This week, in honor of World Space Week, we’ve got reviews featuring space, in all it’s many forms. Today, I’m presenting an action packed space adventure by an award-winning graphic novelist.
Violet Marlocke’s father is a lumberjack in a futuristic space-age time and her mother works as a fashion designer for a pretentious boss who only cares about next season’s trends. Lumberjacks in this alternate reality don’t cut down trees, but harvest and transports whale poop produced by giant flying space whales, which is then processed into energy. One whale has recently eaten Violet’s school, and areas in the path of destruction are being evacuated. When Violet’s father goes missing after a whale diarrhea environmental disaster, she heads off in a slightly restored space junker, along with a young chicken and a lumpkin, who’s contrariness is seen not just in his attitude but his uncharacteristically short and round body, resembling a walking talking kidney bean. Enlisting the helps of her father’s lumberjack buddies, Violet quickly realizes that there is more happening than she realized, her father’s life is on the line, and her actions might affect more than one family.
Rather than stick to a monochromatic scheme like some graphic novelists, Craig Thompson’s latest creation is literally BURSTING with color, starting with the raised lettering on the cover for the title. The roids, or asteroid belt, where Violet and her family work is the darker shades, lending to its recognizable position as lower class. By comparison, the space station reminds me of the Capital from The Hunger Games series, with overly prejudiced and super stylized citizens in neon and bright shades. Whale poop is portrayed as clingy green goo, reminiscent of the slime made in science class or seen on Nickelodeon, and the whales are bold purple. Even the aliens and fashions and ships are unique, with some of the aliens having claws, suction-shaped fingers, or appendages protruding from their heads. The details are also incredible, down to the tattoos on Violet’s father, which are distinct, identifiable, and most certainly contain significance, even if we don’t figure it out.
The plot is smart and sophisticated as well. Elliot the chicken has a dream journal and cites Biblical references. There’s commentary about socioeconomic classes, prejudices, environmental disasters, unions, and government conspiracies. At one point when talking with Elliot, Violet comments “You must go crazy cooped up here all the time.” and Elliot responds “COOP? Please no speciesist slurs.” Two panels later (on the same page), Violet deadpans “So, you’re no FREE-RANGE CHICKEN, huh?” (41) and we’re not quite sure if she meant it as a “slur” or seriously. The ending reminds me of Men in Black, and I even liked the epilogue, even if it does get slightly hokey/preachy towards the end. With plenty of action and subplots, this is meant for invested and engaged readers. For fans of Hitchhiker’s Guide to the Galaxy or any slapstick, unimaginable science fiction space odyssey that somehow meshes into a coherent, believable, and satisfying read, this one will surely entertain both kids and adults. This is poop humor done right.