Posts tagged ‘Graphic Novel’

Study Hall of Justice

Study Hall of Justice.jpgTitle: Study Hall of Justice
Series: Secret Hero Society
Author: Derek Fridolfs
Illustrator: Dustin Nguyen
ISBN: 9780545825016
Pages: 175
Publisher/Date: Scholastic Inc., c2016 DC Comics

This school is weird!
Yesterday I felt a kid blur past me. Today I witnessed a girl flying through the air. I’m not kidding. Not to mention there’s a ton of clowns and . . . I think I’ve even seen ninja lurking about.
It’s crazy.
My mind and body have been trained by the very best (Alfred saw to that with private tutors). My eyes aren’t playing tricks. So there must be a logical explanation for it.
My investigation continues. But I must also make time to beat level seven of Vigilante Fighter Turbo. Resist the urge to download a cheat code. (28)

Bruce Wayne has recently been accepted to the prestigious Ducard Academy. Upon arrival however, Bruce keeps noticing unexplained things happening. With the administration ignoring the warning signs and possibly aiding in the classroom chaos, who can Bruce turn to for assistance? Equally confused Clark Kent and Diana Prince are also hiding something, but they seem the best options to aid in his investigations. Now the key is to solve the mystery without getting suspended.

This book is a fast read described by some as a hybrid graphic novel, which confused me for a while as to where to put it. After it arrived though, it obviously belonged with the graphic novels. While the primary story is told in panels and pictures, supplemental information is provided in paragraph format in illustrated diary entries, memos, reports, and text messages. Told in short vignettes that propel the main plot of finding out the school’s secrets, many readers with only a cursory knowledge of the DC Comics world will recognize superheroes and super villains featured, including the Joker, Mr. Freeze, Poison Ivy, Bane, Lex Luthor, and of course the three main characters. Clark is shown as a bumbling do-good, who on more than one occasion either spills or comes close to spilling information about his secret. Diana is shown as slightly more competent, but also more assertive and angry than either of the boys. Bruce is portrayed as a lonely know-it-all, although my favorite line is when he questions the lack of masks for both Diana’s and Clark’s secret identities. There are passing nods to future events, such as Clark becoming a reporter and Alfred’s at the time off-handed comment to Bruce that “I certainly won’t be a willing partner in your flights of fancy, sir!” (151)

The whole story however is relatively anticlimactic. While yes there are strange things happening in the school, no one is ever in any real danger, and even the weirdness is relatively low-key (getting pied in the face in the hallway, Brainiac as a library monitor, and even the ninjas repeatedly noticed don’t interfere with day-to-day operations until the very end of the book). Although it appears this is a start of a series, the resolution leaves me wondering how these three investigators are going to be able to combine their efforts again in the future. Overall, it becomes a nice introduction and mash-up for super fans or those who like their superhero stories light.

The Underground Abductor

Underground Abductor.jpgTitle: The Underground Abductor
Series: Nathan Hale’s Hazardous Tales #5
Author/Illustrator: Nathan Hale
ISBN: 9781419715365
Pages: 128 pages
Publisher/Date: Amulet Books, an imprint of Abrams, c2015.

“Robert, Ben, Henry, We are leavin’. We’re goin’ NORTH. This Saturday night.”
“Why Saturday?”
“Nobody expects slaves to work on Sunday—we’ll have a whole day’s lead.”
“Who’s gonna lead the way?”
“I will. I’ll follow the North Star.”
“That’s your plan? You’re gonna follow a STAR?”
“That’s right, I’ll follow that star like Moses followed the Pillar of Fire.” (45)

Araminta Ross was born into slavery, and “by the time she was ten, Araminta had been hired out many times, and had the scars to prove it.” She lived with her six siblings and her mother, while her father worked at a neighboring lumber mill. Upon hearing of her impending sale, she makes her first attempt at escaping with her brother’s, but they get scared and return with her in tow. So the second time, she makes the trip by herself, securing herself a new life in Philadelphia and along with it a new name, Harriet Tubman. But she can’t forget those family members she left behind, and begins regular trips south to escort not only family but other slaves to freedom, first to Pennsylvania and then all the way to Canada. This is her story, told in graphic novel format, of the difficulties she faced and how she rightfully became a recognizable name in American history.

This was my first experience with Nathan Hale’s Hazardous Tales, although it is the fifth one in the series. It appears that Nathan Hale, the American Revolutionary spy, is set to being executed and is stalling his death by weaving stories from American history, Scheherazade style, to his executioners. Interruptions from his executioners ask the contextual questions and garners the answers that readers unfamiliar with this story might have, like who is Franklin Douglass, how did slavery work, and why was what Harriet did so dangerous. The only spot of color in the black, white, and gray illustrations is purple, which starts off pale and then intensifies as the dangers increase and the war creeps closer. Readers familiar with Harriet Tubman’s efforts will learn tiny details that may be new, like her birth name and the closed head injury she suffers as a child and the fact that family members (both immediate and extended) helped her evacuation efforts. Hale presents the tale with an immediacy and urgency that mimics the mood that must have permeated Tubman’s raids.

Details like how many times she went across to help her family, how many people she would take in different abductions, and how she kept everyone safe also help readers realize her commitment to the cause. There is a sense of spiritualism, garnered from Harriet’s visions, which are attributed to her head injury but are portrayed as being astonishingly helpful and accurate. Her life isn’t sugarcoated, revealing the whippings she received and the abandonment of her husband, and Hale is refreshingly upfront and honest when he doesn’t know the answers or the true facts. This is an accessible introduction to the abolitionist, and to the concept of the Underground Railroad and slavery.

nonfiction mondayThis review is posted in honor of Nonfiction Monday. Take a look at what everyone else is reading in nonfiction this week.

 

Drowned City

Drowned City.jpgTitle: Drowned City: Hurricane Katrina & New Orleans
Author/Illustrator: Don Brown
ISBN: 9780544157774
Pages: 96 pages
Publisher: Houghton Mifflin Harcourt, c2015.

“Monday, August 29
The hurricane’s strength slips from category 5 to category 3. But it is still a monster, measuring four hundred miles across, with 121-mph winds. At the last moment, Katrina “wobbles” and steers a bit east of New Orleans, sparing the city a direct hit.” (12)

Published to coincide with the 10th anniversary of Hurricane Katrina, this slim volume starts before the storm and continues its coverage of the storm through the immediate aftermath.With a critical eye towards the efforts of various governments and agencies to react, he draws from multiple sources to use the words of those immediately affected by the disaster. While the city is still attempting to rebuild, and will probably continue their efforts into the foreseeable future, it’s an eye-opening account aimed at children who weren’t even alive when it happened.

Don Brown’s illustrations (which I’m told on the copyright page are “pen and ink with digital paint”) are the most affecting part of this story. Brown wisely lets the pictures tell most of the story. The double paged spread (which is divided into two panels so as to avoid loosing any of it in the bleed) on pages 30-31 is just one example. Simply narrated with “People fight the flood. Some succeed. Others do not.” readers’ eyes are arrested by the single body sinking under the water as others struggle for gasping breaths and rooftop rescuers struggle to pull them to safety. An earlier set of four panels, vertically stacked, show flip-book style a wave crashing into the town of Buras, Louisiana, with only the water tower remaining. You see the pictures and the devastation before being reassured that, in this case, “The townspeople have all evacuate and no one dies.” Those are just two of many examples of the arresting artwork and well-placed text blocks. The cover is stamped that a “Portion of the proceeds from this book has been donated to New Orleans Area Habitat for Humanity.” Hopefully the funds will be put to good use. Pair with the earlier reviewed Finding Someplace, as many of that main character’s fictionalized experiences are detailed in this emotionally moving graphic novel. Highly recommended.

nonfiction mondayThis review is posted in honor of Nonfiction Monday. Take a look at what everyone else is reading in nonfiction this week.

The Sleeper and the Spindle

Each month for a previous job, I wrote a maximum 150 word review of a new book that came into the library during the month. I’ve expanded that idea to the blog in a feature I’m calling To the Point Tuesdays. If you want to play along, just post a link in the comments and I’ll add them to the post.

Sleeper and the Spindle.jpgTitle: The Sleeper and the Spindle
Author: Neil Gaiman
Illustrator: Chris Riddell
ISBN: 9780062398246
Pages: 69 pages
Publisher/Date: first published in Rag & Bones: New Twists on Timeless Tales, published in 2013 by Little, Brown. c2013, Illustrations c2014. Originally published in the U.K. in 2014 by Bloomsbury. Published in U.S. by HarperCollins Children’s Books, a division of HarperCollins Publishers, c2015.

The smallest dwarf tipped his head to one side. “So, there’s a sleeping woman in a castle, and perhaps a witch or fairy there with her. Why is there also a plague?”
“Over the last year,” said the fat-faced man. “It started in the north, beyond the capital. I heard about if first from travelers coming from Stede, which is near the Forest of Acaire.”
“People fall asleep in the towns,” said the pot-girl. […]
“They fall asleep whatever they are doing, and they do not wake up,” said the sot. “Look at us. We fled the towns to come here. We have brothers and sisters, wives and children, sleeping now in their houses or cowsheds, at their workbenches. All of us.”
“It is moving faster and faster,” […] “Now it covers a mile, perhaps two miles, each day.” (18)

Three dwarfs tunnel under the mountain range in search of a wedding gift for their queen, returning with news of a horrible sleeping sickness plaguing the neighboring lands and heading closer every day. The queen, having previously faced her own sleep spell, postpones the wedding and attempts to break the spell and save both kingdoms. Although this might sound familiar, Neil Gaiman’s twist ending flips the story, and you question who is really being held captive. The queen’s confidence is obvious in both narration and illustration, and is the most welcome adaptation to the traditional tale. Two illustrations specifically catch my eye, the first has the queen standing with the dwarfs ready to embark, and the second is the full-spread gorgeously rendered drawing of the kiss. It doesn’t seem enough though to warrant publishing a previous short story as its own book, but U.S. fans will enjoy Gaiman’s newest import.

Squirrel Power

Squirrel Power -- Squirrel Girl 1-4.jpgTitle: Squirrel Power
Series: The Unbeatable Squirrel Girl (#1-4)
Author: Ryan North
Illustrator: Erica Henderson
ISBN: 9780785197027
Pages: unpaged
Publisher/Date: Marvel Worldwide Inc, a subsidiary of Marvel Entertainment, LLC, c2015.

Doreen Green is Squirrel Girl, a minor Marvel character introduced in Marvel Super-Heroes #8 back in 1990 approaching Iron-Man as a possible sidekick. Now reappearing in her own comic, Doreen is off to college. Attempting to keep her identity a secret is going to be harder then she thought, since in just the first four issues compiled in this volume she fights off three different sets of street gangs/thug/bank robbers, Kraven the Hunter, Whiplash, and Galactus, all before the end of the first day of classes.

“Fights off” is used loosely though, as two out of the three named bad guys are talked down, which frustrates me personally as implying that a woman as strong as Squirrel can’t take down bad guys and that all women are good for is talking. However, it does prove that fighting isn’t the only solution to the problem and that a superhero with non-traditional powers can be victorious in battle, no matter how unconventional the battle. Many letters to the editor mention reading them to their younger children as young as four years old, and I think it’s great that there is a comic book out there that doesn’t sexualize women and allows a little fun to enter the story line. I also think it’s horrible that every time we run across a comic that does this we have to mention it and field questions and comments like this, when we don’t have to do the same about rippling biceps and spandex for the guys’ costumes.

The original appearance of Squirrel Girl is included in the back bonus material, and I’m personally happy they got rid of the crazy eye-liner marks, although she is very obviously and conspicuously the same person in disguise, just minus the tail which she somehow manages to tuck into her pants without anyone realizing they are padded. Does she ever get to wear a swim suit? Her awkwardness around people is painful, making me wonder how she has ever kept her secret identity a secret. It’s not my favorite comic, but I can see the appeal. I personally loved the fact that she steals Tony Stark’s Ironman armor right from under him, and her use of squirrel abilities and accessories is neatly wrapped into the plot (crushed acorns, walking on electric lines, and super strength and speed). Talking about the highlights to a friend, we were laughing at the feasibility and fantastical nature of the more memorable plot points. Obviously one you need to share to fully enjoy.

Anya’s Ghost

Anya's Ghost.jpgTitle: Anya’s Ghost
Author/Illustrator: Vera Brosgol
ISBN: 9781596435520
Pages: 221 pages
Publisher/Date: First Second, an imprint of Roaring Books Press, a division of Holtzbrinck Publishings Holdings Limited Partnership, c2011.

“No Siobhan. Sitting in a cold dirty hole was not awesome. It was gross and smelly and there was a – Oh CRAP.”
“What?”
“There was this skeleton down there and I kiiinda forgot to tell anyone about it…”
“Oh my God!!! That’s so freakin’ scary! I bet that thing was totally haunted.” (46)

Anya Borzakovskaya falls down a hole and is stuck there overnight with the ghost of dead girl Emily Reilly, who fell down the same hole almost ninety years ago. When Anya is rescued, a finger bone finds its way into Anya’s bag and Emily rides piggy back into the land of the living. At first Anya reaps the benefits of Emily’s invisible presence, getting help with homework and with getting noticed by her crush. But soon Emily is demanding more from Anya, hoping to live vicariously through Anya’s actions. Anya’s only recourse is to return the bone to its rightful resting place, which becomes more difficult as Emily grows in strength and the bone goes missing.

Emily’s expressive saucer eyes and body language more than make up for the outlined portrayal of her ghostly presence, in turn portraying innocence in the beginning followed by angry irritation when Anya turns on her. Anya also goes through an evolution as she struggles to portray herself as an American while dealing with a very Russian single mother who is studying for her naturalization test. She lies about her name, which is understandable considering the mouthful of syllables that it contains, rejects her mother’s ethnic cuisine, and distances herself from the one other Russian student because he is ridiculed at school. Vera Brosgol’s artwork is impressive, containing a multitude of shades in just two colors that add dimension and details to the story and prove so varied that you don’t realize that there are only two colors being used. It also lends an old-time movie ambiance to the story and transitions well between scary night scenes and more upbeat daytime dramas. A great spooky story for graphic novel fans.

Space Dumplins

This week, in honor of World Space Week, we’ve got reviews featuring space, in all it’s many forms. Today, I’m presenting an action packed space adventure by an award-winning graphic novelist.

GRX050 Silver Six COV TEMPLATETitle: Space Dumplins
Author/Illustrator: Craig Thompson
ISBN: 9780545565431
Pages: 316 pages
Publisher/Date: Graphix, an imprint of Scholastic, Inc., c2015.

Violet Marlocke’s father is a lumberjack in a futuristic space-age time and her mother works as a fashion designer for a pretentious boss who only cares about next season’s trends. Lumberjacks in this alternate reality don’t cut down trees, but harvest and transports whale poop produced by giant flying space whales, which is then processed into energy. One whale has recently eaten Violet’s school, and areas in the path of destruction are being evacuated. When Violet’s father goes missing after a whale diarrhea environmental disaster, she heads off in a slightly restored space junker, along with a young chicken and a lumpkin, who’s contrariness is seen not just in his attitude but his uncharacteristically short and round body, resembling a walking talking kidney bean. Enlisting the helps of her father’s lumberjack buddies, Violet quickly realizes that there is more happening than she realized, her father’s life is on the line, and her actions might affect more than one family.

Rather than stick to a monochromatic scheme like some graphic novelists, Craig Thompson’s latest creation is literally BURSTING with color, starting with the raised lettering on the cover for the title. The roids, or asteroid belt, where Violet and her family work is the darker shades, lending to its recognizable position as lower class. By comparison, the space station reminds me of the Capital from The Hunger Games series, with overly prejudiced and super stylized citizens in neon and bright shades. Whale poop is portrayed as clingy green goo, reminiscent of the slime made in science class or seen on Nickelodeon, and the whales are bold purple. Even the aliens and fashions and ships are unique, with some of the aliens having claws, suction-shaped fingers, or appendages protruding from their heads. The details are also incredible, down to the tattoos on Violet’s father, which are distinct, identifiable, and most certainly contain significance, even if we don’t figure it out.

The plot is smart and sophisticated as well. Elliot the chicken has a dream journal and cites Biblical references. There’s commentary about socioeconomic classes, prejudices, environmental disasters, unions, and government conspiracies. At one point when talking with Elliot, Violet comments “You must go crazy cooped up here all the time.” and Elliot responds “COOP? Please no speciesist slurs.” Two panels later (on the same page), Violet deadpans “So, you’re no FREE-RANGE CHICKEN, huh?” (41) and we’re not quite sure if she meant it as a “slur” or seriously. The ending reminds me of Men in Black, and I even liked the epilogue, even if it does get slightly hokey/preachy towards the end. With plenty of action and subplots, this is meant for invested and engaged readers. For fans of Hitchhiker’s Guide to the Galaxy or any slapstick, unimaginable science fiction space odyssey that somehow meshes into a coherent, believable, and satisfying read, this one will surely entertain both kids and adults. This is poop humor done right.

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