Posts from the ‘YA Science Fiction’ Category

Obsidio

Obsidio.jpgTitle: Obsidio
Series: The Illuminae Files #3 (sequel to Gemina)
Authors: Amie Kaufman and Jay Kristoff
Narrators: Full Cast, including Olivia Taylor Dudley, Johnathan McClain, Carla Corvo, MacLeod Andrews, Erin Spencer, Andrew Eiden, Lisa Cordileone, and Lincoln Hoppe, with Matthew Frow, Olivia Mackenzie-Smith, and Ryan Gessel
Illustrators: Start Wade (ship insignia illustrations), Meinert Hansen (military map and ship blueprint and schematics), Marie Lu (select journal illustrations), Lisa Weber (select journal illustrations)
ISBN: 9781101916728 (audiobook),
Discs/CDs: 11 CDs, 13 hours 1 minute
Pages: 618 pages
Publisher/Date: LaRoux Industries Pty Ltd and Neverafter Pty Ltd., Listening Library, an imprint of the Penguin Random House Audio Publishing Group, c2018 (audiobook), LaRoux Industries Pty Ltd. and Neverafter Pty Ltd. (text), Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2018.

“Ladies and gentleman,” Boll interjects. “The facts are these: Hypatia‘s current damage levels mean she’d take at least seven months to return to Kerenza IV, even if she had the fuel to get there. The Mao‘s engines appear entirely intact, so it seems we have no choice but to leave Hypatia behind. Once we transfer her population to the Mao, we’re going to have nearly thirty-four hundred people aboard a freighter designed for what I suspect is a thousand at best. Our life support will be working overtime; we’ll have limited H2O, limited food. Presumbing we even make it back to Kerenza IV, we have no idea what’s gone on planetside while we’ve been away. The best we can hope for is the colony is still somehow intact, and that we don’t starve to death or suffocate on our way back there. Do I need to go on?”
It’s enough for Garver to forget his outrage, and he’s quieter when he speaks again. “Is there any good news at all, Captain?”
Hanna pipes up from by the wall. “BeiTech thinks we’re all dead?”
“Hooooraayyyyy,” Kady adds helpfully, shooting Hanna a wink. (63-64)

Survivors from the attacked colony Kerenza IV and the collateral damage Jump Station Heimdall have finally opened formal lines of communication. While reunions and introductions should be happy occasions, as you can see by the quote there’s the pressing need of supplies and a way home for both stranded ships and their passengers since the jump station has been destroyed. Captain Boll’s plan to board and commandeer the Mau (over Chief Garver’s objections) and head back to Kerenza IV to save themselves, but then an intercepted transmission makes the mission more vital; there are people still planetside, but some of them aren’t going to be friendly to their arrival. Among the remaining colonists is Kady’s cousin Asha, who’s resistance group is getting desperate as word spreads that the BeiTech “goons” are going to leave no survivors, once they harvest enough fuel. Enter Asha’s ex-boyfriend Rhys, a BeiTech tech who wasn’t involved in the original invasion team but has been called planetside because someone keeps messing up the invader’s equipment. They haven’t spoken in over a year, and miracles aren’t the only thing in short supply, but will any of these characters ever find their way safely home?

The groups previously introduced in the first two installments of Amie Kaufman’s and Jay Kristoff’s sprawling space odyssey have now met in real life. And at over 1800 pages, a day and a half worth of audio narration, and over seven months of action in the story, not counting the two years of elapsed time between the “now” and “flashbacks” that make up the majority of the story, it definitely feels like an odyssey. The production team behind the audiobooks continues to excel at their translation of a very visual creation into an audible one. Other audiobook companies, take note, this is a ******** radio drama! The first one won the Audie for Multi-Voice Performance, and the second one was a finalist in the Young Adult Category (remember those slight errors I mentioned in my review? I wonder if that played a factor in their loosing out on the gold.) I see this one being recognized as well. From sound affects to modulations, to the number of people involved, they pulled out all the stops. There was one pivotal scene where I think at the end of the chapter they should have held the pause between tracks just a little longer in order to allow readers time to process what they just heard, but that is minor compared to everything else they did right. I recognize that some people prefer the visual experience of reading the books and seeing the ephemera portrayed, but I started this series as an audiobook and there was no way I was going to end it any other way. Do check out the book, if only to flip through it and see the illustrations contributed by Marie Lu (famed author in her own right) and Lisa Weber.

I thought Asha and Rhys deserved more screen time and more development, but considering we only had access to them for a short, limited time, I understand that things were probably cut. Their involvement with each other felt inevitable, and I would have liked to have seen the evolution of their feelings just a bit more, especially Asha’s. The quick-quipping conversations between the returning characters are just as I remembered, with back and forth banter that shows just how well they know each other and also how much they have been through. I burst out laughing at some of the comments, like Nik messing with Ella making her think the language file was corrupted by quoting random bits of Latin and other languages, or when AIDAN (yes he’s back) tells Ella “My systems still have difficulty interpreting certain human mannerisms. If you could avoid speech modes involving false ambivalence and irony, that would decrease the risk of terminal failure of my synaptic network.” Ella’s response is “ur saying i could literally kill you with sarcasm” [sic]. In fact, the most humorous bits of conversation feature either Ella or Nik as participants, probably due to their upbringing. When Niklas finds himself trying to work a part of the ship (all hands on deck during this time of need), he relays over the coms “Um . . . yeah, all the lights are green back here, too. Wait, no … [thump thump] Yep, there it goes.” (615) Oh, and as an added bonus, we learn the identity of the Analyst ID who has been narrating the entire story thus far.

Kady, Hanna, and Ezra all grow in their character development. Hanna learns her father has died, and she struggles with how to process but also hide her grief as she is called on to help. Ezra has to deal with authority, both assuming it and accepting it, and we all realize that he might not ever fully achieve either. Kady has a pivotal scene where you really get to see her strength in character. Ian Grant (her father) makes a lovely gesture that lets you know where she gets her strength from. New characters or those we haven’t had much contact with emphasize these are still teenagers who are essentially taking control of the situation and doing most of the planning. In quieter moments, which are so rare in their world of everything falling apart around them, and in heart-wrenching and shocking scenes that we see how invested these characters, especially Kady, are in saving not only their lives but the lives of everyone else. Everyone has been changed completely by this experience, and we see a little glimpse at the very end of how they try to handle, cope, and recuperate. As they remember their fallen, I will remember this story for a while.

Overall, I’m looking forward to their next series by this pair. Aurora Cycle, the first one titled Aurora Rising is slated for release in April of 2019.

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Wires and Nerve: Gone Rogue

Wires and Nerve Gone Rogue.jpgTitle: Gone Rogue
Series: Wires and Nerve (#2)
Author: Marissa Meyer
Illustrator: Stephen Gilpin (based on art by Doug Holgate)
ISBN: 9781250078285
Pages: 324 pages
Publisher/Date: A Feiwel and Friends Book, an imprint of Macmillan Publishing Group, LLC, c2018

“So, can we all start by agreeing that there is absolutely no way we are letting Cinder sacrifice herself to this psychopath?”
“No one is agreeing to anything yet.”
“I know you, Cinder, and I know you started planning how to trade your life for theirs the moment you heard about his.”
“That’s not true. I started planning a way to get them back safely.”
“And have you come up with a plan yet that doesn’t involve getting yourself killed?”
“Thorne is right. Steele is trying to lure you into a trap.”
“Yes, OBVIOUSLY this is a trap! But what am I supposed to do? We can’t just ignore him!”
“He has Winter and Jacin!”
“And Wolf.”
“And Tressa…”
“And now he wants the Queen of Luna! Aces, Cinder, Would you think of your own self-preservation for once?” (168-169)

The conclusion to the Wires and Nerve series begins with Wolf considering his future with Scarlett when their farm is surrounded by Steele, the big bad wolf-soldier from the previous graphic novel. He recruits Wolf for his revenge towards Cinder, and after Cinder and her entourage arrives on Earth Steele kidnaps Winter, Jacin, and Tressa. Demanding Cinder in exchange for the hostages and threatening the lives of the Earthen public, the fight is far from over. Iko is tasked with a key part in the final showdown, but can she fulfill her role without tipping off Steele that she might be more than he thinks she is?

Firstly, I was slightly disappointed that we saw almost nothing of Thorne and Jacin in this episode of action. Heck, Jacin gets captured TWICE by the wolf-soldiers, and he’s supposed to be a former Lunar guard for the royal family, implying some fighting prowess even if he did want to become a doctor. Even Kai had some blink and you’ll miss them occurrences where he said the necessary “Yes we’ll have military support” or “I’m your emperor so you must listen to me” dialogue, then receded into the background, not contributing in the final battle scene except to tell Steele he’s lost and to ask Cinder if she was hurt. Cinder was a token character, less so then Kai and the others because we saw her navigating the political side of things on both Earth and Luna. It was emphasized repeatedly that Steele was after her for what she represented and not because of who she was, which also lent to the feeling that she was being typecast, although the fought it admirably by arguing again and again that she was nothing like the previous rulers. The few romantic scenes of her and Kai together will satisfy fans of the series (like myself). That was also probably the reason for Scarlett and Wolf’s scenes together, although seeing Wolf stumble over his obviously more submissive and overprotective nature towards Scarlet’s alpha role was a tender moment in an otherwise tense political thriller of double crosses.

The cast was there, and they served their purpose when called upon in a fight, but the main focus was Iko and Liam Kinney, which on the one hand disappoints me but also satisfies me that Iko got her opportunity to shine in the spotlight. I enjoyed the evolution of Iko and Kinney’s relationship because it felt natural. Besides a subtle nod to increased heart rate, there is nothing overtly romantic, which I had worried about it becoming after reading the first one. The story line as a whole seemed to emphasize Iko’s humanity, even though she was an android, and Kinney’s ultimate acceptance that there is more to Iko then wires and circuitry. We get glimpses of Iko’s original programming through some files that Cress recovers, but the underlying question of nature versus nurture persists through much of the story. Iko’s quirks have always been accepted by her friends and previously people who didn’t appreciate them were cast as outsiders. When she gets paired with Kinney, this is the first time that Iko has to continually justify and understand her existence. I like to think that they become really good friends due to this increased self-awareness, both of themselves and their assumptions towards the other person.

A satisfying and quick read that closes out the series that ties up the loose ends for the legion of fans. I got to hear the characters in the audiobooks, and now we get to actually “see” the characters in the graphic novels. I’m sad to see it end, but I think it’s a good place to stop and appreciate the format change.

Little Brother

Little Brother.jpgTitle: Little Brother
Author: Cory Doctorow
Narrator: Kirby Heyborne
ISBN: 9780307711540 (audiobook), 9780765323118 (paperback)
Discs/CDs: 10 CDs, 11 hours 54 minutes
Pages: 382 pages
Publisher/Date: Listening Library, c2008.

I lost it. “Dad! Are you listening to yourself? They’re talking about investigating practically every person in the city of San Francisco!”
“Yeah,” he said, “that’s right. They’ll catch every alimony cheat, every dope dealer, every dirtbag and every terrorist. You just wait. This could be the best thing that ever happened to this country.”
“Tell me you’re joking,” I said. “I beg you. You think that that’s what they intended when they wrote the Constitution? What about the Bill of Rights?”
“The Bill of Rights was written before data-mining,” he said. He was awesomely serene, convinced of his rightness. “The right to freedom of association is fine, but why shouldn’t the cops be allowed to mine your social network to figure out if you’re hanging out with gangbangers and terrorists?”
“Because is’t an invasion of my privacy!” I said.
“What’s the big deal? Would you rather have privacy or terrorists?” (137-138)

Marcus is a computer nerd living in San Francisco. He’s cut out of school early with his friends to pursue a clue as part of an online scavenger hunt, when the impossible happens. A terrorist attack leaves them one man down after the Department of Homeland Security apprehends them and holds them for secret questioning. When Marcus gets out, the city is in a semi-militarized state as the government hunts down the perpetrators. That’s what they claim they are doing, but as their surveillance methods increase, Marcus isn’t the only one who begins to wonder who these people are and what or who they are really collecting and pursuing.

I don’t want to turn this into a rant about technology, surveillance, privacy, and how they intersect all too often these days. However, reading this book gave me the same creepy crawly feeling that Robopocalypse did almost 5 years ago. Written before Robopocalypse, nothing has really changed since Cory Doctorow wrote this a decade ago. The general public still blindly accepts that surveillance is happening, that information about them is being collected about their movements and habits and activities, and nobody questions where that information is going or how it is being used. We grant access to huge quantities of information because companies require it in order to use their services, and now these publicly owned companies have the ability to control that information, including selling it to third parties, analyzing it for their own purposes, and deciding whether or not the authorities can gain access to that stored information.

It’s hard to imagine any of this happening in real life, and that’s Doctorow’s point. It might be hard to imagine, but it could happen, and we have the technology already where it could. Obviously advocating for a more involved and informed society when it comes to technical privacy, the book ends with Marcus advocating in what feels like a public service announcement for “signing up voters and getting them to the polls.” It includes afterwards by a security technologist and the MIT student who hacked the XBox, both of whom encourage readers to evaluate the world. “Trading privacy for security is stupid enough; not getting any actual security in the bargain is even more stupid” says the security technologist Bruce Schneier, while Andrew Huang ends his essay with “Be like M1k3y [Marcus’ screen name in the book]: step out the door and dare to be free.”

As a result of the technical nature of the story, there are huge sections of info dumps, where action is forwarded and details are revealed in professorial paragraphs mimicking a classroom lecture. This means that readers might get more out of it when they read it over listening to it. While the background is necessary to understand the story and appreciated by this reader, I do wish there had been a better way to incorporate it into the narrative. Obviously Marcus, the main character, is going to surround himself with people who can aid in his digital exploits and who are already more knowledgeable than readers about hacking concepts, so explaining it in character to a character wouldn’t ring true to the story. But they do have an opportunity when they finally have to involve a less-tech savvy but no less paranoid character (I won’t reveal who) about two-thirds into the story. And five pages on key-encryption or an even longer passage on Marcus’ history of LARPing, while appreciated, seemed a little wordy.

The story is insular in nature, with the close-up focus of Marcus and his movements and point of view. As a result, we don’t get a detailed feel for any of his classmates, friends, or fellow hackers who aid in his attempted take down of the government overreach. There is a romance, and they do have protected sex off screen which might prevent recommending it to some audiences. In fact, I feel like we get more information and character development from Marcus and his parents then from any of his friends, most of them falling to the sidelines due to objections of Marcus’s activities.

It’s an important book to recommend in these times of digital sharing and oversight, and hopefully one that not only sparked discussion when it was published but will continue to encourage debate and free thinking, along with caution and thorough analysis of the world, both virtual and real.

Wires and Nerve

I originally intended to post these in October, but the end of the year got away from me. Since I can’t draw, in honor of Inktober 2017 I searched out a graphic novel to fit each daily theme presented. Now that October is over, I finally have a chance to catch up on my blogging. Here’s my submission for the theme from October 29th: united.

Wires and Nerve.jpgTitle: Wires and Nerve
Series: Lunar Chronicles series
Author: Marissa Meyer
Illustrator: Doug Holgate with Stephen Gilpin
ISBN: 9781250078261
Pages: 238 pages
Publisher/Date: A Feiwel and Friends Book, an imprint of Macmillan Publishing Group, LLC, c2017.

I’ve been hunting wolves for seventy-one days. I’ve tracked their packs through the jungles of Peru. The sewers of Rome. The abandoned shipyards outside Cairo. I’ve seen the devastation they cause with my own eyes. The mutilated bodies of their victims. The terror that lingers in those left behind. I’ve been hunting them long enough that I’m beginning to understand how they operate. Like the wild wolves they’re meant to imitate, they like to prey on the old and sick, singling out the weak from the herd. They strike fast, targeting heavily populated areas, then vanish back into the wilderness. I’ve even come to recognize the sorts of places they like to make their dens. The darker… the eerier… the better. (18-19)

Fans of Marissa Meyer’s Lunar Chronicles series will be happy to learn that the story didn’t end with Cinder ascension to the Lunar throne. Unfortunately, the wolf-hybrid soldiers that were sent to Earth by Queen Levana in anticipation of her taking control of the planet are still at large, and wreaking havoc around the world. Cinder can’t jeopardize her relationship with Earthen governments and citizens by sending Lunars, especially so soon after they were threatened by that very race. Humans are no match for the wolf soldiers speed and agility. So that leaves Iko, the plucky robot and loyal sidekick with a chip in her personality that makes her unlike any other android. When she runs into a spot of trouble and needs to call on members of the old gang, it sets into motion events that expose the head of the revolution, Alpha Lysander Steele, and his plans to revolt against both humans and Lunars alike.

I’m a biased, long-standing fan of the series from the very first book. I’ve enjoyed and listened to the audiobooks so often that some of the voices used in those are now in my brain. I didn’t expect the blue tones in the illustrations (considering the covers of the original series, I expected red), but the visuals are exceedingly well done. The pacing adds to the action sequences, building suspense and supplementing the dialogue and text with wordless panels that convey meaning and emotion. Holgate does have a tendency to end chapters by focusing on a singular character, especially with an extreme close up of eyes, but that does lend an episodic, cinematic feeling to the story, where you expect a “duhn duhn DUHN!” to play in the background along with the page flip. The plot reads naturally, and while you can more fully appreciate the plot if you’ve read the preceding titles, there is a short summarizing prologue, and additional back matter is provided within the story in a way that doesn’t feel like obtrusive. Characters relationships with each other and motivations are clearly displayed or stated.

It’s exciting to see Iko get her moment in the spotlight and her personality especially shines in her indignity at the salesman who tries to explain why Iko isn’t as celebrated as the rest of the heroes. There is a short scene where it alludes that we’ll learn more about Iko’s programming in the planned sequel. The relationship that Iko begins by the end of the book is slightly problematic to me right now, but I’m looking to see how it develops in the next installment. I was originally looking at her as a C3PO type character, where it wasn’t necessary for her to pair with someone like the rest of the original crew. I guess like a Shakespearean play or the second half of Little Women, fans might have requested this to happen, but I’ve seen some comments online that indicate I’m not the only one with some trepidation on how this will work out.

The sequel, Gone Rogue, comes out Jan. 30th, so soon you can pick them both up to complete your collection.

Gemina

Gemina.jpgTitle: Gemina
Series: The Illuminae Files #2
Authors: Amie Kaufman and Jay Kristoff
Narrators: Carla Corvo, MacLeod Andrews, and Steve West, with a full cast
ISBN: 9781101916667 (audiobook), 9780553499155 (hardcover)
CDs/Discs: 11 sound discs (12 hr., 30 min.)
Pages: 659 pages
Publisher/Date: Listening Library, Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2016 by LaRoux Industries Pty Ltd. and Neverafter Pty Ltd.

Mayday, mayday, mayday, this is Acting Captain Syra Boll of the WUC science vessel Hypatia calling Jump Station Heimdall, please respond.
Please respond. Heimdall over. […]
On the off chance we are not receiving your transmissions, or you are unable to reply, Hypatia is still en route to the Heimdall waypoint with Alexander survivors and refugees from the original Kerenza assault aboard. We’re hoping like hell it’s not just a smoking pile of debris when we get there. Estimate our arrival in fifteen days.
If you guys can roll out any kind of cavalry, now’s the goddam time.
Hypatia out.

Little does the crew and passengers of the Hypatia know that Jump Station Heimdall is having their own problems at the moment, and could use some cavalry assistance of their own. The same people who blew up the illegal mining colony of Kerenza and is pursuing the Hypatia is intent on cleaning up this botched effort, through any means necessary. And those means just might include making sure no one from Hypatia or Heimdall can report back on the mass murder that has taken place. A celebratory event turns into a hostage situation, with the captain’s daughter Hanna pairing up with the Nik, the reluctant member of the crime family secretly transporting illegal materials on-board the ship. But those materials may prove more trouble than the hostage takers.

With an almost entirely new cast of characters, the audiobook for this second in the series is almost as good as the first. Although some time has passed since I listened to the story, I remember there were two snags in the production of the early discs where the sound quality didn’t quite stay consistent. However, they were easily forgettable by the time you got to the final scenes. A notoriously impartial and unapologetic Surveillance Footage Analyst from the first book makes a welcome reappearance. Towards the end, overlapping narratives portrayed side by side in double-page spreads in the book are read consecutively, so as to maintain the intended connections.

This second outing in the saga gets slightly more fantastical than the purely scientific first book, especially involving the climatic solution to a problem that seems unsolvable. The death scenes are also more graphically rendered, partially as a result of the cargo being stowed on ship. That’s really all I can say about either event without giving too much away. While I enjoyed the continued use of transcripts, typed analysis, and other written communications to convey the story, the commentary provided during some of the more intense scenes stretched credibility. When trying to deter a hacker, would Nik’s cousin Ella, a skilled hacker in her own right, really take the time to type exclamations like “I TOLD YOU I TOLD YOU I TOLD YOU NOT TO DISTRACT MEEEEEE AAAAAAAHDB#OWALEKVNLAKENLQWENVLQKENV”KQENV”LQENV”LAV ” while trying to save her cousin’s life? In my experience, it might have been more of a vocalization as opposed to an actual typed response, especially when your fingers are otherwise occupied. Ella’s disability is touched upon in a matter-of-fact manner, but never belabored.

Having read the first book, readers will be not be surprised by the blooming romance between two of the characters, but like the first one it is relatively tame and PG compared to the violence and death of the numerous assaults on the characters. In that respect their attention is appropriately focused on staying alive rather than developing a relationship, although there are some tender moments between the two. Nik and Ella’s back and forth rapport also brings some lighter moments to the gripping suspense of when they are going to die.  There is some drug use that might not be appropriate for younger readers, but all of the frequently used swear words have been censored out of both the written and audio versions. Overall, an excellent addition to the sci-fi series, and I’m eagerly anticipating the third and final book in the trilogy.

Illuminae

Illuminae.jpgTitle: Illuminae
Series: Illuminae Files (#1)
Author: Amie Kaufman and Jay Kristoff
Narrators: Olivia Taylor Dudley, Lincoln Hoppe, and Jonathan McClain, with a full cast
Book Design: Heather Kelly and Jay Kristoff
ISBN: 9781101916629 (book on cd), 9780553499117 (hardcover)
Pages: 599 pages
Discs/CDs: 10 CDs, 11.5 hours
Publisher/Date: Listening Library (audiobook), Borzoe Book published by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2015 by LaRoux Industries Pty LTD. and Neverafter Pty Ltd.

Interviewer: Tell me about yesterday.
Kady Grant: I was in class when it started. This is going to sound stupid, but I broke up with my boyfriend that morning, and he was right there on the other side of the room. I’m staring out the window and coming up with all the things I should say to the jerk, when these ships fly right overhead and all the windows start shaking.
Interviewer: Did you know something was up?
Kady Grant: No. You don’t jump straight to an invasion. […]
Interviewer: You evacuated at that stage?
Kady Grant: You make it sound way more organized than it was.
Interviewer: How was it?
Kady Grant: All kittens and rainbows. Apart from the screaming and explosions. (2-3)

Kady Grant and Ezra Mason are two teenagers who have just broken up, when their illegal mining colony is attacked by a competing mining corporation. Their hasty evacuation puts them on different ships, with a warship following close behind their tiny, limping fleet intent on finishing the job. But a virus has found its way onto one of the ships, and command is not sharing information in an attempt to stop rumors and panic. Hacking into the system, Kady is more knowledgeable than most, but even she is still in the dark about just how much trouble they are in. Forced to work with Ezra in order to piece together this puzzle, Kady has a hard time trusting anyone, including the supposedly unalterable AI system aboard the ship that seems to be updating itself with a mind of its own. And she’s unfortunately not the only one, as command  is conflicted regarding their course of action. With the odds clearly stacked against them, it’s anyone’s guess if they will make it out alive, and if they don’t what will finish them off first.

First, let’s talk design and production. In listening to the audiobook, you get a full cast narration, in which listeners can experience what it must have been like for people when War of the Worlds radio broadcast was first released. There are sound effects, there are harried voices talking over each other, there is the robotic monotone of the AI and other electronic system alerts. When a tremendous explosion rocks through the story, there is a pregnant pause in the audio of silence. Reminiscent of the Death Star explosion scene in Star Wars the audiobook stops completely and allows you to attempt to come to terms with desperately trying to overcome the shocking turn of events. You’re continually scrambling to figure out what is happening, and the audio allows you that time in its unhurried spooling of the story.

This brick of a book is designed beautifully, and some librarians were surprised to hear my raving reviews of the audio that it translated so well into an audio presentation. There are censored words throughout the book, blacked out with heavy marker. There’s paraphernalia paper clipped to reports. There are logos and letterhead for each of the ships involved, and spiraling script that conveys the chaotic events. I didn’t miss any of it, and in looking at the print version I am more thoroughly impressed with the quality of the audiobook. They took into account every detail and it shows.

The story itself reads like the Star Wars epic space opera/drama that it is. While there is a romance involved, for most of the story the two main characters are separated by space so there is very little PDA. Because the story is told in transcripts of verbal and textual conversations and summaries of surveillance footage, there is also surprisingly little technological jargon. The two primary characters, Ezra and Kady, don’t start out as soldiers or scientists or computer specialists, and that allows a very different story to take place than compared to other science fiction thrillers, like The Martian. The dialogue is riddled with censored swear words, incomplete sentences, and it’s refreshingly realistic. Kady is already sarcastic and suspicious, and her blatant disregard for authority is only amplified as the lies and secrets are uncovered. Ezra is slightly less skeptical than his ex, and is willing to go along with orders, until even he can’t ignore the writing on the wall. They play off each other extremely well, and their growing concern for each other evolves naturally as they cling to whoever they can as feelings of trust begin to dwindle. The other characters are fully realized, and everyone is struggling to reorient themselves in this ever-changing, perilous situation.

There is so little true science fiction available for teens, regardless of the quality this title would have been included on reader’s advisory lists. But because it exceeds all expectations that I had, I’m placing it as one of my favorites. The sequel Gemina is already available, and I’m looking forward to continuing the series and finishing the trilogy when the third one arrives at the end of the year. Highly recommended.

Rocket Girl

Rocket GirlTitle: Rocket Girl Volume One: Times Squared
Author: Brandon Montclare
Illustrator: Amy Reeder
ISBN: 9781632150554
Pages: unpaged
Publisher/Date: Image Comics, Inc., c2014.

In 1986 a bunch of scientists at Quintum Mechanics made history. Their discovery would change everything, forever. But they didn’t know what they were doing. It was never meant to be. So someone had to go back in time to stop it. I volunteered.

Detective Dayoung Johansson is a fifteen-year-old NYPD Detective in 2013, and expects people to respond to her position and experience with the force. Except she’s no longer in 2013 but has been sent back to 1986 to prevent a corporation from seizing control. But as the company responsible for the technology that enables time travel in the first place, Dayoung may just be playing into their plan. Is she really saving the past, or creating the future?

This story almost completely ignores the time travel element, except for a few obligatory references, like “Your past is my future” and a run in between past and future selves for two secondary characters. The detailed illustrations shine, with dirt on Dayoung’s uniform and graffiti on the brick walls, although the broken glass of the police station window should have fallen out the window if it was broken from the inside. It’s the fight sequences that are all flash, bang, whizz, described in the extra materials in the back of the book as “Marvel Style”. I wish there had been more movement in these sequences, instead of poses and posturing more then actual propulsion. NPR agrees with me (since when did NPR review graphic novels?!), stating “The one area where Reeder’s got real problems, oddly enough, is in capturing motion. That’s quite a weakness when your protagonist spends most of her time airborne. Reeder does OK with the effortless aspects of flight — gliding, spinning, tumbling. When DaYoung soars, so does the book. But when she hauls off and hits somebody, we hit the ground.” It’s an interesting premise and I’d be willing to follow it for a little while longer, but the characters and plot need more development before I’ll fully understand exactly how the past/future is impacting the future/present… see why I’m confused!

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