Posts tagged ‘200-249 pages’

Doll Bones

Doll BonesTitle: Doll Bones
Author: Holly Black
Illustrator: Eliza Wheeler
Narrator: Nick Podehl
ISBN: 9780804122900 (audiobook)
Pages: 247 pages
CDs/Discs: 5 CDs, 5 hours
Publisher/Date: Listening Library, c2013.
Awards: Newbery Honor (2014)

“It wasn’t like a regular dream,” Poppy said, her fingers smoothing back the Queen’s curls and her voice changing, going soft and chill as the night air. It reminded Zach of the way Poppy talked when she played villains or even the Queen herself. “It wasn’t like dreaming at all. She was sitting on the end of my bed. Her hair was blond, like the doll’s, but it was tangled and dirty. She was wearing a nightdress smeared with mud. She told me I had to bury her. She said she couldn’t rest until her bones were in her own grave, and if I didn’t help her, she would make me sorry.”[…]
“Her bones?” he finally echoed.
“Did you know that bone china has real bones in it?” Poppy said, tapping a porcelain cheek. “Her clay was made from human bones. Little-girl bones. That hair threaded through the scalp is the little girl’s hair. And the body of the doll is filled with her leftover ashes.” (62-63)

Zach, Poppy, and Alice have played an ever-changing, imagination based game involving pirates, mermaids, treasure, curses, and the Great Queen, influenced by a bone-china doll locked in Poppy’s mother’s cabinet. It’s all pretend, and Zach’s father is urging him to grow up. But Poppy claims to recently receiving dreams from the Queen, urging the trio to bury the doll in her empty grave. They set off in one last adventure, with Zach and Alice not quite sure what to believe. Is Poppy possessed, or is this just play? When things start going wrong, it’s anyone’s guess whether they will be successful.

Have I mentioned before how much I love Nick Podehl’s narrations? Because I really do. While this book did not require the range and variety that I know he can create, it was still an excellent audiobook. Black paints this questionably creepy situation where the events of the book could be explained away as someone playing a trick…. except maybe it really is a ghostly presence influencing the group. It was the creepy factor that did it to me, as the doll was described so well, I was picturing a feminine version of Chucky. The cover really doesn’t do the doll justice, and unfortunately neither do the interior illustrations. The beauty of the narration is the imagining, the what if, and the illustrations pull you out of that spook factor. I read one review that compared this to Toy Story meets Sweeny Todd, which I guess is apt although I think Sweeny Todd is much more graphic in nature than this one.

You can tell that a lot of thought went into this book. For example, if you Wikipedia East Liverpool, Ohio, where the bulk of the story ends up happening, it really does exist. And it really did have a number of potteries, “once produced more than half of the United States’s annual ceramics output. Throughout East Liverpool’s ceramics history, there were more than 300 potteries.” (link) You can read all about Holly Black’s road trip to this tiny town, which she did for research. The trio’s adventures were fully realistic, whether it was getting from point a to point b, budget issues, or dealing with suspicious adults who paid a little more attention then they would have liked to three unchaperoned minors traveling together. A pivotal scene takes place in a library with a pink-haired librarian who is super savvy about the ways of teens, and you can tell Black is a fan of librarians through her portrayal of this character.

I did wish that Alice and Poppy had more personality. While there is some exposition regarding Zach’s attitudes and evolution, we never really hear about the two girls and how they feel about the game that Zach’s father is so keen in making Zach give up. I think Zach’s father’s change in attitude towards the end came about a little too neatly, and the quest’s end was very convenient in nature. But it’s the journey, that’s the part that compelled me to keep reading, and the uncertain ground that Black keeps you on, forcing you to question everything that is happening. Leave the light on, and you’ll never look at your dolls the same way again. Especially the china ones, which plays such a big roll to making the whole premise work.

El Deafo

El DeafoTitle: El Deafo
Author: Cece Bell
Color: David Lasky
ISBN: 9781419710209
Pages: 242 pages
Publisher/Date: Amulet Books, an imprint of ABRAMS, c2014.
Awards: Newbery Honor (2015)

I wake up every morning happy and relieved to be home. I stay close to Mama, no matter where she is. But suddenly, I lose her. Where is she? I call out but she doesn’t answer me! When I finally find her, I know that everything is different. I think she knows it, too. I can’t hear. (11-12)

As a result of meningitis when she was four, Cece spent some time in the hospital. When she got back home, her parents and her realized that there was something wrong. She had become deaf. After being fit with hearing aids, Cece attends a special school to adapt to her lost hearing, but a family move means she leaves behind the welcoming environment. A new school means she needs to adapt to kids not understanding what the hearing aids do and how to react and interact with her.

The idea of portraying the people as bunnies was an inspired choice on the author’s part. Deafness seems more pronounced when exhibited by an animal with such pronounced ears, and that makes real the anxiety that the author feels when trying to hide her defining characteristic. I had a classmate with a similar hearing device that Cece wears and uses in school, and it’s interesting to see the world from that perspective. Cece’s reluctance to learn sign language was surprising to me, but her reasoning makes sense. She is trying so hard to not appear different that she is isolating herself because she can’t change her differences. It’s when she finally embraces her differences and uses them to the class’s advantage (like a super power) that she makes friends. But honestly, I’m glad she made friends like Martha, who didn’t care about her hearing aids, either as a positive super power or a negative disability.

Most of the feelings of acceptance are universal, they are simply amplified by Cece’s difference. Fans of Raina Telgemeier’s Smile and R. J. Palacio’s Wonder will probably enjoy this graphic novel with a similar story line. These books are important to have to teach acceptance to children and share unique perspectives, but some may be turned off by the continued emphasis of the differences and the primary role they play in the plot.

The Last Great Walk

Last Great WalkTitle: The Last Great Walk: The True Story of a 1909 Walk From New York to San Francisco, and Why It Matters Today
Author: Wayne Curtis
ISBN: 9781609613723
Pages: 236 pages
Publisher/Date: Rodale Inc., c2014.

I first came across a mention of Edward Payson Weston about twenty years ago. […] I happened upon a brief wire service story about a man’s cross-country journey on foot in 1909. I skimmed enough to get the gist — a seventy-year-old man was walking about forty miles a day for a hundred days en route from New York to San Francisco. Good for him, I thought, and then I scrolled ahead in search of the page I needed.
A few minutes later, I had another thought: Wait . . . what? Forty miles a day? A hundred days in a row? At seventy years old? (Introduction, xii)

Wayne Curtis probably describes his book best when he writes his introduction:

Part of my goal in this book is to explore, revive, and expand on the message that Weston was intent on publicizing — advocacy for the long walk, once common and now rare. As such, this book is only in part about a single man and his obsession, and just as much about mobility, about how we choose to get around and how that impacts the health of our bodies and our minds. Above all, it’s about what we lost when humans, starting roughly a century ago, opted to stop using their legs to get from here to there and instead chose to regularly climb into a metal box harnessed to a series of small explosions. Some of what happened in the intervening century you might easily guess, but much of it you might not. Walking is more complexly knitted into our bodies and minds than you might think. How we move can determine our relationship to the land and people around us and even, to some degree, how we understand ourselves.
Not walking, I believe, is one of the most radical things we’ve ever decided to do. Here’s why. (Introduction, xviii)

To say that Curtis has an agenda is an understatement. We seem glimpses of Weston’s walk framed by free-ranging commentary involving the evolution of humans (both physical and mental), urban planning, technology, pedestrian patterns, and societal statistics such as number of hours spent watching television and walkability ratings for neighborhoods. But people who pick up this book are more than likely looking for just this sort of justification for walking and slowing down, assuming an almost existentialist philosophy towards the task. Just as people who dislike witchcraft aren’t going to read Harry Potter, people who dislike walking aren’t going to read this book.

However, it’s also the sort of book that may provoke thoughtful discourse between like-minded individuals, compiling fodder for future conversations. For instance, I’ve had a long personal belief about how long I’m willing to drive to get to a destination. Turns out this may be influenced by prehistoric habits. Curtis presents research by Cesare Marchetti that proposes humans have been willing to spend about an hour in unsheltered transit before retreating from the threat of being exposed to possible threats like enemies and the elements, and that constant has maintained itself, simply expanding as we are able to travel faster and farther in the same amount of time. The 2009 US Census Bureau data supports this philosophy, reporting the mean one-way commute is about 25 minutes (so an hour both ways). A Gallup poll confirms this by reporting the average American spends 190 hours a year (about 30 minutes a day) commuting. Although, Curtis also quotes an unnamed study that hours in delayed in traffic has increased from seven hours annually in 1982 to twenty-six hours in 2001. (131-133, 53)

The book is filled with those type of statistics that you’ll kick yourself for never fully remembering, but always remember the impact that they allude to. A few more to whet your curiosity:

  • Melvin Webber “noted that one’s perception of what constitutes a mile varies depending on the speed of travel. So it turns out it’s not just the actual exertion of walking a mile that dissuades many from taking to foot, but that they have also developed the belief that a given trip is far longer than it actually is.” (drivers thought distances were twice as much as what they actually were, whereas walkers and bikers were much more accurate) (109)
  • “In 1969, about half of all schoolkids still walked to school; 41 percent of all students lived within a mile of their school, and 89 percent of these students walked. […] Today, only 13 percent of America’s children walk to school.” (54)
  • “According to a 2009 Nielsen survey, the average American watches about 151 hours of television a month, or about 5 hours every day.” (52) “after the age of twenty-five, every hour of watching television reduced life expectancy by 21.8 minutes.” (54-55)
  • “While different studies arrive at moderately different conclusions via various routes, the recent research of dozens of scientists more often than not converges at a single intersection. And that consistently suggests that if you exercise, your brain will be fitter than if you don’t.” (97)
  • The same can also be said towards physical health, as skimming over study results yields benefits by reducing the risk of coronary disease, stroke, hypertension, type 2 diabetes, gallstones prevention, immune dysfunction, adult-onset asthma, arthritis, and osteoporosis, and cancer. (68-69)

For a book covering an actual walk, I was more intrigued by the above mentioned statistics and studies and the historical, psychological, and physical evolution brought about by walking than I was about Weston’s vague (and more than likely biases) reports regarding weather, landscape, reception, and conditions in general. I was somewhat surprised that there were no images. No maps of Weston’s route, which is described with varying degrees of precision and details, no pictures of Weston, and no charts to support the multitude of statistics presented in the pages. For all of that (minus the charts), you’ll have to visit the website. Upon arrival, you receive an interactive Google Map with individual points plotted based on newspaper articles. Sources are broken down by chapter on the website. While I understand he was making the book more approachable for the general public, I wish footnotes and a full source notes had been included in the printed copy, so as to better guide further research into various quoted statistics. There seems to be an influx in interest in walking and voluntary isolation (Wild, Into the Wild, Castaway, to name a few) and this book supplements all those introspective self-reflections with science. It’s a worthwhile, thought-provoking read for meandering minds and bodies.

Through the Woods

Each month for my job, I write a maximum 150 word review of a new book that came into the library during the month. I’ll be expanding that idea to the blog in a new feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Through the WoodsTitle: Through the Woods
Author/Illustrator: Emily Carroll
ISBN: 9781442465954
Pages: unpaged (208 pages)
Publisher/Date: Margaret K. McElderry Books, an imprint of Simon & Schuster Children’s Publishing Division, c2014.

When I was little I used to read before I slept at night. And I read by the light of a lamp clipped to my headboard. Stark white, and bright, I dreaded turning it off. What if I reached out… just past the edge of the bed and SOMETHING, waiting there, GRABBED ME and pulled me down, into the DARK. (introduction)

Less is more in this eerily spooky collection of graphic short stories. Sparse narration and vivid drawings bring the chilling tales to life. There are vague connections to folk tales and fairy tales, such as Little Red Riding Hood, but Disney fans will be severely surprised, and possibly horrified. Each story has its own color palette that is used to the fullest extent, with white space (or in most cases black space) conveying the mood. The attention-grabbing blood red pops out of the page. Read it again to appreciate the striking illustrations, and while they “are rendered in ink and graphite on Bristol board and then digitally colored”, the beginning and end papers left me thinking of relief printing. Definitely recommended, just not for those prone to nightmares. This brings horror to a new high and the stories with open-endings will leave behind feelings of “could this happen to me”.

2 The Point Tuesday Nick and Tesla’s series

Each month for my job, I write a maximum 150 word review of a new book that came into the library during the month. I’ll be expanding that idea to the blog in a new feature I’m calling To the Point Tuesdays. This time around, I’m featuring the first three books in the new Nick and Tesla’s series. If you want to play along, just post a link in the comments and I’ll add them to the post.

NickTesla_9JTitle: Nick and Tesla’s High-Voltage Danger Lab
Author: “Science Bob” Pflugfelder and Steve Hockensmith
Illustrator: Scott Garrett
ISBN: 9781594746482
Pages: 237 pages
Publication/Date: Quirk Productions, Inc. c2013.

As Joe’s cab slowed to a stop out front, a lawn mower was going around and around in the yard. No one was going around and around behind it, though. It looked like a ghost was mowing the lawn.
Rope ran from the mower to a metal pole in the middle of the yard. The end of the rope was wrapped around the top of the pole in a coil. As the mower moved, the rope unraveled itself, slowly feeding more slack to the mower so it could go in bigger and bigger circles.
It was a self-mowing lawn.
“Cool,” said the girl.
“Uhh,” said the boy.
He pointed to the pole. The more the mower tugged on it, the more it tilted to the side.
“Oh,” said the girl.
The pole sagged, then fell over completely, and the mower rumbled off-course into a neighboring yard. It chewed through row after row of beautifully manicured flowers before rolling over a garden gnome, getting snagged, and — with a screech and a pop and a puff of black smoke–bursting into flames. (11-12)

Twin siblings Nick and Tesla Holt have been sent to live with their Uncle Newt while their scientist parents are off studying soy beans in the Middle East. Uncle Newt has been described as eccentric by polite people, and a fruitcake, flake, and crazy man by some not so polite neighbors who have had to put up with his malfunctioning experiments for years, most recently an exploding lawn mower. The twins are less than enthusiastic about their summer plans, until chasing after a misfired rocket reveals a mysterious girl in an abandoned house. Next thing they know, they’re being followed by a dark van and fleeing from vicious dogs. Who said a summer of science experiments would be boring? Try your hand at some of the experiments included in the book this summer, and see what adventures you discover in this first title of a new series.

NickTesla_9JTitle: Nick and Tesla’s Robot Army Rampage
Author: “Science Bob” Pflugfelder and Steve Hockensmith
Illustrator: Scott Garrett
ISBN: 97815947466499
Pages: 221 pages
Publisher/Date: Quirk Productions, Inc., c2014.

“I’m not ‘running off to play detective.’ I’m just trying to help a friend. If someone doesn’t get that comic book back, Silas’s family is going to lose their store. No store, no money. No money, no food. The Kuskies might have to become migrant field hands or move to Alaska to work on fishing boats or sell their kidneys to sick billionaires or something.” (70)

Two weeks after arriving at Uncle Newt’s house, Nick and Tesla have acquired a reputation around town. After rescuing a kidnapped girl, their new friend Silas recruits them to help find a rare comic book stolen from his dad’s store. That’s just the start of a rash of thefts. After bugging their prime suspect (quite literally), they are no closer to the truth and run the risk of being arrested themselves! To aid in their investigation efforts, the twins design robots and realize they aren’t the only ones with science on their side. Who will win the resulting robot battle?

Nick and Tesla's Secret Agent Gadget BattleTitle: Nick and Tesla’s Secret Agent Gadget Battle
Author: “Science Bob” Pflugfelder and Steve Hockensmith
Illustrator: Scott Garrett
ISBN: 9781594746765
Pages: 254 pages
Publisher/Date: Quirk Productions, Inc., c2014

“There you go! There you go!” he exploded once he and Tesla were in the backyard. “Is that enough suspects for you? One of those people has got to be spy. Or all of them, for all we know!”
It is weird how they all showed up the day after we got Mom’s message.”
“Weird? It’s not weird. It’s terrifying! Our uncle’s house is filled with spies and black widow spiders! Mom and Dad might as well have sent us to live with a family of cobras in a volcano.” (41-42)

After helping people around town over the last couple weeks, Nick and Tesla find themselves trusting no one and having no one they can ask for help. Their one communication from their overseas parents is a cryptic, cut-off message that gets mysteriously deleted. With the house being occupied by two maids, an exterminator, and a foreign exchange student their Uncle Newt doesn’t remember signing up for, the house is full of suspects when a prized possession goes missing. Has the danger threatening their parents finally caught up with the twins?

Not the most memorable of series, it’s selling feature is the inclusion of gadget, gizmos, and other creations that can be made with common house-hold items and simple, illustrated, easy to follow instructions. We book talked this series for Summer Reading 2014’s “Fizz, Boom, Read” science theme because the slapstick humor adds to the appeal as the cast of characters remind me of the Scooby Doo gang living with the inventor from Back to the Future series, just minus the lovable talking dog. Dangers, death, and disaster are alluded to but never really come to fruition, making this a good choice for sensitive readers who aren’t prepared for more scary mysteries. Coming in October 2014 Nick and Tesla’s Super-Cyborg Gadget Glove: A Mystery with a Blinking, Beeping, Voice-Recording Gadget Glove You Can Build Yourself

The Dumbest Idea Ever

Dumbest Idea EverTitle: The Dumbest Idea Ever
Author: Jimmy Gownley
ISBN: 9780545453462
Pages: 236 pages
Publisher/Date: Graphix, an imprint of Scholastic Inc., c2014.

“I have tons of notebooks filled with drawings…
… but nothing I do looks right.
I wish this dumb town has a place where I could take art lessons. Or an art store where I could get decent supplies. Or at least had…
… I don’t know…
… at least something.
The truth is, Girardville is just a slate-gray scramble of row houses and rocks plopped in the middle of Pennsylvania’s coal region. It’s home to six churches…
… seventeen bars…
…zero libraries…
… and me. (10-12)

Author of the Amelia Rules graphic novels presents an autobiographical account of his coming of age and becoming an artist. Jimmy Gownley is on the top of the world, attending school with his friends, and scoring points both in the classroom and on the basketball court as their high scorer. After spending weeks out of school and missing his championship basketball game (his team loses in the final minute) due to first chicken pox and then pneumonia, Jimmy’s grades start slipping. But Jimmy is more concerned working for months on his first effort as a comic book writer and illustrator. When he shows it to his friend though, he realizes that his piece of art is a piece of junk. Will he ever get anything right again?

At the local elementary school where I work, each student has a yearlong assignment to read a set number of books of different genres. While some teachers leave biographies as a vague category, others specify one must be an autobiography, which is one of the hardest genres for that age level because so many autobiographies cover the entire life of the subject. Ben Carson’s Gifted Hands , John Scieszka’s Knuckleheads, Miley Cyrus’s Miles to Go and Anne Frank’s Diary of a Girl are the ones that immediately come to mind, and after that we have to do some real digging. So this is a must buy in my opinion for public libraries because it adds another title to the autobiography list, it is less serious in tone, and it meets that ever elusive over 100 pages criteria that is usually implemented for book reports.

If you are at all familiar with the Amelia Rules series, you’ll recognize the artwork and color scheme, but author Gownley adds something to it. When character Jimmy is sick, the illustrations turn gray and washed out, and they don’t turn bright and bold again until he enters the comic book shop for the first time, resulting in a Oz like page turn when the curtain is pulled back in a colorful landscape of possibilities. During a visit to a museum, the characters interact with famous paintings that are imitated really well. A flashback sequence featuring a childhood friend is rendered like the old Archie comics, with beige-yellow backgrounds interacting with the present day scenes. It’s done really well.

Jimmy is relatable to just about everyone. His teachers misunderstand him and he struggles with his first crush. He has one best friend who is honest with him and he also has several friends that he interacts with that rotate in and out of his life. There’s homework that doesn’t get done and class discussions that get heated. Towards the end of the novel, Jimmy and his friend are having a conversation about his comic that struck me as great advice.
“You’re not trying to get rich! There’s no way that’s why you’re doing this.”
“Well, no… of course not.”
“Then don’t pretend like it is.” (233)
If you’re doing what you love doing, isn’t it enough? As people are pursuing their life goals and ambitions, they should think about why they are doing something and try to accomplish that, not try to accomplish something they know won’t result from those efforts.

The only complaint is that while the characters noticeably age and grow, the actual amount of time passing is a little foggy. The story starts in what appears to be eighth grade, they move into high school. There are at least two summers that get glazed over pretty quickly as working vacations that Jimmy spends crafting his comic strip. Then suddenly Jimmy is attending the prom, but he’s still asking his dad for a ride to the comic book store over an hour away. Other than that though, it’s a fast read that encourages kids to follow their dreams, regardless of how many times they have to restart.

nonfiction mondayA portion of this review was cross-posted at the Nonfiction Monday blog. Take a look at what everyone else is reading in nonfiction this week.

Revolver

I listened to this audiobook way back in February of 2011. How this review got buried so far down that it hasn’t seen the light of day before now the world may never know. I have been recommending this to patrons ever since to rave reviews, and I hope you take the time to enjoy it too.

Title: Revolver
Author: Marcus Sedgwick
Narrator: Peter Berkrot
ISBN: 9781596435926
Pages: 204 pages
Discs: 3 CDs, 3 hours 35 minutes
Publisher/Date: Roaring Brook Press (Brilliance Audio), c2009.

Even the dead tell stories.
Sig looked across the cabin to where his father lay, waiting for him to speak, but his father said nothing, because he was dead. Einar Anderson lay on the table, his arms half raised above his head, his legs slightly bent at the knee, frozen in the position in which they’d found him; out on the lake, lying on the ice, with the dogs waiting patiently in harness. (1)

Fourteen-year-old Sig Anderson is waiting for his sister and step-mother to return from traveling across the frozen ice to the neighboring town. The same ice had, just a few hours earlier, killed his father when he fell through and froze to death in the Alaskan cold. While waiting for help to arrive, Sig gets a visitor of a different sort; a giant, gun-wielding man named Wolff, claiming that he has some unfinished business with Sig’s father. Sig hopes that help will arrive before the man makes good on his promise to harm Sig and his family. But when help does arrive, it’s Sig’s sister Anna, and she’s alone. How will these two survive?

First off, excellent narration on the audiobook by Peter Berkrot. He gives the book a Clint Eastwood, old-western “You feeling lucky, punk?” quality and his nitty-gritty tone and inflection sets the whole mood. I’ll admit that it a little slowly paced in the beginning, but that’s okay. Nothing is moving fast in this story, and it’s the palatable tension that readers will revel in.

Berkrot had great material to work with, as Marcus Sedgwick’s terse prose is as gripping as the performance. Wolff, the man who invades Sig’s little cabin in the snow, is a man of few words, and when he does say something, his tone makes them count. “The words hung in the air, drifted around the room. They seemed to paint themselves on the walls in letters two feet high. They seemed to be painted in blood.” (70) Shiver. Shortly after, this description got stuck in my brain the whole time I was finishing the book:
“Wolff dropped the words onto the floor like little spiders, which scuttled over to Sig and crawled up his legs, his back, his neck. He stopped grinding the coffee briefly but then determined that he would not let the man rile him.” (80) Now that is masterfully crafted writing, if I ever heard/saw it. You know exactly how Sig is feeling with Wolff being in the house. And there are other scenes that convey the same familiarity with the characters and their emotions.

The details are also there, and in an author’s note at the end Sedgwick explains how he did his research, traveling to the “sub-zero temperatures in Northern Sweden that I got a sense of the cold and the landscape and walked on frozen lakes.” (203) He also discussed revolvers with “Peter Smithurst of the Royal Armouries, the UK’s leading expert on Colts. He carefully explained his history and workings of the Colt, took a 44-40 to pieces for me to show how it works, and did it all with great enthusiasm. (203-204). I’m sure that interaction with an expert is where we get the description of how the gun works in chapter 18, which although I don’t have any experience with guns, I still found fascinating. A riveting read about choices.

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