Posts tagged ‘Super Powers’

Renegades

Renegades.jpgTitle: Renegades
Series: Renegades #1
Author: Marissa Meyer
ISBN: 9781250044662
Pages: 556 pages
Publisher/Date: Feiwel and Friends Book, an imprint of Macmillan Publishing Group, LLC c2017 by Rampion Books

Nova had one dart handcrafted by Leroy Flinn, their own poisons master. She only needed one. If she missed, she wouldn’t get a second chance.
But she wouldn’t miss.
She would kill the Captain.
Once he was hit, Ingrid, the Detonator, would emerge from hiding and hit the Council’s parade float with as many of her signature bombs – made from a fusion of gasses in the air—as she could launch. Phobia would focus on Thunderbird, as she usually took to the air during a battle, giving her a frustratingly unfair advantage. They’d heard that Thunderbird was deathly afraid of snakes, which was one of his specialties. They were banking on the rumors to be true. Worst-case scenario: Phobia startled her long enough for Nova or Ingrid to take her down. Best-case: He gave her a midflight heart attack.
And that was it. The Council—the five original Renegades—all eradicated at once. (28-29)

But of course, the plan that Nova and her team have spent so much time concocting doesn’t go off as planned, and one of their own get captured. Plan B is a Hail Mary effort, sending Nova in deep undercover to train with their enemies. She succeeds, and is placed on the very team that thwarted her efforts to kill the Captain. Serving as a double agent becomes harder then she expected when she realized not only the people she is spying on, but also her own allies are keeping things from her. Plus, with a new prodigy (person with superpowers) in town that no one knows anything about, it’s anybody’s guess who is going to end up helping Nova in her hour of need.

Superpowers seem to be a rising trend in literature these days, possibly a result of the growing interest and excitement around the Marvel and DC movies. Personally a fan of Marissa Meyer’s Lunar Chronicles series, I couldn’t wait to get my hands on her newest series. But while I found her first series ground breaking in her reimagining of fairy tales, this one treads some well-worn ground of vengeance, vindication, villainy and virtues. We’ve seen this story told multiple times, of a “bad guy” who is out to kill the “good guys” with questionably justifiable reasons. In this case, seventeen-year-old Nova is focused on the Renegades, a group of five super-powered adults who are trying to restore order to a world taken down by chaotic and more selfish super-powered antagonists when powers were first starting to develop. The Anarchists, the group that Nova is originally a part of, is all that’s left of an organized front trying to enact revenge against the Renegades for hunting them down and confining the Anarchists to hiding and petty crimes necessary for survival. A variety of ethnicities, backgrounds, and powers are well portrayed, and reminiscent of Brandon Sanderson’s Reckoners series (which begins with Steelheart). We see the conflicting philosophies and responsibilities played out time and again, all the way back to Spiderman’s famous “With great power comes great responsibility” and more recently by V.E. Schwab in Vicious. The actual debate sparked by the different camps is explicitly laid out in a scene between Nova and one of the Renegades, where they discuss the influence that the prodigies had on the world, and whether non-gifted people could contribute to the rebuilding of something that the gifted but greedy individuals brought about.

Nova is very set in her ways and ideals, but even she is not immune to the altruism showcased by her team, which includes Adrian (superhero name “Sketch”), Oscar (“Smokescreen”) and Ruby (“Red Assassin”). Oscar, Ruby, and injured Dana are background characters to dual narrators Nova and Adrian. On the opposing side is Honey, Winston, Leroy, Phobia, and Ingrid, with Ingrid receiving more screen time then the rest as the default leader of the group. Everyone on both sides seems aware of the hype that they are obligated to live up to, with the Renegades being recognized on the street and the Anarchists being villainized and characterized by public displays and paraphernalia.

Adrian has his own secret, which readers are privy to within the first few chapters. Trying to live up to the legacy of his adoptive parents, he’s experimenting with his ability in order to enhance and add to his powers. Assuming the secondary identity of “Sentinel”, Adrian’s actions end up in an unenviable position where he needs to right a mistake before revealing himself. Then he receives a tip about a new prodigy who might be involved in his mother’s death, and he’s ready to discover everything he can, even if it goes against the wishes of the Council. This unexpectedly also places himself in a position to realize that not all Renegades are as altruistic as the organization wants them to be, and he’s struggling to come to terms with that idea since he’s been indoctrinated with the goals and dreams his entire life. D

The tender romance for Nova that begins by the end of the book is expected. Hints of the spectacular double-cross during the climactic battle are also liberally laid as to come as little surprise. The true unexpected twist revealed on the very last page is what will leave readers gasping and struggling to wait until the sequel arrives later in November 2018. I expect more background information will have to fill in the blanks that readers realize the author has been purposefully hiding since the very first page.

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Calamity

Calamity.jpgTitle: Calamity
Series: Reckoners #3
Author: Brandon Sanderson
Narrator: MacLeod Andrews
ISBN: 9781511311748 (audiobook) 9780385743600 (hardcover)
Pages: 421 pages
CDs/Discs: 10 CDs, 12 hours
Publisher/Date: Audible Inc., and distributed by Audible, Inc. and Brilliance Audio. c2015. (audiobook) Delacorte Press, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2016 (by Dragonsteel Entertainment, LLC) (hardcover)

“I’m fine,” I said. “But they spotted me.”
“Get out.”
I hesitated.
“David?”
“There’s something in there, Mizzy. A room that was under lock and key, guarded by drones–I’ll bet they moved in there as soon as our original attack happened. Either that, or that room is always guarded. Which mean . . . ”
“Oh, Calamity. You’re going to be you, aren’t you?”
“You did just tell me to, and I quote, ’embrace my nature.'” I fired another salvo as I caught motion at the end of the corridor. “Let Abraham and the others know I’ve been spotted. Pull everyone out and be ready to retreat.”
“And you?”
“I’m going to find out what’s in that room.” I hesitated. “I might have to get shot to do it.” (27)

David is now the defacto leader of the Reckoners, or at least what is left of them. Their fight against Regalia in Babylon Restored did not go expected. Then again, when do David’s plans ever go as expected? After breaking into the Knighthawk Foundry to get supplies, they follow a lead to Ildithia, an ever shifting city made of salt. Their bare bones basic plan is to find out how to defeat Calamity while recovering one of their own team members. But the powers of the Epics are not what they seem, and as David fights to save people who were once allies, he may put in jeopardy the team members who have always stayed loyal.

Sparks, it is hard to talk about this third book, the conclusion to the trilogy, without giving away anything that has happened in the first two books. So forgive my vagueness. Beginning about two months after the end of Firefight, David has truly evolved into a leader, running team missions and being looked to by other team members for guidance and instruction. His bad similes/metaphors are back, and they seem to have leaked into the rest of his team. While that may be true to real life (speech patterns evolving based on who you hang out with most), it was less amusing when more and more people started spewing bad similes. I still have two really great favorites. The first one is David trying to describe his nerdiness/obsession about Epics:

“I’d call him obsessed, but that doesn’t do it justice.” […]
“I’m like . . . well, I’m like a room-sized, steam-powered, robotic toenail-clipping machine.” […]
“I can basically do only one thing,” I explained, “but damn it, I’m going to do that one thing really, really well.” (57,61)

The fact that person actually allows him to finish his metaphor so many minutes/pages later proves how much they have grown on each other. You really see David’s romantic side in this next quote. I wish I had someone to describe me like this.

“You,” I said, tipping her chin up to look her in the eye, “are a sunrise.” […]
“I would watch the sun rise, and wish I could capture the moment. I never could. Pictures didn’t work–the sunrises never looked as spectacular on film. And eventually I realized, a sunrise isn’t a moment. It’s an event. You can’t capture a sunrise because it changes constantly–between eyeblinks the sun moves, the clouds swirl. It’s continually something new.
“We’re not moments [redacted]. We’re events. You say you might not be the same person you were a year ago? Well, who is? I’m sure not. We change, like swirling clouds and a rising sun. The cells in me have died, and new ones were born. My mind has changed, and I don’t feel the thrill of killing Epics I once did. I’m not the same David. Yet I am.”
“I met her eyes and shrugged. “I’m glad you’re not the same [redacted] I don’t want you to be the same. My [redacted] is a sunrise, always changing, but beautiful the entire time.” (137-138)

However, David also develops a distracted internal monologue as a result of his more pronounced love interest that proved unnecessary and seemed out of character, especially with these happening in the heat of battle.

“I imagined her cursing softly, sweating while she sighted at a passing drone, her aim perfect, her face . . .
. . . Uh, right. I should probably stay focused. (16)

One of the things I admired about this book was Sanderson’s handling of the fight scenes. The team does take damage. While with the technology existing in the book not everything they undergo in the sense of physical injuries is permanent, there is a character death that I didn’t see coming and that seriously affects the team, not only emotionally but also in their ability to run future missions. Other readers/reviewers have mentioned the drawn out nature of the planning and the fighting, but I’m glad that time passes. Fights aren’t won in an instant, wars take time, and the exhaustion that the characters suffer as a result is mentioned repeatedly. We also see the aftermath of a battle, with bodies lying around, and David actually considers taking action to prevent a repercussion of war, before being convinced otherwise by his team that it would be too risky. His world view has expanded to not just consider his own goals, but also what sort of implications the end result would have on the citizens of this new city, which his focused way of thinking in Newcago would have never considered.

The book also showed that people have their own weaknesses and motivations, regardless of whether they are an Epic or a regular human. By the end, we definitely see that some people will never change, while others, especially David, have evolved over the course of the series, sometimes out of necessity but other times due to their own inevitable growth.

It’s the last about 20% of the book where the plot starts to fall apart. Sanderson has backed himself into a corner, with Reckoners falling back, falling down, and falling out of the fight. There is an epic (pardon the pun) showdown between David and the book’s major Epic (who for…. reasons I can’t name). Several new Epics are introduced, and one resurfaces from a previous book. From the beginning I felt like there was more to one of the new Epics than meets the eye, and his role/reveal in the final fight felt VERY convenient. The team’s interactions with him felt out of character, and this is where things start to get muddled. Then David has a last minute Hail Mary opportunity (literally, the last 50 pages of a 400 page book) to take out Calamity, which was never the primary goal of the entire plot of the book even though the book is named after him.

I love how Jessica from Rabid Reads posted on Goodreads that the problem is solved “just like that”, which is literally the words Sanderson uses.I went back to check, page 411. REALLY? Less than 10 pages to the end of the book and “just like that” problem solved. There’s no other way to describe it, that’s just lame Sanderson. You spend three books setting up this epic battle and circuitous rationale behind the powers, the weaknesses… everything. And then you go and pull (really great turn of phrase omitted because of spoilers) fake-out on us and refuse to answer any of the questions that result. It’s the epitome of “and then they woke up, and realized it was all a dream”.

Regardless of my anger towards Sanderson over his inability to provide closure or a straight answer to close off this series, Macleod Andrews continues his phenomenal job at voicing the series. I found myself by the end of this third book comparing his voice for David to a young Michael J. Fox, overly ambitious but still cautious about what’s to come. Meanwhile, the altered Epic they face off against seemed like the newest incarnation of Batman, where the voice gets gravely when assuming his alter ego. Seriously, listen to the audiobooks for these, but be prepared to be scratching your head and throwing the discs across the room by the end.

Firefight

Firefight.jpgTitle: Firefight
Series: Reckoners #2
Author: Brandon Sanderson
Narrator: MacLeod Andrews
ISBN: 9781501278099 (audiobook), 9780385743587 (hardcover)
Pages: 416 pages
Discs/CDs: 9 CDs, 11 hours 41 minutes
Publisher/Date: Dragonsteel Entertainment, LLC c2014. (Audible, Inc. and distributed by Audible, Inc. and Brilliance Audio)

I pass through the crowd and knelt beside the corpse. She’d been a rabid dog, as Prof had put it. Killing her had been a mercy.
She came for us, I thought. And this is the third one who avoided engaging Prof. Mitosis had come to the city while Prof had been away. Instabam had tried to lose Prof in the chase, gunning for Abraham. Now Sourcefield had captured Prof, then left him behind to chase me.
Prof was right. Something was going on. (31-32)

David and the Reckoners have fought off three new Epics successfully, but something isn’t adding up as to why they are making the effort to travel to Newcago and engage a team of Epic assassins. All clues point to Babylon Restored, formerly known as Manhattan but currently ruled by a mysterious High Epic named Regalia, who flooded the city in order to maintain control. David, Tia, and Prof leave the rest of the team behind and join up with a new team that has become entrenched in the city. Their plan involves taking out Regalia before she takes out them, but with Regalia seemingly one step ahead of them at every turn and secrets being kept on all sides, David’s famous improvisational skills may be put to the test.

If you enjoyed Steelheart, you’re going to love Firefight. MacLeod Andrews is back as narrator, and the one scene that swept me away was when David is getting choked to within an inch of his life by an Epic. You hear the distress, you hear the rasping, frantic breath leaving his body, and you hear the fear. We leave behind in Newcago Cody and Andrew, and get Mizzy, a manic pixie like character who is a new recruit training to be sniper and point who also does equipment repairs, operations leader Val who is just as close mouthed and serious as Jonathan, and Exel, an ex-mortician giant of a man who is half gregarious infiltrator/reconnaissance  and half big man of muscle. Each new character and Epic are given equally appropriate voices. Mizzy is delightful in terms of comic relief. In one of my favorite scenes early in the story, she is given “scribe duties” during a meeting, and her notes include:

Reckoner Super Plan for Killing Regalia at the top of the sheet. Each i was doted with a heart. […]
Really important, and we totally need to do it on the paper, with three big arrows pointing at the heading above. Then after a moment, she added Boy, it’s on now in smaller letters beside that one. […]
Regalia totally needs to get with the business. […]
Excel needs to pay better attention to his job […]
Step One: find Regalia, then totally explode her. Lots and lots. […]
Step Two: put Val on decaf. […]
Step Three: Mizzy gets a cookie. […] (131-135)

She plays off David extremely well, maybe because they are both the newest ones to their teams, or maybe because they are closest in age to each other.

“Well, trust me,” I said. “I’m more intense than I look. I’m intense like a lion is orange.”
“So, like . . . medium intense? Since a lion is kind of a tannish color?”
“No, they’re orange.” I frowned. “Aren’t they? I’ve never actually seen one.”
“I think tigers are the orange ones,” Mizzy said. “But they’re still only half orange, since they have black stripes. Maybe you should be intense like an orange is orange.”
“Too obvious,” I said. “I’m intense like a lion is tannish.” Did that work? Didn’t exactly slip off the tongue.
Mizzy cocked her head, looking at me. “You’re kinda weird.” (115)

And yes, David’s bad metaphors are back, but it seemed like they were less frequent than in the first book, which is okay by me. Although as someone determines near the end of the book “You’re not actually bad at metaphors […] because most the things you say are similes. Those are really what you’re bad at.” (414) It, among other things, shows David’s growth from the last book. The intensity of the Reckoners’ situation has also changed, as they fight not just one but two Epics that are intertwined in a long term goal that no one sees coming. David starts questioning what they are doing as more information about Epics comes to light and he starts to wonder what makes Epics go bad and if there is a way to prevent them from being consumed by their powers. We see David in true assassin mode, questioning his motives and beliefs as he tries, usually unsuccessfully, to come to grips with his feelings and hatred towards most Epics but with an ever growing list of exceptions.

We get way more information about the creation of Epics then I ever expected. All the pieces of the puzzle start coming together, and the ending simultaneously wraps up the problems found and creates whole new ones that we need to face in the recently published third and final book in the trilogy. We may have lost some friends in the process (shhhh, no spoilers here), but knowing David, he’ll figure something out, and being in a tight spot just makes him try harder to succeed.

Steelheart

SteelheartTitle: Steelheart
Author: Brandon Sanderson
Series: Reckoners #1
Narrator: MacLeod Andrews
ISBN: 9781480569133 (audiobook), 9780385743563 (hardcover)
Pages: 386 pages
Discs/CDs: 10 CDs, 12 hours 20 minutes
Publication: Brilliance Audio, c2013. (Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc. c2013.)

Eventually the Reckoners led me around a corner that looked like every other one–only this time it led to a small room cut into the steel. There were a lot of these places in the catacombs. […]
I took a hesitant step backward, realizing I was cornered. I’d begun to think that I was on my way toward being accepted into their team. But looking into Prof’s eyes, I realized that was not the case. He saw me as a threat. I hadn’t been brought along because I’d been helpful; I’d been brought along because he hadn’t wanted me wandering free.
I was a captive. And this deep in the steel catacombs, nobody would notice a scream or a gunshot. (48-49)

Ever since his father was killed by the Epic Steelheart, David has been spending the last decade studying these super powered people who inevitably battle each other for control over the cities and populations of the dystopian United States. They all have a weakness, and David knows he holds the key to Steelheart’s, if he could only figure it out. David’s not the only one fighting the Epics, and he’s been following the Reckoner’s efforts for years. After intentionally stumbling into an assassination attempt and helping (sort of) he’s able to convince the team of Reckoners to let him join them on their quest. But convincing them to go up against the most powerful Epic ever is going to take a lot more than hunches and guesswork. It’s going to take stealth and strategy, neither of which David is particularly good at imbuing.

Think of the X-Men world, but only with the Magneto team and not Professor Xavier’s humanity; then add Superman’s obscure weakness, only it’s different for every Epic, and you’ll have a good approximation of the world Brandon Sanderson has created for his Reckoners series. And what a world it is, with adaptations to the culture while still maintaining enough recognizable references to modern day to orient readers. It’s a bloody existence being a Reckoner, surrounded by war and death. The opening scene of David’s father’s death is also gritty and gruesome in it’s realism, which might turn off some more sensitive readers. I was somewhat disappointed that we didn’t see more of the day-to-day life during an Epic’s reign, but what we do glimpse is impressive. With only one or two chapters of info-dumping back story, readers are submerged into David’s internal monologue.

David’s life after his father’s death is like those of kids during the Industrial Revolution, working grunt jobs due to his size and ability to be exploited, although he doesn’t mind as it guarantees him a roof and food. Much has been said about David’s horrible yet humorous metaphors, and they definitely are memorable and add to his personality.

I tried not to stare, but that was like trying not to blink. Only . . . well, kind of the opposite. (48)
Megan’s eyes could have drilled holes through . . . well, anything, I guess. I mean, eyes can’t normally drill holes through things, so the metaphor works regardless, right? Megan’s eyes could have drilled holes through butter. (103)
“It’s like . . . a banana farm for guns.”(142)
They looked so dangerous, like alligators. Really fast alligators wearing black. Ninja alligators. (149)

But there is also depth and incredible insight from David. He objects to being called a nerd because not only does he make a distinction between smarts and persistence, but he also realized that the smartest students lost their freedoms by being scrutinized and under surveillance working for an Epic. He recognizes he’s been living a life motivated by revenge and death, but isn’t quite sure how to focus on anything else.

Not just David, but all the characters are multidimensional, and readers focus on what little information they can gleam from the narrative about everyone. MacLeod Andrews has been added to my list of top narrators. David’s youthful and playful but committed demeanor, Cody and Abraham’s back-and-forth banter, the more serious and solemn tones of Prof, the skeptical and scholarly Tia, and Megan’s sarcastic quips are all captured with precision and excellence. Cody is the spot of humor, with his southern accent, Scottish vocabulary, and intentionally insane side-comments. He throws you off guard leaving both readers and David wondering just how much of this is an act and how much of what Cody says does he actually believe, but rest assured he is much more than the village idiot. Abraham is a mystery, with Andrews alluding to a James Bond character with his clipped accent, but Abraham’s personality is probably the most predictable and stable out of all of them. Megan is the stereotypical unrequited love interest for David, who hasn’t had much past experience with girls. But Megan is anything but stereotypical, as David realizes when she turns out to be an extremely capable point-man with an astonishing knowledge of weapons. She challenges him, which is good for both of them. Rounding out the team is Tia, the typical brains of the bunch who holds information and her cards close to her chest, and the esoteric and reclusive leader Prof, who leads with equal parts discipline and democracy. The whole cast is memorable, not just because of Sanderson’s writing but Andrews’ portrayal of them.

Like the movie Saving Private Ryan, team members share only the basics about their life in an effort to avoiding tipping off the Epics if one of them ever gets captured. Prof actually asks David how old he is and if he would have anyone who would come looking for him if he were to disappear. By the end of the book, we’ve realized not everyone is as they appear, and it’s questionable where and how the story will continue. We know more about all the members of the team then we did when we started, but there is one big question that needs answering, and hopefully will be resolved in the sequel.

Vicious

Vicious.jpgTitle: Vicious
Author: V. E. Schwab
ISBN: 9780765335340
Pages: 364 pages
Publisher/Date: A Tor Book, published by Tom Doherty Associates, LLC, c2013.

Victor perched on the tub, clutching a drink as he stared down at Eliot Cardale’s corpse.
Eli hadn’t screamed. Pain had been written across every one of the forty-three muscles Victor’s anatomy class taught him twined together in the human face, but the worse Eli had done was let a small groan escape between clenched teeth when his body first broke the surface of the icy water. […]
Victor took another sip of his drink. Eli was a very unhealthy shade of whitish-blue.
It hadn’t taken as long as he’d expected. (75)

Roommates Victor and Eli are also rivals, playing leap-frog with the top spot at competitive Lockland University. Eli’s fascination with the possibility of superheroes influences his science thesis research, which begins to overlap with Victor’s research on the causes and effects of adrenaline on the body. What if becoming a superhero resulted from the application of stresses on the body, specifically those found with life and death situations. That’s when their hypothetical becomes experimental, and ends in tragedy. Ten years later, one young man is hunting other super-powered individuals while being hunted by his former friend. They are both aided by women with extraordinary powers of their own, and both vow that this will only end when one of them is dead.

Flipping back and forth from when events began in college to ten years later, details are doled out sparingly, slowly, without any urgency. Even when death is happening, you sense a remoteness and detachment from the narrative. Factoring the repercussions of Eli and Victor’s experiments, this choice feels successfully intentional. Does personally experiencing death detach the instigators from another’s death? Is humanity lost when you become superhuman?

Readers never really discover much about any of the characters’ lives and histories, just cursory details and snippets of everyone’s past. Their complicated thought processes are alluded to in telling off-handed remarks. Someone remarks they feel cold after using their talent, and they prefer holding a cold drink over a warm drink because “I like knowing at least I’m warmer than the can.” (181) One pair (I’m trying really hard to intentionally keep things vague until you read the story and find out who is who) bonds over their mutual disgust for what they have become and their efforts to rid the world of others like them, who they see as monsters, and it’s horrifying at how far they take this crusade. Eli’s assistant’s motives could have definitely used some more development in order to make her motivations more understandable. More than one person I spoke with was left wondering about the one non-extraordinary person in the bunch. That character could have also benefited from some additional development, explaining why he was so unfazed by the events around him and his almost instant connection with a little girl, who ends up playing a bigger role than initially assumed.

As a result of debate between the boys, there’s a bit of talk about God, and whether they are playing God, and multiple questions are raised. There’s the question of souls and whether people maintain their souls after death or a near-death experience. There’s the question of what makes a hero and a villain. The amount of religious discourse included was surprising, as one extraordinary seems to fashion himself as a modern day crusader. It reminded me of Hitler, who was said to have had Jewish ancestry and yet hunted and killed so many Jews.

It’s a subtle (or maybe not so subtle) nod to this discussion that scenes are separated by a simple black outline of an eye mask. One character towards the end even dons a mask, when methods and habits change, and assumes the costume of a superhuman, although I’ll leave it to readers to discover if it’s the villain or the hero. I guess that depends on your own personal opinion of what qualifies as humanity, death, and survival. The ending is stereotypical of the superhero genre, where the foes may be destined to continue the fight, and it leaves enough niggling uncertainty that makes readers wonder if there aren’t some future unknowns that will influence events.

Squirrel Power

Squirrel Power -- Squirrel Girl 1-4.jpgTitle: Squirrel Power
Series: The Unbeatable Squirrel Girl (#1-4)
Author: Ryan North
Illustrator: Erica Henderson
ISBN: 9780785197027
Pages: unpaged
Publisher/Date: Marvel Worldwide Inc, a subsidiary of Marvel Entertainment, LLC, c2015.

Doreen Green is Squirrel Girl, a minor Marvel character introduced in Marvel Super-Heroes #8 back in 1990 approaching Iron-Man as a possible sidekick. Now reappearing in her own comic, Doreen is off to college. Attempting to keep her identity a secret is going to be harder then she thought, since in just the first four issues compiled in this volume she fights off three different sets of street gangs/thug/bank robbers, Kraven the Hunter, Whiplash, and Galactus, all before the end of the first day of classes.

“Fights off” is used loosely though, as two out of the three named bad guys are talked down, which frustrates me personally as implying that a woman as strong as Squirrel can’t take down bad guys and that all women are good for is talking. However, it does prove that fighting isn’t the only solution to the problem and that a superhero with non-traditional powers can be victorious in battle, no matter how unconventional the battle. Many letters to the editor mention reading them to their younger children as young as four years old, and I think it’s great that there is a comic book out there that doesn’t sexualize women and allows a little fun to enter the story line. I also think it’s horrible that every time we run across a comic that does this we have to mention it and field questions and comments like this, when we don’t have to do the same about rippling biceps and spandex for the guys’ costumes.

The original appearance of Squirrel Girl is included in the back bonus material, and I’m personally happy they got rid of the crazy eye-liner marks, although she is very obviously and conspicuously the same person in disguise, just minus the tail which she somehow manages to tuck into her pants without anyone realizing they are padded. Does she ever get to wear a swim suit? Her awkwardness around people is painful, making me wonder how she has ever kept her secret identity a secret. It’s not my favorite comic, but I can see the appeal. I personally loved the fact that she steals Tony Stark’s Ironman armor right from under him, and her use of squirrel abilities and accessories is neatly wrapped into the plot (crushed acorns, walking on electric lines, and super strength and speed). Talking about the highlights to a friend, we were laughing at the feasibility and fantastical nature of the more memorable plot points. Obviously one you need to share to fully enjoy.

The Son of Neptune

Title: The Son of Neptune
Author: Rick Riordan
Narrator: Joshua Swanson
ISBN: 9780307916815 (book on CD)
Pages: 521 pages
Publisher/Date: Disney Hyperion Books, c2011.
Discs/CDs: 11 CDs, 13 hours 30 minutes

The snake-haired ladies were starting to annoy Percy.
They should have died three days ago when he dropped a crate of bowling balls on them at the Napa Bargain Mart. They should have died two days ago when he ran over them with a police car in Martinez. They definitely should have died this morning when he cut off their heads in Tilden Park.
No matter how many times Percy killed them and watched them crumble to powder, they just kept re-forming like large evil dust bunnies. He couldn’t even seem to outrun them.(3)

Percy finds himself in California, running away from snake-haired ladies with no memory of who he is or why he’s being chased. While saving an old lady, he stumbles across Camp Jupiter, a camp for half-mortal, half-Roman deity children, and is instantly called upon to rescue Thanatos, the God of Death, from the clutches of the giants. If they don’t complete their task in the next three days, the camp will be overrun by monsters who can’t be killed. Accompanied by Hazel, who has her own troubles with Death, and Frank, an unclaimed demigod who might have more powers than he imagined, they’ll travel to the icy waters of Alaska in search of Thanatos. But pursuing them are unkillable monsters who seem to know more than any of the three about what they are up against, and no one is sure who Thanatos will side with in the end.

Another well done audiobook from the Heroes of Olympus series. Joshua Swanson distinguishes the characters from one another nicely, and the pacing benefits from Rick Riordan’s habit of working cliff hangers into the chapter endings. Although more advanced readers might grow tired of having the character’s feelings spelled out for them, it’s refreshing to have such detailed character analysis, even if it’s repetitive. The fast paced action and kid humor excuses any over emphasis, such as when a battle is centered around a pile of schist, which is a type of rock. (Remember the Hoover Dam sequence from earlier in the series? Yes, it’s that type of thing.)

Based on Frank’s background, which I won’t reveal here, it will be interesting to see how things pan out. (I sense glimpses of Riordan’s next series, when he’s done with the two he’s got going now.) Hazel has her own interesting back story, but we don’t get to see very much of it in Son of Neptune, just whatever glimpses appear through the flashbacks she suffers from. Ella is the comic relief for this title, a bookworm of a harpy whose photographic memory comes in handy on more than one occasion and talks in disjointed sentences, referring to herself in the third person and overstating the obvious. I also can really appreciate what must have gone into giving the gods and goddesses their own unique Roman personalities, which readers witness through Ares being portrayed as Mars. Since Greeks and Romans valued different qualities and traits, readers of both series will notice the differences, although some things unavoidably stay the same.

What is refreshing about this series is that readers don’t have to be familiar with the previous Percy Jackson series. Although Percy does run across people he’s met previously (namely Nico di Angelo), because he has had his memory wiped he’s just as clueless as uninformed readers as to why someone might be acting strange around him or seem familiar. In fact, readers who familiar with the series obviously have the edge over Percy and will probably enjoy the ability to gloat. In the long run though, this quest is just the beginning, as Gaia is waking and as I think Percy mentions at one point, she is not the friendly Mother Earth that gets portrayed today.

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