Title: Iron Hearted Violet
Author: Kelly Barnhill
Illustrator: Iacopo Bruno
Pages: 424 pages
Publisher/Date: Little, Brown and Company, a division of Hachette Book Group, Inc. c2012.
Violet didn’t notice that there was something…odd about her reflection in the mirror. If she had been paying attention, she might have seen that her reflection did not–as reflections typically do–mirror her movements and vanish into the limit of the mirrored space.
No. Her reflection remained.
And as Violet–the real Violet–reached the end of the hall, wiping her tears away as she did, the reflection in the mirror–the wrong Violet–spread its lips into a cruel yellow grin. (63
There are whispers in the castle. Whispers of a thirteenth Old God, when only twelve are taught and talked about. There are whispers of war between the neighboring kingdoms, but especially from the Mountain King of the North. There are whispers that real princesses are beautiful, just like in the stories. Everyone, including Princess Violet, knows that Violet, the only child of the King and Queen to survive childbirth, is not beautiful. And there are whispers of a dragon, the first one to be seen in a century. All these whispers culminate into a deafening roar of war as forces beyond Violet’s control begin to influence her, her family, her friends, and even the castle itself. Will the ancient entity locked away all those years ago finally break free?
The book starts off slowly, intentionally building suspense as readers are privy to events that Violet, her friend Demetrius, and the rest of the characters are not aware. Reader’s will have a much more complete picture before the characters piece it together. The other odd point is that the castle’s story-teller is telling the story, but we so rarely get input from him that it’s almost jarring when asides get thrown in at random moments to contribute even more foreshadowing. The foreshadowing we do receive from the story could not have been known by the story-teller. Does that make sense? It almost would have worked better without the story teller’s asides or input.
That small quibble aside, I liked that Violet was NOT a pretty princess. Readers get to see a princess, of all people, have insecurities about her looks, and the very obvious message that looks don’t matter gets nailed home at the end. Fans of the movie Brave might see similarities between Violet and Disney’s frizzy-haired princess. The dragon isn’t your stereotypical dragon, although there are so few books now showing fierce, fire-breathing dragons that I wonder how stereotypical that idea is anymore. The slow seep of evil that begins to permeate the story, setting, and characters was probably my favorite part, as characters in the story didn’t notice the changes and affects until it was “almost” too late. I’d recommend this for the patient reader who is willing to let the story develop and isn’t put off by the lack of whiz-bang battles.