Posts from the ‘Young Adult Literature’ Category

In Real Life

In Real LifeTitle: In Real Life
Story: Cory Doctorow
Art and Adaptation: Jen Wang
ISBN: 9781596436589
Pages: 175
Publisher/Date: First Second, an imprint of Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership, c2014 (Adapted from a story by Cory Doctorow called “Anda’s Game” first published on Salon.com in 2004)
Published: October 14, 2014

“I’m a gamer and I kick arse. No, seriously. I organize a guild online and I’m looking for a few of you chickens to join me. This is Coarsegold Online, the fastest growing massive multiplayer roleplaying game with over 10 million subscribers worlwide. You might’ve heard of it. This is my avatar. In game, they call me the Lizanator, Queen of the Spacelanes, El Presidente of the Clan Fahrenheit. How many of you girls game? And how many of you play girls? See that’s a tragedy. Practically makes me weep. When I started gaming online there were no women gamers. I was one of the best gamers in the world and I couldn’t even be proud of who I was. It’s different now, but it’s still not perfect. We’re going to change that, chickens, you lot and me. Here’s my offer to the ladies: if you will play as a girl in Coarsegold Online, you will be given probationary memberships in the Clan Farenheit. If you measure up in three months, you’ll be full-fledged members. Who’s in ladies? Who wants to be a girl in-game and out?” (8-10)

With the words of a school visitor, Anda is hooked on the online game Coarsegold. And she makes an impressive start, so much so that she is invited by a fellow clan member to go on some missions. These missions aren’t for game gold though, they are for real world cash. The missions involve hunting down players who are only there to mine gold and then sell it online for real cash, and Anda is getting paid to take out the competition by other gold hunters doing the exact same thing. She thinks it’s to maintain fairness, since other players invest the time and energy and practice to acquire their items and skills themselves rather than paying for them. Then she meets Raymond, one of the gold farmers who gives her a whole new perspective about the real world. Will Anya’s efforts to equalize lead to more trouble in both worlds?

First, Jan Wang’s artwork is STUNNING! The real world is primarily portrayed in hues of olive-green, browns, and oranges, while the virtual world is brightly rendered using reds, yellows, and vibrant blues. By the end of the novel, you can tell Anda’s time in Coarsegold is affecting her because the colors begin to bleed into the real world spreads. The characters are also portrayed in a variety of shapes and races, some less humanoid than others. This novel packs a lot into the tiny size, and it does it without being didactic or patronizing. Anda’s parents’ concerns about her involvement in an online community, the lack of female gamers, the practice of gold farming, working class dynamics, and different cultures trying to relate to each other are all presented in ways that are relevant and necessary for the story. Doctorow addresses most of these ideas in his introduction, urging readers to consider activism and how the internet may aid in activism efforts. “Those risks are not diminished one iota by the net. But the rewards are every bit as sweet.” (xii)

One item that isn’t even mentioned is Anda’s weight, which is so refreshing because although she is on the “bigger” side, it’s not relevant to the main plot and there is no dissatisfaction with her size. It isn’t even a subplot! Based on a short story originally published by Doctorow, Wang took some liberties there, which I think strengthened the focus of the story. Other liberties include shortening the time line, changing the ending slightly, and really focusing on the economic and social aspects of the story. However, whole portions of dialogue were lifted from the original and judging by how much I liked this book, it’s a sure sign that I need to read more of both Jen Wang and Cory Doctorow’s creations. Containing smart, insightful, cultural commentary on a number of issues in an engaging plot, this book will make you think without even realizing it. Give this one to gamers, social activists, feminists, or as an introduction to someone new to the graphic novel genre.

The Shadow Throne

Shadow ThroneTitle: The Shadow Throne
Series: The Ascendance Trilogy, book #3 (sequel to The Runaway King)
Author: Jennifer A. Nielsen
Map by: Kayley LeFaiver
Narrator: Charlie McWade
ISBN: 9780545284172 (hardcover), 9780545640060 (audiobook)
Pages: 317 pages
CDs/Discs: 9 hours, 4 minutes, 8 CDs
Publisher/Date: Scholastic Press, an imprint of Scholastic Inc., c2014 (Scholastic Audiobooks, c2014)

With an unsteady voice, she added, “Jaron, do you expect to die in this war?”
My thumb brushed over hers. Not for the first time, I wondered how her skin could be so soft. Then I said, “With the kind of threat we’re facing, I will fight to the death before I surrender. And I don’t see a path to victory.”
“But you’ll find a way. You always do.”
“Maybe Carthya will come through this. But mine has never been the kind of life that leads to old age.” (20-21)

Jaron has every reason to be defeated. After returning home from the pirates camp with a broken leg, he knows war is on the horizon, and receives word of its arrival at the same time he learns of Imogen’s capture. He saved her once, he can do it again, right? With his friends scattered, his country surrounded, and a possible spy in their midst, Jaron is flung into the deadliest battle yet. While he recognizes that he might not make it out alive, he refuses to admit or believe that fate might fall on one of his friends. But will his efforts force him to choose between his companions, his country, or his own freedom?

I posted reviews to the first and second books in the series earlier this year. I still recommend the audiobook versions as an enjoyable listening experience, with Charlie McWade literally providing a voice to Jaron. But with the amount of movement going on between towns and countries, readers might prefer having the map in the print version readily available as a reference of everyone’s destinations and locations. The other thing that I noticed this time around is that the Jennifer Nielsen presents conversations quite frequently as summaries from Jaron’s perspective. I don’t know if she does this to speed the plot or to avoid writing dialogue. I also don’t know if I noticed this more because I was listening to the audiobook rather than reading it. For instance, here are two examples of times I wish I could have “heard” the conversation:

To avoid any argument, I explained only what was necessary of my plans. Mott’s mouth was pinched in a think line of disapproval and Harlowe didn’t look much happier. Tobias clearly thought I had gone insane during my time in captivity, and as that wasn’t entirely impossible, I didn’t contradict him. In the end, they agreed to all that I asked, and Harlowe made Mott and Tobias Promise to keep me safe. Mott replied that he could protect me from everyone but myself, which I thought was a fair compromise. (122-123)

The more we talked about it, the more I was certain that something was very wrong. (194)

Listening to the audiobook, descriptions like the ones just quoted feel as if Jaron is breaking the fourth wall and talking directly to the reader. Readers also get first hand analysis of Jaron’s physical and mental state, such as “I was neither the biggest nor the strongest in this battle. My only hope was to be the quickest.” (205) These comments might have read more fluidly if the book had been presented in the third person or if someone else had told Jaron, but from Jaron’s perspective such self-awareness can be slightly jarring.

At other times, these asides are some of the most beautiful and heart-felt portions of the book. I can’t quote any of them without giving away way too much of the plot. Suffice it to say, you’ll know what I mean when you encounter them. Swoon! Balancing the more heart-felt moments, Jaron’s biting sarcasm is a welcome constant in the series. For instance, after encountering a friend, Jaron claims “I need to smile. Tell me something not awful.” After hearing his companions were “miserable”, Jaron arches an eyebrow and says “This is the worst good story I’ve ever heard.” The story continues with an evening rain, making it “cold and so dark we could barely see our own fingers, and the night seemed to last forever.” Jaron responds “I’m beginning to wonder if you understand what ‘not awful’ means.” (94-95) That’s the Jaron we know and love, and those times always brought a smile to my face.

While the print copy benefited from the map, the one benefit of the audiobook was the inclusion of an “exclusive scene” that was not included in the print copy. This bonus scene transports readers to a mid-point in the story and shows an event which Jaron is not present to witness. It explains the actions of another character, and I find myself comparing it to the Harry Potter epilogue at the end of book seven. Some people might like it, but I would have rather been kept in the dark about this character’s motivations than receive this somewhat loose rational behind their actions. It definitely adds more intrigue to the situation. Just like the second book, Jaron paints himself into one corner after another, with no possibly way to get out (at least to everyone else) until some miraculous foresight is revealed that propels him to the next problem. You can’t help but admire his intense planning, but it is also hard to believe a plan this complicated and hinged on so many factors is going to succeed. Still a highly recommended series, this book is Inception meets Princess Bride, and I think fans of both would appreciate the complexities.

The Runaway King

Runaway KingTitle: The Runaway King
Series: Ascendance Trilogy #2 (sequel to The False Prince)
Author: Jennifer A. Nielsen
Narrator: Charlie McWade
ISBN: 9780545497695 (audiobook)
Pages: 331 pages
CD/Discs: 7 CDs, 8 hours 27 minutes
Publisher/Date: Scholastic Audiobooks, c2013.

Newly crowned King Jaron is convinced that the neighboring community of Avenia is set to attack and claim their land, but none of his advisers will listen to the mad king who just resumed the throne after his presumed death at the hands of pirates years ago. When a failed assassination attempt convinces his advisers to hand over a captured traitor in the hopes of placating the group, Jaron fears they will relieve him of his crown in order to send him into hiding. Instead, Jaron puts his own plan into play, which involves sneaking across the border and tracking down the pirates who are trying to complete the unfinished task and collect on the spoils of war. As Jaron’s past catches up with him, he wonders which of his assumed identities he will have to maintain in order to survive. Is he an orphan boy, a street thief, a prospective pirate, or the ruling sovereign of a kingdom in danger? His strength, stamina, and smarts are put to the test in a political game that everyone thinks he will fail.

Jaron is an arrogant, dishonest, insolent, manipulative, overconfident, sarcastic, self-righteous, and stubborn individual, and I can definitely see why his departed father’s advisers would not get along with him. Jaron has his own way of doing things and refuses to listen to anyone’s concerns unless he has no other option. On the other hand, he usually proves himself right by the end of the adventure. I’m not sure if it is maddeningly coincidental that things happen to go his way or just a way for author Jennifer Nielsen to prove his unflappability in the face of obstacles. Scaling a rock wall with a broken leg is not something I would attempt, but he faces it with a determination that you think would ultimately be detrimental to his cause, if not his body. His physical endurance and ability to read his opponent and maintain charades and mind games makes him appear superhuman. And yet, you can’t help rooting for him to succeed and yelling at him to don’t do something stupid that you predict is going to fail.

Jaron’s journey is filled with delays, and it’s a wonder he gets where he needs to be at all. While realistic to the vast distances he needs to cross and the dangers he faces, it does slow down the pace of the plot. In return, you have daring sword fights with his enemies that are over in a manner of minutes at most. A lot of political scheming and plotting is presented, and while I found myself enjoying it more than I thought I would, some readers might want more of the fight and flee action that most fantasies have today. We’re privy to Jaron’s inner thoughts regarding his reasoning, but sometimes only as he tells another character his plans. The audiobook proved slightly problematic, as Jaron’s inner thoughts are sometimes indistinguishable from the dialogue. However, I thought Charlie McWade did an acceptable job distinguishing between the accents and tones of the older advisers, Jaron, the pirates, and his younger friends.

Obviously a set-up for the third novel, with the upcoming conflict revealed in the final chapter of the book, I feel like this suffered the sequel syndrome and didn’t live up to my expectations of the first one. Some readers might remember that I was on the committee that chose The False Prince, the first book in the series, for a Cybils award when it was published in 2012. Knowing who Jaron really is cut down on the tension and intrigue, and the ending, while leaving enough unfinished business for a third book, came about a bit too cleanly. I’m sure Jaron would think privately that it was anything but easy, although he would never voice his frustrations or admit to his limitations aloud. That’s just not his style. It’s a trip of endurance, and many readers might question what they would do in that same situation, never fully understanding Jaron’s motivations or his innate ability to overcome adversity.

2 The Point Tuesday The False Prince

I was on the Cybil’s committee that chose The False Prince as the winner for 2012. I’ve held off on posting a review of this because I didn’t want to tip my hand. Now that I’ve reviewed the sequel The Runaway King, I thought I would post a copy of our summary as a To the Point Tuesday. To the Point Tuesday was formed as a 150 word review of a recent read. It’s slightly over the 150 word limit, which I’m okay with because of how much happens in the novel and also how much I loved the book. If you want to play along, just post a link in the comments and I’ll add them to the post.

False PrinceTitle: The False Prince
Author: Jennifer A Nielsen
Narrator: Charlie McWade
ISBN: 9780545391665 (audiobook), 9780545284134 (hardcover)
Discs/CDs: 7 CDs, 8 hours 14 minutes
Pages: 342 pages
Publisher/Date: Scholastic, c2012.
Publication Date: April 1, 2012

“You’re a trick to figure out Sage. Would you ever be on my side, even if I chose you above the other boys?”
“I’m only on my side. Your trick will be convincing me that helping you helps me.”
“What if I did?” Connor asked. “How far would you go to win?”
“Th better question, sir, is how far you will go to wine.” I looked him steadily in the eyes as I spoke, although his back was to the fire and his eyes were set in shadow. [...] So we know you’re willing to murder to win.”
“I am.” Conner backed up, speaking to all of us again. “And I’m willing to life, to cheat, and to steal. I’m willing to commend my soul to the devils if necessary because I believe there is exoneration in my cause. I need one of you to conduct the greatest fraud ever perpetrated within the country of Carthya. This is a lifetime commitment. It will never be safe to back down from my plan and tell the truth. To do so would destroy not only you but the entire country. And you will do it to save Carthya.” (28-29)

Sage is taken from his orphanage along with three other boys and thrust into an attempt to save the kingdom from impending war. If he loses, it’s certain death, but Sage is very reluctant to win, since the prize at the end means becoming someone’s pawn and living a lie for the rest of his life. The detailed world Nielsen creates is full of life, populated with mystery, twists and turns, and engaging and complex characters. Readers don’t know who to trust, while Sage knows he can trust no one, especially not Connor, the man who stole them away and has aspirations of his own. Sage’s voice is perfection, reading like a medieval Sherlock Holmes. Unreliable and snarky, Sage keeps his observations, assets, and motivations to himself until he knows he can benefit. Readers can’t help but cheer for him, even as he struggles to come to grips with the ups and downs of a fate he doesn’t desire.

Revolver

I listened to this audiobook way back in February of 2011. How this review got buried so far down that it hasn’t seen the light of day before now the world may never know. I have been recommending this to patrons ever since to rave reviews, and I hope you take the time to enjoy it too.

Title: Revolver
Author: Marcus Sedgwick
Narrator: Peter Berkrot
ISBN: 9781596435926
Pages: 204 pages
Discs: 3 CDs, 3 hours 35 minutes
Publisher/Date: Roaring Brook Press (Brilliance Audio), c2009.

Even the dead tell stories.
Sig looked across the cabin to where his father lay, waiting for him to speak, but his father said nothing, because he was dead. Einar Anderson lay on the table, his arms half raised above his head, his legs slightly bent at the knee, frozen in the position in which they’d found him; out on the lake, lying on the ice, with the dogs waiting patiently in harness. (1)

Fourteen-year-old Sig Anderson is waiting for his sister and step-mother to return from traveling across the frozen ice to the neighboring town. The same ice had, just a few hours earlier, killed his father when he fell through and froze to death in the Alaskan cold. While waiting for help to arrive, Sig gets a visitor of a different sort; a giant, gun-wielding man named Wolff, claiming that he has some unfinished business with Sig’s father. Sig hopes that help will arrive before the man makes good on his promise to harm Sig and his family. But when help does arrive, it’s Sig’s sister Anna, and she’s alone. How will these two survive?

First off, excellent narration on the audiobook by Peter Berkrot. He gives the book a Clint Eastwood, old-western “You feeling lucky, punk?” quality and his nitty-gritty tone and inflection sets the whole mood. I’ll admit that it a little slowly paced in the beginning, but that’s okay. Nothing is moving fast in this story, and it’s the palatable tension that readers will revel in.

Berkrot had great material to work with, as Marcus Sedgwick’s terse prose is as gripping as the performance. Wolff, the man who invades Sig’s little cabin in the snow, is a man of few words, and when he does say something, his tone makes them count. “The words hung in the air, drifted around the room. They seemed to paint themselves on the walls in letters two feet high. They seemed to be painted in blood.” (70) Shiver. Shortly after, this description got stuck in my brain the whole time I was finishing the book:
“Wolff dropped the words onto the floor like little spiders, which scuttled over to Sig and crawled up his legs, his back, his neck. He stopped grinding the coffee briefly but then determined that he would not let the man rile him.” (80) Now that is masterfully crafted writing, if I ever heard/saw it. You know exactly how Sig is feeling with Wolff being in the house. And there are other scenes that convey the same familiarity with the characters and their emotions.

The details are also there, and in an author’s note at the end Sedgwick explains how he did his research, traveling to the “sub-zero temperatures in Northern Sweden that I got a sense of the cold and the landscape and walked on frozen lakes.” (203) He also discussed revolvers with “Peter Smithurst of the Royal Armouries, the UK’s leading expert on Colts. He carefully explained his history and workings of the Colt, took a 44-40 to pieces for me to show how it works, and did it all with great enthusiasm. (203-204). I’m sure that interaction with an expert is where we get the description of how the gun works in chapter 18, which although I don’t have any experience with guns, I still found fascinating. A riveting read about choices.

The Rithmatist

RithmatistTitle: The Rithmatist
Author: Brandon Sanderson
Illustrator: Ben McSweeney
Narrator: Michael Kramer
ISBN: 9781427237439 (audiobook), 9780765320322 (hardcover)
Pages: 378 pages
CDs/Discs: 9 CDs, 10 hours
Publisher/Date: TOR Books, a registered trademark of Tom Doherty Associates, LLC. c2013.

The door stopped rattling. All was still for just a moment, then the door burst open.
Lilly tried to scream, but found her voice caught in her throat. A figure stood framed in moonlight, a bowler hat on his head, a short cape covering his shoulders. He stood with his hand on a cane to his side.
She could not see his face, backlit as he was, but there was something horribly sinister about that slightly tipped head and those shadowed features. A hint of a nose and chin, reflecting moonlight. Eyes that watched her from within the inky blackness.
The things flooded into the room around him. Angry, squirming over floor, walls, ceiling. Their bone-white forms almost seemed to glow in the moonlight.
Each was as flat as a piece of paper.
Each was made of chalk.
They were each unique, tiny picture like monsters with fangs, claws. They made no noise at all as they flooded into the hallway, hundreds of them, shaking and vibrating silently as they came for her.
Lilly finally found her voice and screamed. (12-13)

Joel missed his chance to become a Rithmatist when he was younger, but he still gets to observe Rithmatists practice at school. His father was a master chalk maker, but died in an accident and now his mother works non-stop at school in order to pay his debts. Changes and challenges are in the air, as a new professor joins the staff and shakes up the school. When students start disappearing, Joel and a remedial Rithmatist student aid an aging professor in investigating where they went. With no way of protecting himself, Joel isn’t the only one who fears he is in over his head.

I was surprised by how well described the chalk drawings were on the audiobook, and thought the details had been added for listeners benefit. Turns out not only are there drawings, but also descriptions of what they look like and how they function included at the beginning of each chapter. The descriptions test your memory for geometry terms from way back when, but they still make sense. I was also grateful for the map at the beginning of the book that detailed where these places were on an altered map of the United States. What happened to the country, I’m not sure we’ll ever know the full details of, but the names and placements of the communities make sense in an almost post-apocalyptic manner.

I also appreciated the turn of events that occur throughout the novel. The tension is drawn out (pardon the pun) slowly, with first one then multiple students going missing, and the trouble escalating. It’s similar to the trouble facing Hogwarts in the Harry Potter series, as parents either pull their students from the university or are encouraged by the authorities to leave them there under the protection of the guards. But Joel is not the fated wizard who will save the world. In fact, he is powerless against the chalklings — creatures made of chalk that can attack both chalk defenses and living beings — instead using his analytic brain to overcome what he sees as a handicap. Melody is the loquacious, wise-cracking side-kick in this story, whose curiosity and optimism get the better of her and repeatedly put her in danger. But Joel needs her Rithmatist skills, however remedial, and their dynamics and budding friendship evolve and appear very naturally as they interact with increasing frequency through their studies with Professor Fitch. I also liked Professor Fitch, who seems best suited to mentor both Melody and Joel. As the principal of the school at one point tells Joel, “Professor Fitch likes to be bothered [...] particularly by students. He’s one of the few true teachers we have at this school.” (83) Professor Fitch emphasizes strategy over showmanship, and really encourages reason from the pair.

The problems that Joel and Melody encounter are neatly tied up by the end of the book, only to have author Brandon Sanderson throw a twist into the mix, so the last few chapters open a whole new can of worms. Readers will have to wait for the sequel to truly discover where Joel, Melody, and the person responsible for the disappearances are headed. And unfortunately, the sequel is not expected to see the light of day until 2015. Plenty of time for readers to practice their own rithmatist skills.

Eleanor & Park

Eleanor & ParkTitle: Eleanor & Park
Author: Rainbow Rowell
Narrators: Rebecca Lowman and Sunil Malhotra
ISBN: 9780385368261 (book on cd), 9781250012579 (hardcover)
Pages: 328 pages
Discs/CDs: 9 hours, 7 CDs
Publisher/Date: St. Martin’s Griffin, c2013. (audio from Listening Library)

“You can’t sit there. That’s Mikayla’s seat.” [...]
“I have to sit somewhere,” The girl said to Tina in a firm, calm voice.
“Not my problem,” Tina snapped. The bus lurched, and the girl rocked back to keep from falling. Park tried to turn the volume up on his Walkman, but it was already all the way up. He looked back at the girl; it looked like she was starting to cry.
Before he’d even decided to do it, Park scooted toward the window.
“Sit down,” he said. It cam out angrily. The girl turned to him, like she couldn’t tell whether he was another jerk or what. “Jesus-fuck,” Park said softly, nodding to the space next to him, “just sit down.”
The girl sat down. She didn’t say anything–thank God, she didn’t thank him–and she left six inches of space on the seat between them.
Park turned toward the Plexiglas window and waited for a world of suck to hit the fan. (8-9)

This is how Eleanor and Park meet. Eleanor, described by Park as “big and awkward. With crazy hair, bright red on top of curly. And she was dressed like. . . like she wanted people to look at her.” (8) Eleanor, when comparing Park to the other, meaner classmates on the bus, “couldn’t tell if the Asian kid who finally let her sit down was one of them, or whether he was just really stupid. (But not stupid-stupid- he was in two of Eleanor’s honors classes.)” (11) But then Park notices Eleanor is reading his comics over his shoulder, so he lends her some more. And he realizes that they like some of the same bands and music, so he lends her some cassette tapes. And then batteries. It’s when Park invites Eleanor home with him that they both realize two things: they are becoming more than just two teens who share the same bus seat, and their lives couldn’t be more different. It is those differences that ultimately put their relationship to the test, and Eleanor asks Park to give her something he truly doesn’t want to give up on.

What is it about books lately that are making me see the world so differently? Obviously books are supposed to make you view the world through a window or a light that isn’t your own. But I have never heard Eleanor’s analysis of Romeo and Juliet before, and I loved how contrary she was to the teacher. It’s also a little eye-opening and a little unnerving to have a historical fiction title that takes place during a time (1986) I was alive! Finally, after reading about the censorship scandal last September, I guess I should give fair warning that there are a multitude of swear words and some sexual content, although they don’t make it to home plate.

The relationship between Park and Eleanor I initially thought of as cliché, with two people who originally hate each other slowly falling in love. Really though, they didn’t hate each other in the beginning, they just had to get to know each other better and overcome this huge space between them. The bus seat and their body language while riding to and from school becomes symbolic of their feelings, as they start out avoiding each other, but then slowly migrate closer and closer, first ducking down so no one can see and then not caring what anyone on the bus thinks of them. Park starts off being this stereotypical Asian boy, smart, small, and silent, but then there’s that scene between him and Steve (if you have read the book, you KNOW which one I’m talking about), and it just smashes your entire opinion of Park. It also smashes your entire impression of Eleanor, as her response is just… wow.
Eleanor is getting teased by the kids on the bus. Park gets upset, and Eleanor tells him:

“It’s not worth it.”
“You are,” he said fiercely, looking at her. “You’re worth it.”
“This isn’t for me,” she said. She wanted to pull at him, but she didn’t feel like he was hers to hold back. “I don’t want this.”
“I’m tired of them embarrassing you.” [...]
“Embarrassing me?” she said. “Or embarrassing you?” (130)

You realize how mature she is and it’s sad that her abusive home life is what caused that maturity. Your heart hurts for Park that he gives so much and asks so little, but Eleanor isn’t really in a position to offer any more than she does, and she is forced to keep her guard up around everyone.

Speaking of families, Park’s is the polar opposite of Eleanor’s family. While yes we have the stereotypical absent and/or abusive parents in Eleanor’s case, we also have Park’s involved, loving, and caring parents. Park’s parents can empathize with the spot he finds himself, and while they are not perfect, they play off each other beautifully. They are willing to change when circumstances change, and they are overall some cool parents to have who support and mentor Park with his tough decisions.

Another opinion altering moment comes at the end. That is NOT how I expected this book to end. Not in a million years. But it works, and it makes sense. The book’s ending is so gut-wrenching yet hopeful, all at once, that you may just find yourself smiling even as a tear or two runs down your cheek. Whether you listen to the excellent audio or curl up next to the fire for a cover-to-cover binge reading, be prepared to have your heart stretched.

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