Posts tagged ‘death’

The Story of Arthur Truluv

Friday Feature — Review with Book Discussion Questions!
Friday Features are an irregular occurrence on my blog that include things other than book reviews, something a little extra. This might include author interviews (hint to any authors out there who want to get interviewed), bibliographies, book trailers and program ideas. While I’m not limiting myself to talk about these things just on Fridays, it will be something extra special to finish off the work week.

Story of Arthur Truluv.jpgTitle: The Story of Arthur Truluv
Author: Elizabeth Berg
ISBN: 9781400069903
Pages: 222
Publisher/Date: Random House, an imprint and division of Penguin Random House LLC, c2017.

He is folding up his chair, getting ready to go when he sees a young woman sitting on the ground, her back against a tree. Spiky black hair, pale skin, big eyes. Jeans all ripped like the kids do, T-shirt that looks like it’s on a hanger, the way it hangs on her. The girl ought to have a coat, or at least a sweater, it’s not that warm. She ought to be in school.
He’s seen her here before. She sits various places, never near any particular grave site. She never looks at him. She stares out ahead of herself, picking at her nails. That’s all she does. Fourteen? Fifteen? He tries waving at her today, but when she sees him she puts her hand to her mouth, as though she’s frightened. He thinks she’s ready to run, and so he turns away. (7)

Arthur Moses first encounters Maddy Harris in the graveyard. Maddy goes there to escape the isolation of school, and Arthur goes there every afternoon to sit at the graveside and have lunch with his deceased wife. These two people, so totally different, easily strike up a friendship of kindred spirits. Arthur’s neighbor Lucille also finds herself in a relationship that seems destined to happen, even after years of separation. But life has a funny way of forcing people together, and after life takes unexpected turns for both Lucille and Maddy, Arthur finds himself living up to the nickname Maddy gave him; “Truluv.” Opening up both house and heart, it’s questionable who benefits and is changed the most by this burgeoning friendship.

Reading like a Lifetime or Miyazaki movie, The Story of Arthur Truluv a heartfelt story of people being in the right place at the right time, for the benefit of both themselves and for others. Everyone has some stereotypical traits, but none of the characters are overwrought in description or nature. For instance, Arthur is an old man with old joints, odd digestive ails, a dislike of profanity, and no interest in computers. Regardless of how cliché the idea is, it’s still surprising when at one point Arthur can be seen running an interloper off his property with a baseball bat. But he also is the first to broach the silence between himself and Maddy, even though he has little experience with teenagers and Maddy is sporting a nose piercing that he particularly dislikes. Arthur recognizes her as a lost soul looking for the same solace that he is seeking.

Maddy is most certainly a lost soul. Her mother died years ago, and her father has been absorbed in grief ever since, making little effort to connect with this daughter. She’s ostracized at school, ostensibly because of her dead mother although readers may get the sense there are other reasons. She is looking for love, and it’s a stroke of pure luck that Arthur comes along when he does because she finds herself in a predicament where she needs someone to look after her and her father is less than supportive.

On the flip side of the coin, Lucille, like Arthur, has love to give and is seeking camaraderie to stave off the inevitable loneliness that she sees and feels creepy into her life. Introduced to readers initially as a bossy busybody neighbor who bakes nonstop and wears an ill-fitting wig, she joyfully finds herself being wooed by a long forsaken love-interest. This short-lived opportunity softens her edges and has her seeking a purpose for the rest of her life, which she finds with the help of Arthur and Maddy. Arthur really does become an instigator, a networker, and a healer by the end of the book for both Maddy and Lucille.

I’m considering using this as a future book group title, because of the compact yet reflective narrative. Due to the different ages and stages of the characters, there are many instances of introspection that could spark the same from readers. I’ve included a sampling here, both for my future reference and for anyone else considering this for a book discussion. Warning, some spoilers are contained in the questions. If you are looking for a fast read with heart and a slice-of-life element, this one won’t do you wrong.

  • “Arthur wishes Nola were like spring; he wishes she would come back again and again. They wouldn’t even have to be together; he just wants her presence on Earth. She could be a baby reborn into a family far away from here, he wouldn’t even have to see here, ever. he would just like to know that she’d been put back where she belongs.” (6)
    Is Arthur selfish to want Nola back?
    Are there any instances in the book where characters are where they need to be instead of where they belong?
  • “A promise is a promise, even if it’s only one you made to yourself.” (12)
    Which is easier to keep, a promise made to yourself or made to others?
  • Do you think that Maddy’s right in her assertion that people are “entertained by cruelty?” (14) What else could they be entertained by?
  • How would you describe Maddy’s relationship with Anderson. Did it turn out as you expected?
  • There’s a fascination with age and death in the story. Maddy and Arthur meet in a graveyard, there’s repeated mentions of living to 100, and concepts of death, birth, and the after-life are nonchalantly conversed about by every character. Is your personality and outlook on life and death dependent on where you are in your life? How have the personal tragedies of the characters shaped their view of life, death, and the afterlife?
  • Arthur says “I suppose we might be old-fashioned, but I don’t think love is.” Do you agree or disagree? Has love changed over the years, and if so how? (100)
  • Lucille argues with Arthur that “no one even sees you when you get old except for people who knew you when you were young.” (114) Would Maddy agree with this statement? Who sees you when you are young?
  • Lucille asserts that Arthur and herself are useless now because they don’t do anything. Arthur’s rebuttal is quoted here. What do the rest of the characters do? Do you agree with his assessment? Have we turned into a world of consumers/readers instead of doers?

“Let me ask you something,” he says, finally. […]
“Did you ever hear anyone day they wanted to be a writer?” […]
Everybody wants to be a writer,” Arthur says. […]
“But what we need are readers. Right? Where would writers be without readers? Who are they going to write for? And actors, what are they without an audience? Actors, painters, dancers, comedians, even just ordinary people doing ordinary things, what are they without an audience of some sort?
“See, that’s what I do. I am the audience. I am the witness. I am the great appreciator, that’s what I do. […] I don’t feel useless. I feel lucky.” (128)

  • “Everybody makes mistakes, sometimes even before we get up in the morning. We can’t help but make mistakes. The important thing is to keep trying. And to apologize when you need to.” (178) What mistakes are made in the course of the story? Did any of them require apologies?
  • Maddy writes in a card “What is it that makes a family? Certainly no document does, no legal pronouncement or accident of birth. No, real families come from choices we make about who we want to be bound to, and the ties to such families live in our hearts.” (200) Were the character’s first attempts at families failures? Can you have more than one family?
  • Did the book end how you thought it would? Why or why not?
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Caldecott Awards 2018

WINNER

Wolf in the SnowTitle: Wolf in the Snow
See previous post (Man was I wrong about this one’s chances!)

 

 

 

 

 

 

 

 

 

HONOR BOOKS

Big Cat Little CatTitle: Big Cat, Little Cat
Author/Illustrator: Elisha Cooper
ISBN: 9781626723719
Pages: unpaged
Publisher/Date: Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership, c2017.

Endearing, minimalist black and white illustrations portray the circle of life and passage of time through a feline friendship. A newcomer is shown the ropes by the older, established resident cat. Eventually, the original cat “got older and one day he had to go… and he didn’t come back.” Roles are karmically reversed the day a new younger cat arrives, with the previous newcomer now taking the lead. A book that might help explain the death of a pet or sharing experiences with any new addition, whether at school or in the family. Short sentences place the emphasis on the ideas and pictures, and it ends with a sweet dedication to presumably all the cats the author ever had.

Crown an Ode to the Fresh CutTitle: Crown, an Ode to the Fresh Cut
Author: Derrick Barnes
Illustrator: Gordon C. James
ISBN: 9781572842243
Pages: unpaged
Publisher/Date: Bolden Books, an imprint of Agate Publishing, c2017.
Awards: John Newbery Honor (2018), Coretta Scott King Author Honor (2018), Coretta Scott King Illustrator Honor (2018)

An author’s note explains that he “wanted to capture that moment when black and brown boys all over America visit “the shop” and hop out of the chair filled with a higher self-esteem, with self-pride, with confidence, and an overall elevated view of who they are.” That feeling I don’t think is limited to just the black and brown boys, but to anyone who needs some pampering, a boost of self-worth, or simply needs to be seen by others. Every picture exudes confidence, with the primary focus being on the people’s faces, upturned on almost every page. Regardless of if they are anchored in the barber shop setting or surrounded by swirling bright-colored backgrounds, they are striking a pose and a personality that pops from the pages.

The writing also sizzles, with descriptive, adjective laden verse that reads as if you’re having a conversation with someone. “He looks like he owns a few acres of land on Saturn. Maybe there’s a river named after him on Mars. He looks that important.” It’s an awe-laden but still matter-of-fact narration of a boy who has lost his idealized view of adults and still looks up to becoming a man one day who also has the air about him that he feels from others.

I had this idea that most hair books are geared towards girls (hair styling, dos and don’ts, etc.) but as I look at my local library’s offerings, I might be mistaken in that impression. While hair styling seems to be gender based, there are books featuring bad hair days and hair cuts with both genders represented almost equally.  The illustrations for this title are unabashedly African American, portraying everything from “butterscotch complexion” to darker skin tones, from do-rags to dreadlocks, fades to faux-hawks. I feel like those reviewers who point out how few white people were in the Black Panther movie. I’m pointing this out only to speak upon the realism of the portrayal, as most hair places are very segregated but is still a place where we can find (again to quote from the author’s note) “hardworking black men from all walks of life […] discussing politics, women, sports, our community, and our future.” It’s a slice of life without the social issues, and should be included in hair themed and African American history month story times.

A Different PondTitle: A Different Pond
Author: Bao Phi
Illustrator: Thi Bui
ISBN: 9781623708030
Pages: unpaged
Publisher/Date: Capstone Young Readers, a Capstone Press imprint, c2017.

Author Bao Phi combines two infrequently portrayed topics, fishing and immigration, in this quiet slice of life story. There is no tension, no conflict, no real problem to solve unless you count the fact that the boy and his dad (all characters remain unnamed) are attempting to catch fish, an effort that ultimately proves successful. There are subtle references to the state of the narrator’s family, for instance the fact that they have to catch fish even though his parents have jobs because “Everything in American costs a lot of money.” However, the universal themes and feelings are also there, and identifiable with most readers, including the contentment of spending time with a loved one, the pride in accomplishing a task, the mystery of a parent’s past, and a desire to be of service, have a role, and contribute to a group, in this case the family.

The backgrounds of the illustrations had the look of water colors, but the crisp lines and uniform coloring of the characters had a digital feel, so I went looking for information about her technique. I found an interview with Let’s Talk Picture Books where Thi Bui elaborates on her process. I highly recommend taking a look at her photos of the work in progress. The finished product conveys the calm of the early morning trip and the quiet connection and contentment that the characters feel for one another. She states in the interview that she wanted the focus on the boy, and visually she succeeds, centering him in almost every spread and dressing him in a red shirt that frequently peeks out beneath his jacket, a subtle nod to his inability to blend in with this new life. Use for Father’s Day, multicultural, or fishing themed story times with slightly older audiences, as some passages may be too wordy for the preschool crowd.

Grand CanyonTitle: Grand Canyon
Author/Illustrator: Jason Chin
ISBN: 9781596439504
Pages: unpaged
Publisher/Date: A Neal Porter Book, published by Roaring Brook Press, a division of Hotzbrinck Publishing Holdings Limited Partnership, c2017.
Awards: Robert Sibert Honor (2018), Caldecott Honor (2018)

“Rivers carve canyons. When they cut down into the ear, canyons grow deeper. As weathering and erosion break apart their walls, canyons grow wider. Over time, rivers wash all of the eroded material away. These processes have been at work for millions of year, relentlessly excavating the mighty gorge known as Grand Canyon.”

Sandwiched between equally informative opening (featuring a map of the area and some general facts) and closing (elaborating on its history, ecology and geology, along with a cross section and bibliography) spreads, Chin’s book is full of elaborate illustrations and factual tidbits. In an outline reminiscent of Jan Brett, species of plants and animals are identified in the mattes surrounding pictures of a child and adult traveling through all the levels of the canyon. These characters are never identified by name, and the narration uses “you”, inviting readers to travel along and assume a role in the journey, stylistically similar to the Choose Your Own Adventure series. Alternating between these more informational spreads are full page flashbacks where you glimpse what the canyon could have looked like as the character travels through the timeline of formation. If that’s not enough, there are little cutouts incorporated that you sometimes don’t notice until you turn the page. The climatic finish of the “narration” is a four page wide fold-out panoramic view of the canyon, inspiring the awe that can be found and felt when visiting the real deal. Having visited a small portion of the Canyon last year, I was blown away when I first looked at it. This is the closest you are going to get if searching for a travel guide for children, with science seamlessly incorporated into the mix.

Turtles All the Way Down

Turtles All The Way Down.jpgTitle: Turtles All the Way Down
Author: John Green
ISBN: 9780525555360
Pages: 286 pages
Publisher/Date: Dutton Books, an imprint of Penguin Random House LLC, c2017.

Daisy and I were scanning stations in search of a song to a particular brilliant and underappreciated boy band when we landed upon a news story. “–Indianapolis-based Pickett Engineering, a construction firm employing more than ten thousand people worldwide, today–” I moved my hand toward the scan button, but Daisy pushed it away.
“This is what I was telling you about!” she said as the radio continued, “–one-hundred-thousand-dollar reward for information leading to the whereabouts of company CEO Russell Pickett. Pickett, who disappeared the night before a police raid on his home related to a fraud and bribery investigation, was last seen at his riverside compound on September eighth. Anyone with information regarding his whereabouts is encourage to call the Indianapolis Police Department.”
“A hundred thousand dollars,” Daisy said. “And you know his kid.” (15)

When news breaks of the disappearance of a local billionaire, sixteen-year-old Aza’s friend Daisy can hardly believe that Aza used to go to camp with his son, Davis. Aza and Daisy lead very different lives compared to Davis, and Daisy is definitely interested in the reward money. After Daisy and Aza are caught snooping around, Davis and Aza reconnect in a manner that only two lost souls who are looking for support can appreciate. However, Aza is more interested in simply getting through the day, as her spirals of thought prove more consuming and destructive. Her medicines and therapy visits aren’t helping, and even she is beginning to realize that maybe she can’t handle everything as well as she thinks.

Be warned, this review includes several longer quotes. I tried very hard to avoid any spoilers in their content. But if you want to be as blown away by the thought-provoking nature of the book as I was the first time you read it, this will probably impact your enjoyment and awe.

Aza suffers from an unnamed illness which appears to my uneducated brain as some combination of paranoia, anxiety, and OCD. She is constantly reopening a wound on her finger in an attempt to drain any infections or harmful bacteria from her body. I don’t think I have ever read a book that has so thoroughly described a mental disorder from the sufferer’s perspective. It begins a conversation about identity, awareness, and self-control that was started long before the phrase “I think therefore I am”. In fact, that quote is discussed at length in the book:

“It’s . . . like, I’m just not sure that I am, strictly speaking, real.”
Dr. Singh placed her feet on the floor and leaned forward, her hands on her knees. “That’s very interesting,” she said. “Very interesting.” I felt briefly proud to be, for a moment anyway, not not uncommon. “It must be very scary, to feel that your self might not be yours. Almost a kind of . . . imprisonment?”
I nodded. […]
“You’re imprisoned within a self that doesn’t feel wholly yours, like Molly Bloom. But also, to you that self often feels deeply contaminated.”
I nodded.
“But you give your thoughts too much power, Aza. Thoughts are only thoughts. They are not you. You do belong to yourself, even when your thoughts don’t.”
“But your thoughts are you. I think therefore I am, right?”
“No, not really. A fuller formation of Descartes’s philosophy would be Dubito, ergo cogito, ergo sum. ‘I doubt, therefore I think, therefore I am.’ Descartes wanted to know if you could really know that anything was real, but he believed his ability to doubt reality proved that, while it might not be real, he was. You are as real as anyone, and your doubts make you more real, not less.” (166-167)

I love the way that John Green presents mental illness in a manner that helps me empathize with sufferers but also allows me to see that there is still a lot to be understood about the brain and how it works. There is a lot to process as the book raises questions on self, awareness, identity, being, and thought. I would love to use this as a book discussion pick, and see what others have to say, either based on their own experiences with mental illness or how they interpret the interactions of biological, chemical, and mental responses.

There’s another passage that I quoted to a friend who is suffering depression right now who said that it pretty damn accurately describes her brain.

“I don’t understand how you can be so inhumanly calm down here, […] but you have a panic attack when you think your finger is infected.”
“I don’t know,” I said. “This just isn’t scary.”
“It objectively is,” she said.
“Turn off your light,” I said.
“Hell, no.”
“Turn it off. Nothing bad will happen.” She clicked off her light, and the world went dark. I felt my eyes trying to adjust, but there was no light to adjust to. “Now you can’t see the walls, right. […] Spin around a few times and you won’t know which way is in and which way is out. This is scary. Now imagine if we couldn’t talk, if we couldn’t hear each other’s breathing. Imagine if we had no sense of touch, so even if we were standing next to each other, we’d never know it.”
“Imagine you’re trying to find someone, or even you’re trying to find yourself, but you have no senses, no way to know where the walls are, which way is forward or backward, what is water and what is air. You’re senseless and shapeless– you feel like you you can only describe what you are by identifying what you’re not, and you’re floating around in a body with no control. You don’t get to decide who you like or where you live or when you eat or what you fear. You’re just stuck in there, totally alone, in this darkness. That’s scary. This,” I said, and turned on the flashlight. “This is control. This is power. There may be rats and spiders and whatever the hell. But we shine a light on them, not the other way around. We know where the walls are, which was is in and which way is out. This,” I said, turning off my light again, “is what I feel like when I’m scared. This” –I turned the flashlight back on– “is a walk in the fucking park.” (262-263)
There’s another scene where Aza is fighting her OCD, and the claustrophobic nature of the conversation is palatable in the prose. It’s these scenes that make the book a stand-out among young adult fiction.
The rest of the book was less effective from my point of view. The plot of Davis’s missing father is all but forgotten for most of the book. Now this was probably intentionally done to emphasize Aza’s point of view and how all consuming her mental health issues are from her perspective. However, for a book billed as being about a search for a missing billionaire, there is very little searching done. The search for clues that does take place is short, conveniently accomplished, and then the mystery is left on the sidelines until the very end of the book. I also wish we had seen more of Daisy. While the subject is broached of how self-consumed Aza can be, Daisy seems equally one track, talking exclusively about herself, her likes, her relationship, and making decisions for both of them. There are one or two scenes where their problematic friendship is broached, but then the disagreement is truncated and they return to each other without resolving the underlying issues. The above quote is one of the few times that I feel there is actual understanding and connection happening between these two life-long friends.

Davis was equally enigmatic. We see more of him through his blog posts and poetry than we do during his interactions with Aza. He’s memorable qualities are his fascination with astronomy, his apathy towards his father, and his uncertainty about his brother. His concern over what will happen to his brother and himself as opposed to what has happened to his father is heartbreaking and the one thing that made him a relatable character. He sees his life as reactive to his father’s actions, a life he has no control over, which is what really allows him to connect so easily with Aza. Both Davis and Aza see their lives as a result of reactions, Davis to external forces (his father, the media, his brother) and Aza to internal forces (bacteria, chemical reactions, the OCD inside her head).

The last two pages seemed unnecessary to me, as the whole tone changes and it’s added almost intended as an “It gets better” postscript” or epilogue to the story. While that might not stick with you, Aza’s struggles will. Don’t pick this book up for the mystery or the romance. Instead, read it for the thought-provoking portrayal of mental illness and the conversations, self-reflections, and empathy it will elicit. If that was the sole intent of the book, to wrap a discussion of mental illness into a digestible package bookmarked by a billionaire’s disappearance, than John Green succeeded in his goal.

Steelheart

SteelheartTitle: Steelheart
Author: Brandon Sanderson
Series: Reckoners #1
Narrator: MacLeod Andrews
ISBN: 9781480569133 (audiobook), 9780385743563 (hardcover)
Pages: 386 pages
Discs/CDs: 10 CDs, 12 hours 20 minutes
Publication: Brilliance Audio, c2013. (Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc. c2013.)

Eventually the Reckoners led me around a corner that looked like every other one–only this time it led to a small room cut into the steel. There were a lot of these places in the catacombs. […]
I took a hesitant step backward, realizing I was cornered. I’d begun to think that I was on my way toward being accepted into their team. But looking into Prof’s eyes, I realized that was not the case. He saw me as a threat. I hadn’t been brought along because I’d been helpful; I’d been brought along because he hadn’t wanted me wandering free.
I was a captive. And this deep in the steel catacombs, nobody would notice a scream or a gunshot. (48-49)

Ever since his father was killed by the Epic Steelheart, David has been spending the last decade studying these super powered people who inevitably battle each other for control over the cities and populations of the dystopian United States. They all have a weakness, and David knows he holds the key to Steelheart’s, if he could only figure it out. David’s not the only one fighting the Epics, and he’s been following the Reckoner’s efforts for years. After intentionally stumbling into an assassination attempt and helping (sort of) he’s able to convince the team of Reckoners to let him join them on their quest. But convincing them to go up against the most powerful Epic ever is going to take a lot more than hunches and guesswork. It’s going to take stealth and strategy, neither of which David is particularly good at imbuing.

Think of the X-Men world, but only with the Magneto team and not Professor Xavier’s humanity; then add Superman’s obscure weakness, only it’s different for every Epic, and you’ll have a good approximation of the world Brandon Sanderson has created for his Reckoners series. And what a world it is, with adaptations to the culture while still maintaining enough recognizable references to modern day to orient readers. It’s a bloody existence being a Reckoner, surrounded by war and death. The opening scene of David’s father’s death is also gritty and gruesome in it’s realism, which might turn off some more sensitive readers. I was somewhat disappointed that we didn’t see more of the day-to-day life during an Epic’s reign, but what we do glimpse is impressive. With only one or two chapters of info-dumping back story, readers are submerged into David’s internal monologue.

David’s life after his father’s death is like those of kids during the Industrial Revolution, working grunt jobs due to his size and ability to be exploited, although he doesn’t mind as it guarantees him a roof and food. Much has been said about David’s horrible yet humorous metaphors, and they definitely are memorable and add to his personality.

I tried not to stare, but that was like trying not to blink. Only . . . well, kind of the opposite. (48)
Megan’s eyes could have drilled holes through . . . well, anything, I guess. I mean, eyes can’t normally drill holes through things, so the metaphor works regardless, right? Megan’s eyes could have drilled holes through butter. (103)
“It’s like . . . a banana farm for guns.”(142)
They looked so dangerous, like alligators. Really fast alligators wearing black. Ninja alligators. (149)

But there is also depth and incredible insight from David. He objects to being called a nerd because not only does he make a distinction between smarts and persistence, but he also realized that the smartest students lost their freedoms by being scrutinized and under surveillance working for an Epic. He recognizes he’s been living a life motivated by revenge and death, but isn’t quite sure how to focus on anything else.

Not just David, but all the characters are multidimensional, and readers focus on what little information they can gleam from the narrative about everyone. MacLeod Andrews has been added to my list of top narrators. David’s youthful and playful but committed demeanor, Cody and Abraham’s back-and-forth banter, the more serious and solemn tones of Prof, the skeptical and scholarly Tia, and Megan’s sarcastic quips are all captured with precision and excellence. Cody is the spot of humor, with his southern accent, Scottish vocabulary, and intentionally insane side-comments. He throws you off guard leaving both readers and David wondering just how much of this is an act and how much of what Cody says does he actually believe, but rest assured he is much more than the village idiot. Abraham is a mystery, with Andrews alluding to a James Bond character with his clipped accent, but Abraham’s personality is probably the most predictable and stable out of all of them. Megan is the stereotypical unrequited love interest for David, who hasn’t had much past experience with girls. But Megan is anything but stereotypical, as David realizes when she turns out to be an extremely capable point-man with an astonishing knowledge of weapons. She challenges him, which is good for both of them. Rounding out the team is Tia, the typical brains of the bunch who holds information and her cards close to her chest, and the esoteric and reclusive leader Prof, who leads with equal parts discipline and democracy. The whole cast is memorable, not just because of Sanderson’s writing but Andrews’ portrayal of them.

Like the movie Saving Private Ryan, team members share only the basics about their life in an effort to avoiding tipping off the Epics if one of them ever gets captured. Prof actually asks David how old he is and if he would have anyone who would come looking for him if he were to disappear. By the end of the book, we’ve realized not everyone is as they appear, and it’s questionable where and how the story will continue. We know more about all the members of the team then we did when we started, but there is one big question that needs answering, and hopefully will be resolved in the sequel.

Vicious

Vicious.jpgTitle: Vicious
Author: V. E. Schwab
ISBN: 9780765335340
Pages: 364 pages
Publisher/Date: A Tor Book, published by Tom Doherty Associates, LLC, c2013.

Victor perched on the tub, clutching a drink as he stared down at Eliot Cardale’s corpse.
Eli hadn’t screamed. Pain had been written across every one of the forty-three muscles Victor’s anatomy class taught him twined together in the human face, but the worse Eli had done was let a small groan escape between clenched teeth when his body first broke the surface of the icy water. […]
Victor took another sip of his drink. Eli was a very unhealthy shade of whitish-blue.
It hadn’t taken as long as he’d expected. (75)

Roommates Victor and Eli are also rivals, playing leap-frog with the top spot at competitive Lockland University. Eli’s fascination with the possibility of superheroes influences his science thesis research, which begins to overlap with Victor’s research on the causes and effects of adrenaline on the body. What if becoming a superhero resulted from the application of stresses on the body, specifically those found with life and death situations. That’s when their hypothetical becomes experimental, and ends in tragedy. Ten years later, one young man is hunting other super-powered individuals while being hunted by his former friend. They are both aided by women with extraordinary powers of their own, and both vow that this will only end when one of them is dead.

Flipping back and forth from when events began in college to ten years later, details are doled out sparingly, slowly, without any urgency. Even when death is happening, you sense a remoteness and detachment from the narrative. Factoring the repercussions of Eli and Victor’s experiments, this choice feels successfully intentional. Does personally experiencing death detach the instigators from another’s death? Is humanity lost when you become superhuman?

Readers never really discover much about any of the characters’ lives and histories, just cursory details and snippets of everyone’s past. Their complicated thought processes are alluded to in telling off-handed remarks. Someone remarks they feel cold after using their talent, and they prefer holding a cold drink over a warm drink because “I like knowing at least I’m warmer than the can.” (181) One pair (I’m trying really hard to intentionally keep things vague until you read the story and find out who is who) bonds over their mutual disgust for what they have become and their efforts to rid the world of others like them, who they see as monsters, and it’s horrifying at how far they take this crusade. Eli’s assistant’s motives could have definitely used some more development in order to make her motivations more understandable. More than one person I spoke with was left wondering about the one non-extraordinary person in the bunch. That character could have also benefited from some additional development, explaining why he was so unfazed by the events around him and his almost instant connection with a little girl, who ends up playing a bigger role than initially assumed.

As a result of debate between the boys, there’s a bit of talk about God, and whether they are playing God, and multiple questions are raised. There’s the question of souls and whether people maintain their souls after death or a near-death experience. There’s the question of what makes a hero and a villain. The amount of religious discourse included was surprising, as one extraordinary seems to fashion himself as a modern day crusader. It reminded me of Hitler, who was said to have had Jewish ancestry and yet hunted and killed so many Jews.

It’s a subtle (or maybe not so subtle) nod to this discussion that scenes are separated by a simple black outline of an eye mask. One character towards the end even dons a mask, when methods and habits change, and assumes the costume of a superhuman, although I’ll leave it to readers to discover if it’s the villain or the hero. I guess that depends on your own personal opinion of what qualifies as humanity, death, and survival. The ending is stereotypical of the superhero genre, where the foes may be destined to continue the fight, and it leaves enough niggling uncertainty that makes readers wonder if there aren’t some future unknowns that will influence events.

The Seventh Most Important Thing

Seventh Most Important Thing.jpgTitle: The Seventh Most Important Thing
Author: Shelley Pearsall
ISBN: 9780553497281
Pages: 278 pages
Publisher/Date: Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2015.

Arthur’s first week back at school was about as successful as his first day or probation had been. Going from juvie to school was like going from one extreme to the other. In juvie, you learned to avoid everyone else. If some convict kid wanted to cut in front of you in the food line or steal your banana pudding at supper, you let him, no questions asked.
When Arthur got back to school in December, everybody avoided him. He felt as if he were inside an invisible box. Nobody bumped into him in the hallway. Nobody spoke to him. When he sat down in the cafeteria for lunch, the other kids picked up their trays and left. The whole school knew what he’d done, of course. Nothing was a secret at Byrd Junior High. You couldn’t fart without somebody knowing. (57)

Arthur T. Owens had his reasons for throwing a brick at the Junk Man’s head, but the judge doesn’t want to hear them. The judge also doesn’t want to listen to the fact that the brick actually hit him in the arm, but he will listen to the Junk Man. That’s how Arthur finds himself working 120 hours of community service for the Junk Man, whose real name is James Hampton. Mr. Hampton gives Arthur a list of seven things to collect, including mirrors, lightbulbs, and cardboard, which Arthur has to dig through trash, quite frequently in the snow, in order to find. But as his hours start adding up, Arthur’s involvement with Hampton also increases, until eventually it’s his investment that is the only thing keeping the project alive.

This story is one of those stories that you don’t think could possibly have happened, and then you realize it’s inspired by actual events. There actually was a James Hampton, an eccentric artist who lived during that time period, although come to think of it the only mentions to a year are in the very first chapters and the lack of technological references mean it could have taken place in any time period. Pearsall’s author’s note separates fact from fiction and includes a couple pictures, although it becomes obvious she’s taken a few liberties with details and timelines. But this is ultimately Arthur’s story, and it makes sense that Arthur’s character was the most developed. He’s not a bad kid, but he’s not seen as a good kid either based almost exclusively on his family history, and so when one thing goes wrong, the whole world turns against him. His judge and parole officer are no nonsense type people, his principal assumes the worst of him and is convinced Arthur’s the instigator in trouble at school even when told otherwise, and even his younger sister keeps calling him a bad person, but he makes allowances for her because she doesn’t understand. Arthur swings from proving them all right to proving them all wrong as he works at making his own reputation, and I feel like those attitudes are fairly accurate to modern day beliefs as well. This novel could provoke discussion on a number of topics.

Unusual Chickens for the Exceptional Poultry Farmer

Unusual Chickens.jpgTitle: Unusual Chickens for the Exceptional Poultry Farmer
Author: Kelly Jones
Illustrator: Katie Kath
ISBN: 9780385755528
Pages: 216 pages
Publisher/Date: Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Random House LLC, a Penguin Random House Company, c2015.

“Dear People Who Sell Special Chickens,

Look, maybe Mom was right about not writing while I was angry. I’m really sorry I said that stuff. Probably you’ve been busy too. But now I really need you to write back, even if you don’t send me a catalog. Because a chicken showed up yesterday, and I think it must be one of yours, because it is really definitely not an ordinary chicken. I’m pretty sure my parents are going to freak out, and I really need to figure out what to do. What are you supposed to do with a found chicken—is it like a found dog? Do chickens go to the pound? But it’s got to be yours. It’s really unusual, for sure. Can you please come get it quickly? Sincerely, Sophie […]

“Dear Great-Uncle Jim,

You know that chicken I told you about? It can use the Force.” (33-36)

Sophie moves with her mom and dad to her Great-Uncle Jim’s farm, which her family inherited upon his death. Through letters she writes, but can’t send, to her dead grandmother and great-uncle, and letters to the Redwood Farm Supply, which she does send, Sophie details her exploits as she discovers first one, then two, then even more chickens on her great-uncle’s farm. These chickens are anything but ordinary, and Sophie is not the only person who notices the unusual attributes. There may be a chicken thief on the loose, and Sophie is going to do everything she can to protect her posse of poultry.

This is a book that needs to be read aloud to classes everywhere, perfect for fans of Charlotte’s Web or other farm based fantasies. Sophie is a biracial only child, which is addressed but never obsessed over. She is self-reliant, strong-willed and independent, writing at one point “Don’t you dare send someone to take my chickens.” Knowing when to ask for help, she consults the library and other experts in researching the care and feeding of chickens. Sophie occasionally has a sarcastic way of approaching things, like telling her grandmother “I’m really sorry you’re dead” that make her an endearing and relatable protagonist. The most realistic aspect of the narration style used is there is very little directly quoted dialogue, which is rarely found in actual letters and lends a more realistic tone to the story. The illustrations are quirky and charming at the same time, adding to the plot’s humor without turning into slapstick. Give this to fans of humorous stories who are uninterested in the potty humor of Underpants. Get it, read it, share it, and recommend this unusual book. One of my favorites and one of the most memorable of the whole year.