The American Library Association announced their Annual Youth Media Awards earlier this year, and I’ve been slowly but surely catching up on reading all the winners and honorees. The Coretta Scott King Awards are a set of three awards that honor African American authors, illustrators, and new talent of outstanding literature for children and young adults. I’ll be focusing on the Illustrator and New Talent Awards in this post, with the longer author winner and honorees in a separate post once I finish reading them. I have to say though, there were really no surprises in these categories, as the same people are continually recognized for their contributions.
For the Coretta Scott King Illustrator Book Award, the committee chose one winner and one honoree.
Title: Nelson Mandela
Author/Illustrator: Kadir Nelson
Publisher/Date: Katherine Tegen Books, an imprint of HarperCollins Publishers, c2013.
Publication Date: January 2, 2013
The honor was given to Kadir Nelson, who authored and illustrated a picture book biography on Nelson Mandela, published at the very beginning of 2013. Nelson Mandela’s passing at the end of 2013 serves as an ironic footnote to the book’s publication and award recognition. Kadir Nelson’s name has cropped up a host of times, and his work has been recognized over an over again.
Won the 2012 Coretta Scott King Author Award Heart and Soul: The Story of America and African Americans
2012 Coretta Scott King Illustrator Honor for Heart and Soul: The Story of America and African Americans.
Caldecott Honor for Henry’s Freedom Box: A True Story from the Underground Railroad by Ellen Levine
Caldecott Honor for Moses: When Harriet Tubman Led Her People to Freedom by Carole Boston Weatherford, for which he also garnered a Coretta Scott King Illustrator Award and won an NAACP Image Award;
Won Coretta Scott King Illustrator Award for Ellington Was Not a Street by Ntozake Shange
Won Coretta Scott King Author Award for We Are the Ship: The Story of Negro League Baseball
Coretta Scott King Illustrator Honor for We Are the Ship: The Story of Negro League Baseball
Are you sensing a theme here? Whenever he writes something, he gets recognized by someone! And most people will say rightfully so. In his newest book, readers see Kadir Nelson’s signature style of life-like renderings from the cover (which mimics the design of his biographies on Coretta Scott King and Martin Luther King Jr.) all the way to the end. Most striking I think is the first page, where we see a young Nelson playing with the village boys and the sun shines forth from behind the hill with such warmth your eye is immediately drawn to the contrasting shadowed silhouettes. The sparse, poetically formatted text supplements the pictures, that carry the light and dark themes throughout the book.
My one complaint about this and other picture book biographies is that very few specifics are included. Annual biography assignments for school children often have a checklist of facts that need to be contained in the books or require an inclusion of a time line. While this would be a great asset to children studying biographies, especially during February’s Black History Month, readers would be hard pressed to find specifics. Would it have been so hard to add a timeline in the back of the book along side the author’s note, or include specific dates in the text instead of “in early 1990″? Or am I the only person getting frustrated by this oversight?
Title: Knock Knock: My Dad’s Dream for Me
Author: Daniel Beaty
Illustrator: Bryan Collier
Publisher/Date: Little, Brown and Company, a division of Hachette Book Group, Inc. c2013.
Publication Date: December 17, 2013
More recently published Knock Knock: My Dad’s Dream for Me won the Illustrator award. Bryan Collier is another illustrator who has been recognized time and time again, with three Caldecott Honors and four Coretta Scott King Awards over the years. Collier’s collages and Beaty’s text follows a young boy as he experiences the loss of his father’s influence. The author doesn’t specify in the story that the father has been incarcerated until you read the end notes, which I appreciate because it lends versatility to the story and could be used for divorce situations in addition to incarceration. The illustrations follow the boy as he grows into an educated man and an involved father in his own right, but at the end you still see the influence his own father had on him, regardless of or maybe because of his absence.
The more symbolic structure of the illustrations lend the impression this is meant for older audiences, and I can see where this might be a recommendation for patrons specifically looking for material of this nature. Most poignant is the subtle nods to the father’s absence, such as the main character wearing his father’s tie as he peruses his dreams, and an elephant statue peeking out of his office background mimicking the child’s bedroom wallpaper. The ending picture seems slightly out of context with the rest of the story, but although overall I think the less abstract images make the most impact when reading, that last picture makes a memorable ending to a tale of perseverance.
Title: When the Beat Was Born: DJ Kool Herc and the Creation of Hip Hop
Author: Laban Carrick Hill
Illustrator: Theodore Taylor III
Publisher/Date: Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership, c2013.
According to the ALA website the John Steptoe New Talent Award was “established to affirm new talent and to offer visibility to excellence in writing and/or illustration which otherwise might be formally unacknowledged within a given year within the structure of the two awards given annually by the Coretta Scott King Task Force.” This award is often overlooked because it’s not awarded every year.
I can understand why this book was recognized by the committee, as it sheds light on the start of Hip Hop, something that most people have never considered. The story focuses on DJ Kool Herc rise from Jamican music lover peering over the fence at party set-ups to hooking up his father’s super-sized speakers to street lamps and christening the break dance style that evolved during his days of being a DJ. While Laban Carrick Hill includes a personalized author’s note and a partial time line of hip hop in the 1970s and 1980s, just like Kadir Nelson’s picture book biography he avoids specific dates and details.
The pictures by Theodore Taylor III are well drawn, with clean lines showing children what the different break dancing moves look like. His work showcases the old technology of speakers bigger than people, boomboxes bigger than babies, and turntables plugged into one another instead of through wireless connections. It’s almost a time capsule for readers, where parents can talk about the music they used to listen to, and I wish it had a compilation CD that featured some of the “Hip Hop” beats that are discussed in the book. I especially enjoyed the scene of community where Herc is playing street parties in the park and we see people of all ages, including one gray haired woman and a small child with a jump rope, listening to the music. As someone who grew up in the suburbs and didn’t have that type of environment, I’m surprised to find myself wanting to seek out that community network.
This post is in honor of Nonfiction Mondays. Check out the blog for other reviews of nonfiction books.