Posts from the ‘Young Adult Literature’ Category

Gemina

Gemina.jpgTitle: Gemina
Series: The Illuminae Files #2
Authors: Amie Kaufman and Jay Kristoff
Narrators: Carla Corvo, MacLeod Andrews, and Steve West, with a full cast
ISBN: 9781101916667 (audiobook), 9780553499155 (hardcover)
CDs/Discs: 11 sound discs (12 hr., 30 min.)
Pages: 659 pages
Publisher/Date: Listening Library, Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2016 by LaRoux Industries Pty Ltd. and Neverafter Pty Ltd.

Mayday, mayday, mayday, this is Acting Captain Syra Boll of the WUC science vessel Hypatia calling Jump Station Heimdall, please respond.
Please respond. Heimdall over. […]
On the off chance we are not receiving your transmissions, or you are unable to reply, Hypatia is still en route to the Heimdall waypoint with Alexander survivors and refugees from the original Kerenza assault aboard. We’re hoping like hell it’s not just a smoking pile of debris when we get there. Estimate our arrival in fifteen days.
If you guys can roll out any kind of cavalry, now’s the goddam time.
Hypatia out.

Little does the crew and passengers of the Hypatia know that Jump Station Heimdall is having their own problems at the moment, and could use some cavalry assistance of their own. The same people who blew up the illegal mining colony of Kerenza and is pursuing the Hypatia is intent on cleaning up this botched effort, through any means necessary. And those means just might include making sure no one from Hypatia or Heimdall can report back on the mass murder that has taken place. A celebratory event turns into a hostage situation, with the captain’s daughter Hanna pairing up with the Nik, the reluctant member of the crime family secretly transporting illegal materials on-board the ship. But those materials may prove more trouble than the hostage takers.

With an almost entirely new cast of characters, the audiobook for this second in the series is almost as good as the first. Although some time has passed since I listened to the story, I remember there were two snags in the production of the early discs where the sound quality didn’t quite stay consistent. However, they were easily forgettable by the time you got to the final scenes. A notoriously impartial and unapologetic Surveillance Footage Analyst from the first book makes a welcome reappearance. Towards the end, overlapping narratives portrayed side by side in double-page spreads in the book are read consecutively, so as to maintain the intended connections.

This second outing in the saga gets slightly more fantastical than the purely scientific first book, especially involving the climatic solution to a problem that seems unsolvable. The death scenes are also more graphically rendered, partially as a result of the cargo being stowed on ship. That’s really all I can say about either event without giving too much away. While I enjoyed the continued use of transcripts, typed analysis, and other written communications to convey the story, the commentary provided during some of the more intense scenes stretched credibility. When trying to deter a hacker, would Nik’s cousin Ella, a skilled hacker in her own right, really take the time to type exclamations like “I TOLD YOU I TOLD YOU I TOLD YOU NOT TO DISTRACT MEEEEEE AAAAAAAHDB#OWALEKVNLAKENLQWENVLQKENV”KQENV”LQENV”LAV ” while trying to save her cousin’s life? In my experience, it might have been more of a vocalization as opposed to an actual typed response, especially when your fingers are otherwise occupied. Ella’s disability is touched upon in a matter-of-fact manner, but never belabored.

Having read the first book, readers will be not be surprised by the blooming romance between two of the characters, but like the first one it is relatively tame and PG compared to the violence and death of the numerous assaults on the characters. In that respect their attention is appropriately focused on staying alive rather than developing a relationship, although there are some tender moments between the two. Nik and Ella’s back and forth rapport also brings some lighter moments to the gripping suspense of when they are going to die.  There is some drug use that might not be appropriate for younger readers, but all of the frequently used swear words have been censored out of both the written and audio versions. Overall, an excellent addition to the sci-fi series, and I’m eagerly anticipating the third and final book in the trilogy.

Illuminae

Illuminae.jpgTitle: Illuminae
Series: Illuminae Files (#1)
Author: Amie Kaufman and Jay Kristoff
Narrators: Olivia Taylor Dudley, Lincoln Hoppe, and Jonathan McClain, with a full cast
Book Design: Heather Kelly and Jay Kristoff
ISBN: 9781101916629 (book on cd), 9780553499117 (hardcover)
Pages: 599 pages
Discs/CDs: 10 CDs, 11.5 hours
Publisher/Date: Listening Library (audiobook), Borzoe Book published by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2015 by LaRoux Industries Pty LTD. and Neverafter Pty Ltd.

Interviewer: Tell me about yesterday.
Kady Grant: I was in class when it started. This is going to sound stupid, but I broke up with my boyfriend that morning, and he was right there on the other side of the room. I’m staring out the window and coming up with all the things I should say to the jerk, when these ships fly right overhead and all the windows start shaking.
Interviewer: Did you know something was up?
Kady Grant: No. You don’t jump straight to an invasion. […]
Interviewer: You evacuated at that stage?
Kady Grant: You make it sound way more organized than it was.
Interviewer: How was it?
Kady Grant: All kittens and rainbows. Apart from the screaming and explosions. (2-3)

Kady Grant and Ezra Mason are two teenagers who have just broken up, when their illegal mining colony is attacked by a competing mining corporation. Their hasty evacuation puts them on different ships, with a warship following close behind their tiny, limping fleet intent on finishing the job. But a virus has found its way onto one of the ships, and command is not sharing information in an attempt to stop rumors and panic. Hacking into the system, Kady is more knowledgeable than most, but even she is still in the dark about just how much trouble they are in. Forced to work with Ezra in order to piece together this puzzle, Kady has a hard time trusting anyone, including the supposedly unalterable AI system aboard the ship that seems to be updating itself with a mind of its own. And she’s unfortunately not the only one, as command  is conflicted regarding their course of action. With the odds clearly stacked against them, it’s anyone’s guess if they will make it out alive, and if they don’t what will finish them off first.

First, let’s talk design and production. In listening to the audiobook, you get a full cast narration, in which listeners can experience what it must have been like for people when War of the Worlds radio broadcast was first released. There are sound effects, there are harried voices talking over each other, there is the robotic monotone of the AI and other electronic system alerts. When a tremendous explosion rocks through the story, there is a pregnant pause in the audio of silence. Reminiscent of the Death Star explosion scene in Star Wars the audiobook stops completely and allows you to attempt to come to terms with desperately trying to overcome the shocking turn of events. You’re continually scrambling to figure out what is happening, and the audio allows you that time in its unhurried spooling of the story.

This brick of a book is designed beautifully, and some librarians were surprised to hear my raving reviews of the audio that it translated so well into an audio presentation. There are censored words throughout the book, blacked out with heavy marker. There’s paraphernalia paper clipped to reports. There are logos and letterhead for each of the ships involved, and spiraling script that conveys the chaotic events. I didn’t miss any of it, and in looking at the print version I am more thoroughly impressed with the quality of the audiobook. They took into account every detail and it shows.

The story itself reads like the Star Wars epic space opera/drama that it is. While there is a romance involved, for most of the story the two main characters are separated by space so there is very little PDA. Because the story is told in transcripts of verbal and textual conversations and summaries of surveillance footage, there is also surprisingly little technological jargon. The two primary characters, Ezra and Kady, don’t start out as soldiers or scientists or computer specialists, and that allows a very different story to take place than compared to other science fiction thrillers, like The Martian. The dialogue is riddled with censored swear words, incomplete sentences, and it’s refreshingly realistic. Kady is already sarcastic and suspicious, and her blatant disregard for authority is only amplified as the lies and secrets are uncovered. Ezra is slightly less skeptical than his ex, and is willing to go along with orders, until even he can’t ignore the writing on the wall. They play off each other extremely well, and their growing concern for each other evolves naturally as they cling to whoever they can as feelings of trust begin to dwindle. The other characters are fully realized, and everyone is struggling to reorient themselves in this ever-changing, perilous situation.

There is so little true science fiction available for teens, regardless of the quality this title would have been included on reader’s advisory lists. But because it exceeds all expectations that I had, I’m placing it as one of my favorites. The sequel Gemina is already available, and I’m looking forward to continuing the series and finishing the trilogy when the third one arrives at the end of the year. Highly recommended.

The Golden Compass The Graphic Novel Vol. 1

Golden Compass Graphic Novel 1.jpgTitle: The Golden Compass The Graphic Novel Vol. 1
Original Author: Philip Pullman
Adapted by: Stephane Melchior
Translator: Annie Eaton
Illustrator: Clement Oubrerie (with Philippe Bruno)
ISBN: 9780553523720
Pages: unpaged
Publisher/Date: Borzoi Book published by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC. c2015. (Originally published by Gallimard Jeunesse, c2014) Adapted from The Golden Compass, c1995.

“Lyra! So that is what they’re teaching you here? Spying!”
“Ouch, that hurts!”
“The wine! It’s poisoned!”
“A spy and a liar. They’ve really done well with your education.”
“I was hiding! I saw! The Master poured powder into the wine.” (unpaged)

Lyra has lived at Jordan College for almost her whole life, and is tired of being supervised by the stuffy professors and scholars who live there. She wants to go on adventures with her uncle, Lord Asriel, whom the head of the school tried to secretly poison on her last visit. Instead, she is whisked away from the dangers of the city, including rampant kidnappers dubbed the Gobblers, by the mysterious Mrs. Coulter. However, Mrs. Coulter has her own agenda, including an association with a board using children to research a mysterious substance called Dust, that multiple groups are racing to understand and control. Heading for an adventure she always wanted but could never anticipate, Lyra is left relying on the help of a group of gyptians and her own skills as she travels to the North, to the land of ice, cold, and not-so-friendly armored polar bears.

I’ve been a big fan of the His Dark Materials trilogy ever since it was first published almost 20 years ago. (Not saying “Man I’m old” prevents me from being old, right?) When I heard they were making it into a graphic novel trilogy, I was excited. I was slightly disappointed to learn that this trilogy of graphic novels is only focusing on the first book, and question the rational behind splitting the original novel in this manner. This first volume leaves off with Lyra’s journey north with the gyptians just beginning, and she still has a long way to travel. The artwork is also not what I expected from a story that deals with fantastical elements and beasts. Muted in tone, with lots of dark blues and dusty orange/reds, the color palette may have been determined by the story’s setting and mood more than the other way around. Lyra’s determination and free-spirited nature is still evident in this portrayal, but quite a few of the more animated facial expressions for her and the other characters strike me as overly exaggerated and at times comical. The number of panels per page (sometimes as many as nine) also necessitates that they are quite small, and so details do not translate well, with the exception being when the artist intentionally makes a panel bigger for emphasis.

The background behind Dust and the deamons has been eliminated almost completely, except for a few quick expository pages and some overheard conversations on Lyra’s part. Readers must pay attention to the illustrations to determine the nature of daemons, including their ability to change shape, the necessity of physical proximity to their humans (I almost typed owners, whoops!) and the ties that bind them to those humans. For readers who enjoy fantasy and the ideas of other worlds, this would be an adequate introduction to the ideas. Make no mistake though, this is a paltry substitute for the real thing, and I’m saddened by the fact that some people won’t be motivated to tackle the original.

Alex + Ada

Series: Alex + Ada
Volumes 1, 2, and 3
Story by: Jonathan Luna and Sarah Veughn
ISBN: 9781632150066 (vol. 1), 9781632151957 (vol. 2), 9781632154040 (vol. 3)
Pages: unpaged
Publisher/Date: Originally published in single magazine form by Image Comics, c2015

You might think about getting one.”
“Me? An android?”
“Sure. You could always put her in the basement when you find someone.”
“Do you know how sick that sounds? It might as well be a dungeon.”
“Kinky.”
“Grandma… I appreciate the idea. But, no– even if I had the money– I don’t want an android girlfriend. It’s just… weird.” […]
“Grandma, what were you thinking?
“‘Thank you’ would suffice.”
“When I gave you a spare key, it was for emergencies only! It is not okay for you to sneak into my house and drop off a robot! How did you even get it here?” (unpaged)

Alex is getting over a break-up and is tired of everyone offering him advice, from his coworkers to his friends. So when his grandmother sends him an artificially intelligent, realistic looking android, he is less than happy. Especially amidst speculation that the security features keeping them from being sentient are possibly malfunctioning. But Alex can’t shake the feeling that there is more to the robot named Ada, and pursuing those possibilities might lead him into deep trouble.

The premise reminded me of a more militarized version of the movie Bicentennial Man, and could definitely spark discussion about the current state of artificial intelligence, technological advances, and the ubiquitous nature of surveillance and information gathering. Different viewpoints are presented, and while obviously readers are meant to side with the main characters, both sides have valid arguments and neither one is victimized or demonized. For instance:

“Daniel would have so much potential if he was unlocked. He’d have a life.”
“But it would put him in danger.”
“Is it really all just about the danger.” […]
“I like the way things are. It was why I got Daniel in the first place. I didn’t want complications. But if he’s not sentient, then I don’t see an issue. What harm is there in keeping him as he is now?”
“It would be wrong to keep him locked just because he doesn’t know there’s more for him.”
“Or is it wrong to unlock him when the world isn’t prepared for it?”
“Plenty of people have done important things in history when the world wasn’t ready.” (Volume 2, unpaged)

I was admiring the ability of the artist to keep Ada straight-lipped throughout the series (since I’m assuming her robotic origins would limit mobility) but then realized that every character is drawn in that same manner. The pacing provided by wordless panels enhances the story, as it forces readers to consider reactions before they happen, slow down in the reading, and really look for the incremental differences in facial expressions and body language that provide cues of the character’s intentions and thoughts. While the predictable plot is enjoyable, it also prevents the series from standing out among the cliche of sentient robot stories.

Calamity

Calamity.jpgTitle: Calamity
Series: Reckoners #3
Author: Brandon Sanderson
Narrator: MacLeod Andrews
ISBN: 9781511311748 (audiobook) 9780385743600 (hardcover)
Pages: 421 pages
CDs/Discs: 10 CDs, 12 hours
Publisher/Date: Audible Inc., and distributed by Audible, Inc. and Brilliance Audio. c2015. (audiobook) Delacorte Press, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, c2016 (by Dragonsteel Entertainment, LLC) (hardcover)

“I’m fine,” I said. “But they spotted me.”
“Get out.”
I hesitated.
“David?”
“There’s something in there, Mizzy. A room that was under lock and key, guarded by drones–I’ll bet they moved in there as soon as our original attack happened. Either that, or that room is always guarded. Which mean . . . ”
“Oh, Calamity. You’re going to be you, aren’t you?”
“You did just tell me to, and I quote, ’embrace my nature.'” I fired another salvo as I caught motion at the end of the corridor. “Let Abraham and the others know I’ve been spotted. Pull everyone out and be ready to retreat.”
“And you?”
“I’m going to find out what’s in that room.” I hesitated. “I might have to get shot to do it.” (27)

David is now the defacto leader of the Reckoners, or at least what is left of them. Their fight against Regalia in Babylon Restored did not go expected. Then again, when do David’s plans ever go as expected? After breaking into the Knighthawk Foundry to get supplies, they follow a lead to Ildithia, an ever shifting city made of salt. Their bare bones basic plan is to find out how to defeat Calamity while recovering one of their own team members. But the powers of the Epics are not what they seem, and as David fights to save people who were once allies, he may put in jeopardy the team members who have always stayed loyal.

Sparks, it is hard to talk about this third book, the conclusion to the trilogy, without giving away anything that has happened in the first two books. So forgive my vagueness. Beginning about two months after the end of Firefight, David has truly evolved into a leader, running team missions and being looked to by other team members for guidance and instruction. His bad similes/metaphors are back, and they seem to have leaked into the rest of his team. While that may be true to real life (speech patterns evolving based on who you hang out with most), it was less amusing when more and more people started spewing bad similes. I still have two really great favorites. The first one is David trying to describe his nerdiness/obsession about Epics:

“I’d call him obsessed, but that doesn’t do it justice.” […]
“I’m like . . . well, I’m like a room-sized, steam-powered, robotic toenail-clipping machine.” […]
“I can basically do only one thing,” I explained, “but damn it, I’m going to do that one thing really, really well.” (57,61)

The fact that person actually allows him to finish his metaphor so many minutes/pages later proves how much they have grown on each other. You really see David’s romantic side in this next quote. I wish I had someone to describe me like this.

“You,” I said, tipping her chin up to look her in the eye, “are a sunrise.” […]
“I would watch the sun rise, and wish I could capture the moment. I never could. Pictures didn’t work–the sunrises never looked as spectacular on film. And eventually I realized, a sunrise isn’t a moment. It’s an event. You can’t capture a sunrise because it changes constantly–between eyeblinks the sun moves, the clouds swirl. It’s continually something new.
“We’re not moments [redacted]. We’re events. You say you might not be the same person you were a year ago? Well, who is? I’m sure not. We change, like swirling clouds and a rising sun. The cells in me have died, and new ones were born. My mind has changed, and I don’t feel the thrill of killing Epics I once did. I’m not the same David. Yet I am.”
“I met her eyes and shrugged. “I’m glad you’re not the same [redacted] I don’t want you to be the same. My [redacted] is a sunrise, always changing, but beautiful the entire time.” (137-138)

However, David also develops a distracted internal monologue as a result of his more pronounced love interest that proved unnecessary and seemed out of character, especially with these happening in the heat of battle.

“I imagined her cursing softly, sweating while she sighted at a passing drone, her aim perfect, her face . . .
. . . Uh, right. I should probably stay focused. (16)

One of the things I admired about this book was Sanderson’s handling of the fight scenes. The team does take damage. While with the technology existing in the book not everything they undergo in the sense of physical injuries is permanent, there is a character death that I didn’t see coming and that seriously affects the team, not only emotionally but also in their ability to run future missions. Other readers/reviewers have mentioned the drawn out nature of the planning and the fighting, but I’m glad that time passes. Fights aren’t won in an instant, wars take time, and the exhaustion that the characters suffer as a result is mentioned repeatedly. We also see the aftermath of a battle, with bodies lying around, and David actually considers taking action to prevent a repercussion of war, before being convinced otherwise by his team that it would be too risky. His world view has expanded to not just consider his own goals, but also what sort of implications the end result would have on the citizens of this new city, which his focused way of thinking in Newcago would have never considered.

The book also showed that people have their own weaknesses and motivations, regardless of whether they are an Epic or a regular human. By the end, we definitely see that some people will never change, while others, especially David, have evolved over the course of the series, sometimes out of necessity but other times due to their own inevitable growth.

It’s the last about 20% of the book where the plot starts to fall apart. Sanderson has backed himself into a corner, with Reckoners falling back, falling down, and falling out of the fight. There is an epic (pardon the pun) showdown between David and the book’s major Epic (who for…. reasons I can’t name). Several new Epics are introduced, and one resurfaces from a previous book. From the beginning I felt like there was more to one of the new Epics than meets the eye, and his role/reveal in the final fight felt VERY convenient. The team’s interactions with him felt out of character, and this is where things start to get muddled. Then David has a last minute Hail Mary opportunity (literally, the last 50 pages of a 400 page book) to take out Calamity, which was never the primary goal of the entire plot of the book even though the book is named after him.

I love how Jessica from Rabid Reads posted on Goodreads that the problem is solved “just like that”, which is literally the words Sanderson uses.I went back to check, page 411. REALLY? Less than 10 pages to the end of the book and “just like that” problem solved. There’s no other way to describe it, that’s just lame Sanderson. You spend three books setting up this epic battle and circuitous rationale behind the powers, the weaknesses… everything. And then you go and pull (really great turn of phrase omitted because of spoilers) fake-out on us and refuse to answer any of the questions that result. It’s the epitome of “and then they woke up, and realized it was all a dream”.

Regardless of my anger towards Sanderson over his inability to provide closure or a straight answer to close off this series, Macleod Andrews continues his phenomenal job at voicing the series. I found myself by the end of this third book comparing his voice for David to a young Michael J. Fox, overly ambitious but still cautious about what’s to come. Meanwhile, the altered Epic they face off against seemed like the newest incarnation of Batman, where the voice gets gravely when assuming his alter ego. Seriously, listen to the audiobooks for these, but be prepared to be scratching your head and throwing the discs across the room by the end.

Firefight

Firefight.jpgTitle: Firefight
Series: Reckoners #2
Author: Brandon Sanderson
Narrator: MacLeod Andrews
ISBN: 9781501278099 (audiobook), 9780385743587 (hardcover)
Pages: 416 pages
Discs/CDs: 9 CDs, 11 hours 41 minutes
Publisher/Date: Dragonsteel Entertainment, LLC c2014. (Audible, Inc. and distributed by Audible, Inc. and Brilliance Audio)

I pass through the crowd and knelt beside the corpse. She’d been a rabid dog, as Prof had put it. Killing her had been a mercy.
She came for us, I thought. And this is the third one who avoided engaging Prof. Mitosis had come to the city while Prof had been away. Instabam had tried to lose Prof in the chase, gunning for Abraham. Now Sourcefield had captured Prof, then left him behind to chase me.
Prof was right. Something was going on. (31-32)

David and the Reckoners have fought off three new Epics successfully, but something isn’t adding up as to why they are making the effort to travel to Newcago and engage a team of Epic assassins. All clues point to Babylon Restored, formerly known as Manhattan but currently ruled by a mysterious High Epic named Regalia, who flooded the city in order to maintain control. David, Tia, and Prof leave the rest of the team behind and join up with a new team that has become entrenched in the city. Their plan involves taking out Regalia before she takes out them, but with Regalia seemingly one step ahead of them at every turn and secrets being kept on all sides, David’s famous improvisational skills may be put to the test.

If you enjoyed Steelheart, you’re going to love Firefight. MacLeod Andrews is back as narrator, and the one scene that swept me away was when David is getting choked to within an inch of his life by an Epic. You hear the distress, you hear the rasping, frantic breath leaving his body, and you hear the fear. We leave behind in Newcago Cody and Andrew, and get Mizzy, a manic pixie like character who is a new recruit training to be sniper and point who also does equipment repairs, operations leader Val who is just as close mouthed and serious as Jonathan, and Exel, an ex-mortician giant of a man who is half gregarious infiltrator/reconnaissance  and half big man of muscle. Each new character and Epic are given equally appropriate voices. Mizzy is delightful in terms of comic relief. In one of my favorite scenes early in the story, she is given “scribe duties” during a meeting, and her notes include:

Reckoner Super Plan for Killing Regalia at the top of the sheet. Each i was doted with a heart. […]
Really important, and we totally need to do it on the paper, with three big arrows pointing at the heading above. Then after a moment, she added Boy, it’s on now in smaller letters beside that one. […]
Regalia totally needs to get with the business. […]
Excel needs to pay better attention to his job […]
Step One: find Regalia, then totally explode her. Lots and lots. […]
Step Two: put Val on decaf. […]
Step Three: Mizzy gets a cookie. […] (131-135)

She plays off David extremely well, maybe because they are both the newest ones to their teams, or maybe because they are closest in age to each other.

“Well, trust me,” I said. “I’m more intense than I look. I’m intense like a lion is orange.”
“So, like . . . medium intense? Since a lion is kind of a tannish color?”
“No, they’re orange.” I frowned. “Aren’t they? I’ve never actually seen one.”
“I think tigers are the orange ones,” Mizzy said. “But they’re still only half orange, since they have black stripes. Maybe you should be intense like an orange is orange.”
“Too obvious,” I said. “I’m intense like a lion is tannish.” Did that work? Didn’t exactly slip off the tongue.
Mizzy cocked her head, looking at me. “You’re kinda weird.” (115)

And yes, David’s bad metaphors are back, but it seemed like they were less frequent than in the first book, which is okay by me. Although as someone determines near the end of the book “You’re not actually bad at metaphors […] because most the things you say are similes. Those are really what you’re bad at.” (414) It, among other things, shows David’s growth from the last book. The intensity of the Reckoners’ situation has also changed, as they fight not just one but two Epics that are intertwined in a long term goal that no one sees coming. David starts questioning what they are doing as more information about Epics comes to light and he starts to wonder what makes Epics go bad and if there is a way to prevent them from being consumed by their powers. We see David in true assassin mode, questioning his motives and beliefs as he tries, usually unsuccessfully, to come to grips with his feelings and hatred towards most Epics but with an ever growing list of exceptions.

We get way more information about the creation of Epics then I ever expected. All the pieces of the puzzle start coming together, and the ending simultaneously wraps up the problems found and creates whole new ones that we need to face in the recently published third and final book in the trilogy. We may have lost some friends in the process (shhhh, no spoilers here), but knowing David, he’ll figure something out, and being in a tight spot just makes him try harder to succeed.

Steelheart

SteelheartTitle: Steelheart
Author: Brandon Sanderson
Series: Reckoners #1
Narrator: MacLeod Andrews
ISBN: 9781480569133 (audiobook), 9780385743563 (hardcover)
Pages: 386 pages
Discs/CDs: 10 CDs, 12 hours 20 minutes
Publication: Brilliance Audio, c2013. (Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc. c2013.)

Eventually the Reckoners led me around a corner that looked like every other one–only this time it led to a small room cut into the steel. There were a lot of these places in the catacombs. […]
I took a hesitant step backward, realizing I was cornered. I’d begun to think that I was on my way toward being accepted into their team. But looking into Prof’s eyes, I realized that was not the case. He saw me as a threat. I hadn’t been brought along because I’d been helpful; I’d been brought along because he hadn’t wanted me wandering free.
I was a captive. And this deep in the steel catacombs, nobody would notice a scream or a gunshot. (48-49)

Ever since his father was killed by the Epic Steelheart, David has been spending the last decade studying these super powered people who inevitably battle each other for control over the cities and populations of the dystopian United States. They all have a weakness, and David knows he holds the key to Steelheart’s, if he could only figure it out. David’s not the only one fighting the Epics, and he’s been following the Reckoner’s efforts for years. After intentionally stumbling into an assassination attempt and helping (sort of) he’s able to convince the team of Reckoners to let him join them on their quest. But convincing them to go up against the most powerful Epic ever is going to take a lot more than hunches and guesswork. It’s going to take stealth and strategy, neither of which David is particularly good at imbuing.

Think of the X-Men world, but only with the Magneto team and not Professor Xavier’s humanity; then add Superman’s obscure weakness, only it’s different for every Epic, and you’ll have a good approximation of the world Brandon Sanderson has created for his Reckoners series. And what a world it is, with adaptations to the culture while still maintaining enough recognizable references to modern day to orient readers. It’s a bloody existence being a Reckoner, surrounded by war and death. The opening scene of David’s father’s death is also gritty and gruesome in it’s realism, which might turn off some more sensitive readers. I was somewhat disappointed that we didn’t see more of the day-to-day life during an Epic’s reign, but what we do glimpse is impressive. With only one or two chapters of info-dumping back story, readers are submerged into David’s internal monologue.

David’s life after his father’s death is like those of kids during the Industrial Revolution, working grunt jobs due to his size and ability to be exploited, although he doesn’t mind as it guarantees him a roof and food. Much has been said about David’s horrible yet humorous metaphors, and they definitely are memorable and add to his personality.

I tried not to stare, but that was like trying not to blink. Only . . . well, kind of the opposite. (48)
Megan’s eyes could have drilled holes through . . . well, anything, I guess. I mean, eyes can’t normally drill holes through things, so the metaphor works regardless, right? Megan’s eyes could have drilled holes through butter. (103)
“It’s like . . . a banana farm for guns.”(142)
They looked so dangerous, like alligators. Really fast alligators wearing black. Ninja alligators. (149)

But there is also depth and incredible insight from David. He objects to being called a nerd because not only does he make a distinction between smarts and persistence, but he also realized that the smartest students lost their freedoms by being scrutinized and under surveillance working for an Epic. He recognizes he’s been living a life motivated by revenge and death, but isn’t quite sure how to focus on anything else.

Not just David, but all the characters are multidimensional, and readers focus on what little information they can gleam from the narrative about everyone. MacLeod Andrews has been added to my list of top narrators. David’s youthful and playful but committed demeanor, Cody and Abraham’s back-and-forth banter, the more serious and solemn tones of Prof, the skeptical and scholarly Tia, and Megan’s sarcastic quips are all captured with precision and excellence. Cody is the spot of humor, with his southern accent, Scottish vocabulary, and intentionally insane side-comments. He throws you off guard leaving both readers and David wondering just how much of this is an act and how much of what Cody says does he actually believe, but rest assured he is much more than the village idiot. Abraham is a mystery, with Andrews alluding to a James Bond character with his clipped accent, but Abraham’s personality is probably the most predictable and stable out of all of them. Megan is the stereotypical unrequited love interest for David, who hasn’t had much past experience with girls. But Megan is anything but stereotypical, as David realizes when she turns out to be an extremely capable point-man with an astonishing knowledge of weapons. She challenges him, which is good for both of them. Rounding out the team is Tia, the typical brains of the bunch who holds information and her cards close to her chest, and the esoteric and reclusive leader Prof, who leads with equal parts discipline and democracy. The whole cast is memorable, not just because of Sanderson’s writing but Andrews’ portrayal of them.

Like the movie Saving Private Ryan, team members share only the basics about their life in an effort to avoiding tipping off the Epics if one of them ever gets captured. Prof actually asks David how old he is and if he would have anyone who would come looking for him if he were to disappear. By the end of the book, we’ve realized not everyone is as they appear, and it’s questionable where and how the story will continue. We know more about all the members of the team then we did when we started, but there is one big question that needs answering, and hopefully will be resolved in the sequel.

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