Author: Brandon Sanderson
Series: Reckoners #1
Narrator: MacLeod Andrews
ISBN: 9781480569133 (audiobook), 9780385743563 (hardcover)
Pages: 386 pages
Discs/CDs: 10 CDs, 12 hours 20 minutes
Publication: Brilliance Audio, c2013. (Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc. c2013.)
Eventually the Reckoners led me around a corner that looked like every other one–only this time it led to a small room cut into the steel. There were a lot of these places in the catacombs. […]
I took a hesitant step backward, realizing I was cornered. I’d begun to think that I was on my way toward being accepted into their team. But looking into Prof’s eyes, I realized that was not the case. He saw me as a threat. I hadn’t been brought along because I’d been helpful; I’d been brought along because he hadn’t wanted me wandering free.
I was a captive. And this deep in the steel catacombs, nobody would notice a scream or a gunshot. (48-49)
Ever since his father was killed by the Epic Steelheart, David has been spending the last decade studying these super powered people who inevitably battle each other for control over the cities and populations of the dystopian United States. They all have a weakness, and David knows he holds the key to Steelheart’s, if he could only figure it out. David’s not the only one fighting the Epics, and he’s been following the Reckoner’s efforts for years. After intentionally stumbling into an assassination attempt and helping (sort of) he’s able to convince the team of Reckoners to let him join them on their quest. But convincing them to go up against the most powerful Epic ever is going to take a lot more than hunches and guesswork. It’s going to take stealth and strategy, neither of which David is particularly good at imbuing.
Think of the X-Men world, but only with the Magneto team and not Professor Xavier’s humanity; then add Superman’s obscure weakness, only it’s different for every Epic, and you’ll have a good approximation of the world Brandon Sanderson has created for his Reckoners series. And what a world it is, with adaptations to the culture while still maintaining enough recognizable references to modern day to orient readers. It’s a bloody existence being a Reckoner, surrounded by war and death. The opening scene of David’s father’s death is also gritty and gruesome in it’s realism, which might turn off some more sensitive readers. I was somewhat disappointed that we didn’t see more of the day-to-day life during an Epic’s reign, but what we do glimpse is impressive. With only one or two chapters of info-dumping back story, readers are submerged into David’s internal monologue.
David’s life after his father’s death is like those of kids during the Industrial Revolution, working grunt jobs due to his size and ability to be exploited, although he doesn’t mind as it guarantees him a roof and food. Much has been said about David’s horrible yet humorous metaphors, and they definitely are memorable and add to his personality.
I tried not to stare, but that was like trying not to blink. Only . . . well, kind of the opposite. (48)
Megan’s eyes could have drilled holes through . . . well, anything, I guess. I mean, eyes can’t normally drill holes through things, so the metaphor works regardless, right? Megan’s eyes could have drilled holes through butter. (103)
“It’s like . . . a banana farm for guns.”(142)
They looked so dangerous, like alligators. Really fast alligators wearing black. Ninja alligators. (149)
But there is also depth and incredible insight from David. He objects to being called a nerd because not only does he make a distinction between smarts and persistence, but he also realized that the smartest students lost their freedoms by being scrutinized and under surveillance working for an Epic. He recognizes he’s been living a life motivated by revenge and death, but isn’t quite sure how to focus on anything else.
Not just David, but all the characters are multidimensional, and readers focus on what little information they can gleam from the narrative about everyone. MacLeod Andrews has been added to my list of top narrators. David’s youthful and playful but committed demeanor, Cody and Abraham’s back-and-forth banter, the more serious and solemn tones of Prof, the skeptical and scholarly Tia, and Megan’s sarcastic quips are all captured with precision and excellence. Cody is the spot of humor, with his southern accent, Scottish vocabulary, and intentionally insane side-comments. He throws you off guard leaving both readers and David wondering just how much of this is an act and how much of what Cody says does he actually believe, but rest assured he is much more than the village idiot. Abraham is a mystery, with Andrews alluding to a James Bond character with his clipped accent, but Abraham’s personality is probably the most predictable and stable out of all of them. Megan is the stereotypical unrequited love interest for David, who hasn’t had much past experience with girls. But Megan is anything but stereotypical, as David realizes when she turns out to be an extremely capable point-man with an astonishing knowledge of weapons. She challenges him, which is good for both of them. Rounding out the team is Tia, the typical brains of the bunch who holds information and her cards close to her chest, and the esoteric and reclusive leader Prof, who leads with equal parts discipline and democracy. The whole cast is memorable, not just because of Sanderson’s writing but Andrews’ portrayal of them.
Like the movie Saving Private Ryan, team members share only the basics about their life in an effort to avoiding tipping off the Epics if one of them ever gets captured. Prof actually asks David how old he is and if he would have anyone who would come looking for him if he were to disappear. By the end of the book, we’ve realized not everyone is as they appear, and it’s questionable where and how the story will continue. We know more about all the members of the team then we did when we started, but there is one big question that needs answering, and hopefully will be resolved in the sequel.