming it and accepting it, and we all realize that he might not ever fully achieve either. Kady has a pivotal scene where you really get to see her strength in character. Ian Grant (her father) makes a lovely gesture that lets you know where she gets her strength from. New characters or those we haven’t had much contact with emphasize these are still teenagers who are essentially taking control of the situation and doing most of the planning. In quieter moments, which are so rare in their world of everything falling apart around them, and in heart-wrenching and shocking scenes that we see how invested these characters, especially Kady, are in saving not only their lives but the lives of everyone else. Everyone has been changed completely by this experience, and we see a little glimpse at the very end of how they try to handle, cope, and recuperate. As they remember their fallen, I will remember this story for a while.

Overall, I’m looking forward to their next series by this pair. Aurora Cycle, the first one titled Aurora Rising is slated for release in April of 2019.

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The Fog Diver

Fog DiverTitle: The Fog Diver
Author: Joel Ross
ISBN: 9780062352934
Pages: 328 pages
Publisher/Date: Harper, an imprint of HarperCollins Children’s Books, a division of HarperCollins Publishers, c2015.

My name is Chess, and I was born inside a cage.
Imagine a wooden platform jutting from a mountain cliff. Now picture a chain falling from that platform and vanishing into the Fog, a deadly white mist that covers the entire Earth.
That’s where I was born: locked in a cage, at the end of a chain, inside the Fog.
And I would’ve died there, too, if Mrs. E hadn’t saved me.
When she saw my face for the first time, wisps of Fog swirled inside my right eye, shimmering white shapes that marked me as a freak. That’s why I’ve spent thirteen years keeping my head down, staying quiet and afraid–but now Mrs. E needs help, now <em>she</em> needs saving.
It’s time to stop hiding. Everything is going to change. (1-2)

Scientists built nanites to clean up the polluted Earth, only they made them too smart. The nanites turned on their creators, scrubbing the Earth clean not just of pollution, but of the creators of the pollution. Now mankind has retreated to the mountain tops, and fog divers like Chess literally dive into the fog from flying barges to scavenge for resources. He and his rag-tag team of orphans were brought together by Mrs. E. Dreams of ascending to the safer parts of the mountain have always been a dream, but now they need money and resources to get Mrs. E the help she needs as fog sickness starts taking over. Fog sickness isn’t the only risk though, as the past Mrs. E rescued Chess from comes back to haunt him and hunt for him. Will they be able to escape all the dangers, or will Chess take his last dive?

For fans of the television series Firefly (which I’m watching right now for the first time), this street urchin crew may seem familiar. Maybe author Joel Ross, making his middle-grade debut, is a fan himself? Chess takes the place of River, being hidden in plain sight and with skills no one fully understands. But he is also part Zoe, serving as a second-in-command position to Hazel. Hazel is the captain of the crew, and much like Mal she has her unexpected soft side. Chess says she “wore long, flowing skirts, dreamed of fancy dances, loved pretty sunsets . . . and could bark out orders faster than the toughest junkyard boss.” (28-29) Pilot Swedish has the skills of Wash but the attitude of Jayne. Bea is Kaylee, the spunky, overly enthusiastic and optimistic mechanic, down to talking to the electronics and naming them.

The crew members are unique and highly developed, with characteristics and flaws that will allow readers to relate with at least someone, whether it’s the snarky asides of sarcasm, quick-witted thinking, or the more vulnerable moments of emotion. They form a tight-knit family who cares about and trusts one another, even when they are surprised by another’s actions or a never-before revealed secret. It reads like a swashbuckling pirate adventure, with rigging and scavengers, hidden treasures and double crosses. Highly recommended to those readers looking for something unique, or maybe those too young for the airships of Westerfeld’s Leviathan series.

The allusions to the world before are the basis for most of the laughs in this post-apocalyptic, dystopian world. There is little in the way of modern day conveniences, but that goes unremarked upon as they wrap their heads around what little they do know, and make up their own explanations for what they don’t understand. The characters routinely improvise, interchange, and just plain invent references. Primarily, these confusions come from Chess, who has a scrapbook made by his father of various cultural references from before the fog.

  • Chess decides against repeating the “old tale of ‘Skywalker Trek,’ about a space war between the Klingons and the Jedi, set in a future when people lived on distant planets and fought Tribbles, Ewoks, and Borgs.” (17-18).
  • He describes Valentine’s Day as “an old holiday […] when they used to wear green and say ‘be mine’ and kiss under a shamrock. […] They gave flowers to their sweethearts.” (82)
  • “I’m not sure the shell actually snaps.”
    “Of course it does! A snapping turtle is a turtle that snaps, like a bobcat is a cat that bobs. It says so in the name.”
    “Sure,” I said. “And grizzly bears loooove to grizz.” (178)
  • There’s also a reference to weird animals of the past like spelling bees and Hello Kitties which of course I can’t locate currently.

There are a lot of tight escapes, narrow misses, and nail-biting excitement, which is completely inline with the life they lead. While their actions are slightly more legal than the ones seen in Firefly, they are still the underdog in a rigged system. They don’t even own the ship outright, renting it from corrupt folks, making every effort to get out from under the debt and find that big score that will put them on the top. The technology is slightly steampunk in nature, although I would have liked more details on how they were able to adapt to this world above the clouds that today we would deem uninhabitable. While Chess’s rumored existence is initially stereotypical and his ability to go unnoticed for 13 years remarkable, the sudden interest in his skills and presence is explained adequately. The climatic end is just that, and it’s only at the last heart-stopping page that you receive a sudden but satisfactory resolution to the story, worthy of Ocean’s Eleven. While enjoyable as a stand-alone, there is definitely a sequel in the making, with The Lost Compass arriving in May 2016 which will hopefully bring more answers.

Fuzzy Mud

Fuzzy Mud.jpgTitle: Fuzzy Mud
Author: Louis Sachar
ISBN: 9780385743785
Pages: 183 pages
Publisher/Date: Delacorte Press, an imprint of Random House Children’s Books, a division of Random House LLC, a Penguin Random House Company, c2015.

With sudden ferocity, Chad lunged at him. He slugged Marshall in the face, and then in the side of the neck.
Tamaya screamed.
Marshall tried to protect himself, but Chad hit him twice more, then grabbed him by the head and threw him to the ground.
“Leave him alone!” Tamaya shouted.
Chad glared at her. “You’re next, Tamaya,” he said.
Marshall tried to get up, but Chad’s knee caught the side of his head, knocking him back down.
Tamaya didn’t think. She just reacted.
She reached into the fuzzy mud and grabbed a handful of thick and gooey muck. She ran at Chad, and as he turned toward her, she shoved it into his face. (32-33)

Marshall always walks younger neighbor Tamaya home from their prestigious school. In order to avoid a fight with antagonistic new kid Chad, Marshall takes them deep into the neighboring woods, but Chad follows. They escape, although the next day they realize they might have discovered something that impacts not just them but possibly the entire world. Sachar makes it pretty clear that the fuzzy mud is the culprit for all their troubles, especially since the book is titled after the substance. Excerpts from public hearings that take place prior to and after the primary events are lightly interspersed, but they serve more as info dumps and red herrings in building suspense then actually advancing the plot. The happy ending is plausible if a little convenient, but sometimes scientific discoveries happen that way. For younger readers not ready for Hiassen, this might be a good introduction to the eco thriller genre.

Cosmoe’s Wiener Getaway

Cosmoe's Wiener GetawayTitle: Galactic Hot Dogs: Cosmoe’s Wiener Getaway
Author: Max Brallier
Illustrator: Rachel Maguire and Nichole Kelley
ISBN: 9781481424943
Pages: 300 pages
Publisher/Date: Aladdin, an imprint of Simon & Schuster Children’s Publishing Division, c2015.

It’s Evil Princess Dagger.
And she’s aboard our ship!
“What the butt?! What are you doing here?!”
“Stealing your ship, silly. I’m an evil princess. Y’know?”
I start stuttering, “NO-NO. NO-NO. NO. You can’t be here! Your evil mom is gonna think we kidnapped you. She’ll KILL us!”
Princess Dagger is about to respond, when—BLEEP BLEEP BLEEP “Brace for impact,” our pet robot, F.R.E.D., says.
“SMUDGE!” I exclaim. “They’re trying to shoot us out of space!”
The princess has a sly smile on her face. “Duh! They think you kidnapped me.” (18-19)

Cosmoe is in TROUBLE! All he did was enter a giant hot dog into the Intragalactic Food Truck Cook-Off, which then got stolen by the Evil Princess Dagger, who then stows away on their ship. The ship is being chased by the Evil Queen Dagger and all her minions, initially just to reclaim her run-away daughter. But when the whole galaxy is informed that Cosmoe found a stranded zombie pirate ship yielding a piece of a Map-O-Sphere that reveals the location of an extreme evil when fully assembled, Cosmoe, his buddy Humphree, and the princess have more than the Evil Queen to worry about.

Yes, the book is just as wildly frenetic as that summary. Zombie pirates, references to movies like Star Wars, Star Trek, and Indiana Jones (even though Cosmoe is the only Earthling in the cast and therefore the only one who understands them) and ongoing laser blasts battles are found within the pages. If Cosmoe is comparable to Han Solo, and Humphree is the equivalent to Chewie, then I guess that means the Evil Princess assumes the role of Leia and the Evil Queen a version of Darth Vader, but that would be doing an injustice to both the original and this not quite parody. Made up slang makes it very younger kid friendly, including “What the Butt!” and “Smudge!” and silly stupidity fills the pages alongside the graphic novel style illustrations. Longer then Captain Underpants or Geronimo Stilton, it’s still accessible to that audience while appealing to older readers. There is very little character development, with no explanation as to why Princess Dagger feels this compulsion to be evil only in the presence of her mother, why Humphree retired from piracy (supposedly it’s “long and complicated” and involves Cosmoe), or even why Cosmoe is riding around on a flying food truck. But in all honesty, it doesn’t matter, because just like a themed roller coaster, it is the ride you are there to enjoy, and readers will enjoy this fast paced, space odyssey which I predict will continue in future installments.

Cleopatra in Space

Today, in honor of World Space Week, we’ve got two reviews on the first two books in the Cleopatra in Space series. Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. The review of the second book (The Thief and the Sword) meets this criteria. If you want to play along, just post a link in the comments and I’ll add them to the post.

Cleopatra in Space 1Title: Target Practice
Series: Cleopatra in Space #1
Author/Illustrator: Mike Maihack
ISBN: 9780545528429
Pages: 172 pages
Publisher/Date: Graphix, an imprint of Scholastic Inc., c2014.

“It was during this recovery that an ancient scroll detailing the arrival of a hero was uncovered. A hero who would appear at this exact time and place to defeat the Xerx and restore peace and order to the galaxy.”
“You are that hero in the scroll, Cleopatra” (51)

Cleopatra (yes, the queen from the history books) is teleported from her time into a very different future. Expected to save the world from the Xerx and their leader, Xaius Octavian, Cleopatra is flummoxed by the need to attend classes, where she excels at combat but is exasperated by everything else. Guided by Khensu, the ancestor of her long-dead pet cat and monitored by a council of cats and alien teachers, Cleopatra isn’t sure what to think of this new world. When her first assignment lands her in hot water, Khensu realizes the council might not have his protégé’s best interests in mind.

Although she may be old as a mummy, Cleopatra is anything but a relic from the past. Preferring to be called Cleo, using modern day slang such as “Yup” and “Jeez” even before she time travels, and adapting seemingly instantaneously to things like paper books. It’s all done very tongue and cheek, with her Egyptian friend Goz calling out her smack talking “You couldn’t hit the broad side of a pyramid” with an equally sarcastic “That doesn’t even make sense.” before getting cut off (29-30). The fast and furious action-packed opening scene begins with her assignment mission before going back in time and then forward again all within the first 50 pages. Maihack smartly skips over several months of classwork so we can then get some additional action sequences with her assignment, finishing up at the end of the first semester. Hopefully all the subsequent volumes don’t progress as quickly.

Cleopatra in Space 2Title: The Thief and the Sword
Series: Cleopatra in Space #2
Author/Illustrator: Mike Maihack
ISBN: 9780545528443
Pages: 190 pages
Publisher/Date: Graphix, an imprint of Scholastic Inc., c2015.

”Xaius Octavian, I presume? I hear you’re looking for a thief.” (19-20)

A nearly wordless fifteen page opening introduces a cocky but highly capable African-American thief hired to steal an artifact being temporarily stored in military headquarters. Next door, Yasiro Academy is having their winter dance for military cadets, including the time-teleported Cleopatra, who hinders but doesn’t catch the thief in a madcap chase scene through the school and city. Meanwhile Cleo’s friend Brian has discovered there may be a way to send savior Cleo back to her own time, whether she wants to or not. Their search begins, but advisor Khensu isn’t telling them everything. The cityscapes are gorgeous, reminiscent of Gotham and Giza, and the action sequences demand your attention. Readers should appreciate the little details, like Cleo taking off her shoes before beginning the chase. The characters are beginning to evolve, with back stories that unavoidably slow the plot. I look forward to upcoming revelations, especially about the thief.

Interstellar Cinderella

Interstellar CinderellaTitle: Interstellar Cinderella
Author: Deborah Underwood
Illustrator: Meg Hunt
ISBN: 9781452125329
Pages: unpaged
Publisher/Date: Chronicle Books, c2015.

Once upon a planetoid,
amid her tools and sprockets,
a girl named Cinderella dreamed
of fixing fancy rockets. (unpaged)

This space themed spin on the Cinderella tale has all the components of the classic, including the step-family, the helpful mouse, and a fairy godmother (although in robotic form). Promoting STEM based feminism and diversity without a single overt mention of racism, feminism, or prejudices, everyone following the “We Need Diverse Books” publicity should take note: this is how it should be done. In perhaps a subtle nod to the importance of education, pink-haired, freckled, and fresh-faced Cinderella spends her evenings studying ship repair. She would be self-sufficient, except her step-family steals the tools, forcing her to rely on the help of a fairy godrobot. The robot doesn’t fix the ship for her though, but instead produces the tools Cinderella needs to do the job herself. Her obscured identity is explained by a helmeted spacesuit and goggles, and she doesn’t accept a marriage proposal from the dark-skinned prince but instead negotiates a job offer to become his chief mechanic.

The primarily humanoid looking bodies of the alien species are probably the only stereotypical thing about the story, but there is some variety in the number of limbs, heads, and eyes, with some resembling species of Earth animals. I also would have fixed the Prince’s hair, which streams behind him in a cross between a mohawk and a mullet, but that is a very minor personal quibble, especially considering Cinderella’s beautifully and realistically portrayed practical bun, which I love with the fly-away wisps. The sing-song verse reads well (just make sure “family’s” three syllables, not two when reading aloud), and Cinderella shines like the star she is in every scene. Where can I get my own robotic mouse? Better yet, when can we get a sequel?

Rocket Girl

Rocket GirlTitle: Rocket Girl Volume One: Times Squared
Author: Brandon Montclare
Illustrator: Amy Reeder
ISBN: 9781632150554
Pages: unpaged
Publisher/Date: Image Comics, Inc., c2014.

In 1986 a bunch of scientists at Quintum Mechanics made history. Their discovery would change everything, forever. But they didn’t know what they were doing. It was never meant to be. So someone had to go back in time to stop it. I volunteered.

Detective Dayoung Johansson is a fifteen-year-old NYPD Detective in 2013, and expects people to respond to her position and experience with the force. Except she’s no longer in 2013 but has been sent back to 1986 to prevent a corporation from seizing control. But as the company responsible for the technology that enables time travel in the first place, Dayoung may just be playing into their plan. Is she really saving the past, or creating the future?

This story almost completely ignores the time travel element, except for a few obligatory references, like “Your past is my future” and a run in between past and future selves for two secondary characters. The detailed illustrations shine, with dirt on Dayoung’s uniform and graffiti on the brick walls, although the broken glass of the police station window should have fallen out the window if it was broken from the inside. It’s the fight sequences that are all flash, bang, whizz, described in the extra materials in the back of the book as “Marvel Style”. I wish there had been more movement in these sequences, instead of poses and posturing more then actual propulsion. NPR agrees with me (since when did NPR review graphic novels?!), stating “The one area where Reeder’s got real problems, oddly enough, is in capturing motion. That’s quite a weakness when your protagonist spends most of her time airborne. Reeder does OK with the effortless aspects of flight — gliding, spinning, tumbling. When DaYoung soars, so does the book. But when she hauls off and hits somebody, we hit the ground.” It’s an interesting premise and I’d be willing to follow it for a little while longer, but the characters and plot need more development before I’ll fully understand exactly how the past/future is impacting the future/present… see why I’m confused!

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