Title: The Golden Compass The Graphic Novel Vol. 1
Original Author: Philip Pullman
Adapted by: Stephane Melchior
Translator: Annie Eaton
Illustrator: Clement Oubrerie (with Philippe Bruno)
Publisher/Date: Borzoi Book published by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC. c2015. (Originally published by Gallimard Jeunesse, c2014) Adapted from The Golden Compass, c1995.
“Lyra! So that is what they’re teaching you here? Spying!”
“Ouch, that hurts!”
“The wine! It’s poisoned!”
“A spy and a liar. They’ve really done well with your education.”
“I was hiding! I saw! The Master poured powder into the wine.” (unpaged)
Lyra has lived at Jordan College for almost her whole life, and is tired of being supervised by the stuffy professors and scholars who live there. She wants to go on adventures with her uncle, Lord Asriel, whom the head of the school tried to secretly poison on her last visit. Instead, she is whisked away from the dangers of the city, including rampant kidnappers dubbed the Gobblers, by the mysterious Mrs. Coulter. However, Mrs. Coulter has her own agenda, including an association with a board using children to research a mysterious substance called Dust, that multiple groups are racing to understand and control. Heading for an adventure she always wanted but could never anticipate, Lyra is left relying on the help of a group of gyptians and her own skills as she travels to the North, to the land of ice, cold, and not-so-friendly armored polar bears.
I’ve been a big fan of the His Dark Materials trilogy ever since it was first published almost 20 years ago. (Not saying “Man I’m old” prevents me from being old, right?) When I heard they were making it into a graphic novel trilogy, I was excited. I was slightly disappointed to learn that this trilogy of graphic novels is only focusing on the first book, and question the rational behind splitting the original novel in this manner. This first volume leaves off with Lyra’s journey north with the gyptians just beginning, and she still has a long way to travel. The artwork is also not what I expected from a story that deals with fantastical elements and beasts. Muted in tone, with lots of dark blues and dusty orange/reds, the color palette may have been determined by the story’s setting and mood more than the other way around. Lyra’s determination and free-spirited nature is still evident in this portrayal, but quite a few of the more animated facial expressions for her and the other characters strike me as overly exaggerated and at times comical. The number of panels per page (sometimes as many as nine) also necessitates that they are quite small, and so details do not translate well, with the exception being when the artist intentionally makes a panel bigger for emphasis.
The background behind Dust and the deamons has been eliminated almost completely, except for a few quick expository pages and some overheard conversations on Lyra’s part. Readers must pay attention to the illustrations to determine the nature of daemons, including their ability to change shape, the necessity of physical proximity to their humans (I almost typed owners, whoops!) and the ties that bind them to those humans. For readers who enjoy fantasy and the ideas of other worlds, this would be an adequate introduction to the ideas. Make no mistake though, this is a paltry substitute for the real thing, and I’m saddened by the fact that some people won’t be motivated to tackle the original.