Title: Better Nate Than Ever
Author: Tim Federle
Narrator: Tim Federle
Discs/CDs: 5 CDs, 5 hours 54 minutes
Pages: 288 pages
Publisher/Date: Simon & Schuster Inc, c2013.
Awards: Odyssey Award Honor (2014), Stonewall Book Award Honor (2014)
Series: #1 (there is a sequel, titled Five, Six, Seven, Nate)
Thirteen-year-old Nate Foster has a dream of being on Broadway which is difficult to fulfill when you are one of two Broadway geeks in the entire town of Jankburg, Pennsylvania. His best friend Libby has taught him everything he knows (everything he thinks he needs to know anyways) and Nate is confident in his acting ability, even though he’s never had formal lessons. So confident that when his parents head out of town for the night and leave Nate’s brother in charge, Nate and Libby hatch a plan. Nate’s going to take the bus to New York, audition for the newly scripted E.T. The Musical, wow the producers, the directors, the choreographers, and whoever else he needs to, and prove once and for all that his true place in life is on Broadway. Nothing could possibly go wrong, right?
Things definitely go wrong for Nate, including underestimating his budget and his time frame, not having directions before his arrival in NYC, and believing everything everyone says and that everyone is his friend. I found myself comparing him to Jack from the television show Will and Grace; over the top (he swears using the names of Broadway flops) and unable to take care of himself (he’s miraculously saved from both homelessness and an uncharged phone multiple times). His awkward “monologue” explanation for why he’s out alone is completely unrealistic, and the author forces him to “perform” not just once or twice but multiple times, getting more awkward each time. A lot of the plot seems to be on repeat, as Nate’s experiences are a push and pull of emotions as his hopes and reams are real, then dashed, then restored, then dashed, and readers are left with no resolution to the “Does he or doesn’t he” million dollar question. This roller coaster continues for much too long and I started to loose interest in the plot, which seems to place me in a minority among the multitudes of fans this book has garnered. My sympathies towards Nate were the only thing that grew because I felt his overly-enthusiastic antics were being used as entertainment for the mean-spirited adults who relished his peculiarities rather then as an opportunity to teach the craft and profession.
This straight read through by author Federle was campy and over the top, just like his character Nate Foster, although it is difficult for me several weeks later to remember anything remarkable about the narration specifically. Nate is a laughably naive person, from his clothes choices to his interactions with children and adults. For someone who so desperately wants to be involved in a Broadway show, it’s unbelievable that he would know so little about how the industry works and how optimistic he is regarding his chances of making it big. In this way I guess one of the values of this book is that it teaches readers how the industry work, but at the expense of poor Nate. While his antics remind me of book characters geared towards younger readers, similar to maybe Ramona or Wimpy Kid, the content is skewed much older, with Nate not “choosing a sexuality” yet, drunkenness (both adult and teen drinking), and several homophobic slurs being repeatedly dropped. I’m usually pretty open-minded regarding book content (I was reading teen fiction alongside my Animorphs books in 5th grade), but if a library has a tween section it would make sense to put it there. The 13-year-old character is too young for most teens in young adult areas but the content limits it’s appropriateness to readers under 13 and I think adults may find more enjoyment from this book than children. Case in point: Our copy has been checked out only 6 times in two years